卡尔-阿佩尔是荷兰现代绘画史上最具争议性的艺术家之一，他的创作自由即兴无拘无束，像是一次对自我情绪的宣泄和放任，其抽象的画风也影响很广。本片是少有的记录阿佩尔创作过程的影片，导演Jan Vrijman用了近两年的时间做准备，富有创意地将艺术家外出寻找灵感的经历与绘画时的激情场景交叉剪辑在一起，并配上Dizzy Gillespie的先锋爵士乐。本片获1962年柏林电影节最佳短片金熊奖，是荷兰影史上的一部经典。（BTW看后我感觉他不像画家倒更像个油漆工。：） 　　Karel Appel was a highly controversial artist in the 1950s. That was enough reason for journalist Jan Vrijman to make a film about him. After two years' preparation, Vrijman was granted a 90,000-guilder subsidy from the Ministry of Education, Culture and Science. Vrijman actually did have a fair amount of television experience. Vrijman did engage experienced personnel for key positions: Eddy van der Enden (camera) and Ytzen Brusse (editing). The reactions to THE REALITY OF KAREL APPEL were mostly negative, making Vrijman's feelings of joy even greater when the film was awarded the Golden Bear at the Berlinale of 1962.

卡尔-阿佩尔是荷兰现代绘画史上最具争议性的艺术家之一，他的创作自由即兴无拘无束，像是一次对自我情绪的宣泄和放任，其抽象的画风也影响很广。本片是少有的记录阿佩尔创作过程的影片，导演Jan Vrijman用了近两年的时间做准备，富有创意地将艺术家外出寻找灵感的经历与绘画时的激情场景交叉剪辑在一起，并配上Dizzy Gillespie的先锋爵士乐。本片获1962年柏林电影节最佳短片金熊奖，是荷兰影史上的一部经典。（BTW看后我感觉他不像画家倒更像个油漆工。：） 　　Karel Appel was a highly controversial artist in the 1950s. That was enough reason for journalist Jan Vrijman to make a film about him. After two years' preparation, Vrijman was granted a 90,000-guilder subsidy from the Ministry of Education, Culture and Science. Vrijman actually did have a fair amount of television experience. Vrijman did engage experienced personnel for key positions: Eddy van der Enden (camera) and Ytzen Brusse (editing). The reactions to THE REALITY OF KAREL APPEL were mostly negative, making Vrijman's feelings of joy even greater when the film was awarded the Golden Bear at the Berlinale of 1962.

The ARM Ministry of Culture, Cinema Centre of Armenia, and Hayk Ordyan present a documentary about world-famous film director, author of distant montage Artavazd Peleshyan. 　　World-famous American documentarist Godfrey Reggio, German well-known film critic Hans Joahim Shlegel, Russian film world authorities Mikhail Shvidkoy, Sergey Miroshnichenko, Peleshyan's close friends -- painter Hakob Hakobyan, composer Tigran Mansuryan and those who had the chance to know great director's works, tell about their impressions. 　　On december 6, 2009 took place the film's premiere in "Moscow" Cinema and then it was aired on Armenian Public Television. 　　In May, 2010 "The Poet of Cinema: Artavazd Peleshyan" documentary participated in the film markets of Cannes and East Silver Film Festivals, Prague

玛丽亚姆和努拉发现父亲去世前留下了巨额遗产，为了防止被她们的哥哥白白拿走一半的遗产，两姐妹试图赶在哥哥得知消息之前，拿到父亲在银行留下的钱。为此，姐妹俩必须放下彼此的芥蒂，互相合作，展开一系列精心策划的行动。

讲述了一无所有的33岁未婚女人与拥有百亿资产的八旬老人伪装结婚后，与老人不懂事的四个儿子寻找亲情的愉快温馨的家庭剧。

玛丽亚姆和努拉发现父亲去世前留下了巨额遗产，为了防止被她们的哥哥白白拿走一半的遗产，两姐妹试图赶在哥哥得知消息之前，拿到父亲在银行留下的钱。为此，姐妹俩必须放下彼此的芥蒂，互相合作，展开一系列精心策划的行动。

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.

THE GODFATHER LEGACY goes deep inside Francis Ford Coppola's epic saga about the Corleone crime family and reveals how the Academy Award-winning film and its sequels became one of the most acclaimed franchises in Hollywood history. Featuring iconic scenes from all three films, never before seen home movies and insightful interviews with filmmakers (Francis Ford Coppola, All Ruddy and Peter Bart), actors (Al Pacino, James Caan, Talia Shire, Joe Mantegna, et al.), law enforcement officials and even former Mafia members. This feature length documentary illustrates why The Godfather trilogy continues to entertain and fascinate audiences and how it continues to impact the way society views everything from capitalism to crime. 　　--- Written by Prometheus Entertainment