生者放不下，死者离不了。人间的牵绊，是爱，是疚；是愤恨，也是遗憾。神经病学家卡特莲娜与著名退休医生亚尼斯驱车前往荒凉海边小镇，秋风吹拂着沉默。因一宗交通事故，亚尼斯被召来辨认遗体，始知死者不止一人。随着疑虑渐获证，卡特莲娜在黑夜独行至残破酒吧，在那失落世外桃源，终看清一切真相。朦胧镜头、迷样美感，尤格索伊带点希腊诡异浪潮之风，营造疑幻疑真的神秘氛围，模糊生前死后世界，以梦幻诗意召唤记忆中的幽灵，好好道别，放手离去。

20世紀から約1000年後の未来、外宇宙へと進出した地球人は、謎の異星人イルミダス星人との戦いに敗れ、難民化した地球人は絶望し、イルミダス占領下の地球へ失意の帰還をしていた。 　　そんな屈辱の中、難民達を地球へと送り届けていた若き日のハーロックの大山トチローとエメラルダスとの運命の出会い、そしてハーロックが愛した生涯ただ一人の女性マーヤへの愛と別れを描く。ハーロック一族の先祖ファントム・F・ハーロックの記憶から辿ることから始まる。

侵略者イルミダス占領下の地球からアルカディア号で脱出したハーロック（S-00999）・大山トチロー（S-00998）とエメラルダス（X-00001）は、コードナンバーSSXとして全宇宙に指名手配され、イルミダス軍の攻撃を受けながらも、異星人のラ・ミーメなどの仲間とともに大宇宙のどこかにあると信じる理想郷「アルカディア」を探して旅を続けていく。その戦いの中で、地球人の少年物野正と少女レビ、有紀螢、そして船医としてドクター蛮が仲間に加わる。 　　一方、イルミダス地球占領軍はアルカディア号を超える艦を建造するため、若き天才科学者Mr.ゾーンにアルカディア号を分析調査するよう命じた。そしてMr.ゾーンもまた大宇宙へと旅立ち、アルカディアを目指す。

侵略者イルミダス占領下の地球からアルカディア号で脱出したハーロック（S-00999）・大山トチロー（S-00998）とエメラルダス（X-00001）は、コードナンバーSSXとして全宇宙に指名手配され、イルミダス軍の攻撃を受けながらも、異星人のラ・ミーメなどの仲間とともに大宇宙のどこかにあると信じる理想郷「アルカディア」を探して旅を続けていく。その戦いの中で、地球人の少年物野正と少女レビ、有紀螢、そして船医としてドクター蛮が仲間に加わる。 　　一方、イルミダス地球占領軍はアルカディア号を超える艦を建造するため、若き天才科学者Mr.ゾーンにアルカディア号を分析調査するよう命じた。そしてMr.ゾーンもまた大宇宙へと旅立ち、アルカディアを目指す。

Otto Muehl 　　Kardinal 　　Perinetkeller Wien 　　Frühjahr 1967 　　http://www.ubu.com/film/muehl.html 　　Kamera Helmut Kronberger 　　Otto Muehl (born June 16, 1925, at Grodnau, Burgenland, Austria) is an Austrian artist. He started painting in his youth and in the 60s was one of the co-founders, and an important member, of Wiener Aktionismus or Viennese Actionism. In 1972 he founded the famous commune Friedrichshof that flourished for several years before falling apart in the 1990s. Muehl himself was sentenced to 7 years imprisonment for having sexual relationships with teenagers. He was released after 7 years and set up a smaller commune in Portugal. 　　In 1943, Otto Muehl served in the German Army and in 1944 he was sent to the Front. After the war, he studied teaching German and History, and Pedagogy of Art at the Wiener Akademie der bildenden Künste. 　　In the sixties his aim was 'to overcome painting on canvas through staging the process of its destruction'. He made rhizomatic structures with scrap iron ("Gerümpelplastiken"), but soon proceeded to the "Aktion" in the vein of the New York Happenings. In 1962, when he was 37, the first "Aktion" "Die Blutorgel" was performed in Muehl's atelier in the Perinetgasse by Muehl himself, Adolf Frohner and Hermann Nitsch. The "Fest des psycho-physischen Naturalismus" and "Versumpfung einer Venus" followed in 1963. From 1964 to 1966 many "Malaktionen" were filmed by Kurt Kren and photographed by Ludwig Hoffenreich. In 1966 a new concept of Aktion was developed with Günter Brus: instead of the canvas, the body became the scene of action. In 1968, Muehl, Brus and Oswald Wiener organised an Aktionsveranstaltung "Kunst und Revolution" in the University of Vienna, which caused a scandal in the press; they were arrested and Brus emigrated to Berlin. 　　Gradually, Muehl began to distance himself from "Aktion". He regarded the "happening as a bourgeois artform, mere art". The "transition from art to life" resulted in the founding of the commune as a kind of anti-society. Inspired by Wilhelm Reich, all members submitted to the so-called Aktionsanalyse. The declared aim was the destruction of bourgeois marriage and private property, free love, and collective education of the children. In 1974 he played a small role as a member of an anarchic/therapy commune in Dusan Makavejev's Sweet Movie. In the eighties, tensions within the commune increased until they culminated in a revolt under the direction of Altenberg. When, on top of that, Muehl was arrested and imprisoned in 1991, the commune fell apart. In 1997 Muehl moved to Faro, Portugal to start a new commune experiment. Despite suffering from Parkinsons disease, Muehl continued his art work, and in 2002 developed "electric painting films", a new technique in which he paints digital photos from actions using a computer tablet and pen and edits the process into films. 　　http://en.wikipedia.org/wiki/Otto_Muehl

Otto Muehl 　　Kardinal 　　Perinetkeller Wien 　　Frühjahr 1967 　　http://www.ubu.com/film/muehl.html 　　Kamera Helmut Kronberger 　　Otto Muehl (born June 16, 1925, at Grodnau, Burgenland, Austria) is an Austrian artist. He started painting in his youth and in the 60s was one of the co-founders, and an important member, of Wiener Aktionismus or Viennese Actionism. In 1972 he founded the famous commune Friedrichshof that flourished for several years before falling apart in the 1990s. Muehl himself was sentenced to 7 years imprisonment for having sexual relationships with teenagers. He was released after 7 years and set up a smaller commune in Portugal. 　　In 1943, Otto Muehl served in the German Army and in 1944 he was sent to the Front. After the war, he studied teaching German and History, and Pedagogy of Art at the Wiener Akademie der bildenden Künste. 　　In the sixties his aim was 'to overcome painting on canvas through staging the process of its destruction'. He made rhizomatic structures with scrap iron ("Gerümpelplastiken"), but soon proceeded to the "Aktion" in the vein of the New York Happenings. In 1962, when he was 37, the first "Aktion" "Die Blutorgel" was performed in Muehl's atelier in the Perinetgasse by Muehl himself, Adolf Frohner and Hermann Nitsch. The "Fest des psycho-physischen Naturalismus" and "Versumpfung einer Venus" followed in 1963. From 1964 to 1966 many "Malaktionen" were filmed by Kurt Kren and photographed by Ludwig Hoffenreich. In 1966 a new concept of Aktion was developed with Günter Brus: instead of the canvas, the body became the scene of action. In 1968, Muehl, Brus and Oswald Wiener organised an Aktionsveranstaltung "Kunst und Revolution" in the University of Vienna, which caused a scandal in the press; they were arrested and Brus emigrated to Berlin. 　　Gradually, Muehl began to distance himself from "Aktion". He regarded the "happening as a bourgeois artform, mere art". The "transition from art to life" resulted in the founding of the commune as a kind of anti-society. Inspired by Wilhelm Reich, all members submitted to the so-called Aktionsanalyse. The declared aim was the destruction of bourgeois marriage and private property, free love, and collective education of the children. In 1974 he played a small role as a member of an anarchic/therapy commune in Dusan Makavejev's Sweet Movie. In the eighties, tensions within the commune increased until they culminated in a revolt under the direction of Altenberg. When, on top of that, Muehl was arrested and imprisoned in 1991, the commune fell apart. In 1997 Muehl moved to Faro, Portugal to start a new commune experiment. Despite suffering from Parkinsons disease, Muehl continued his art work, and in 2002 developed "electric painting films", a new technique in which he paints digital photos from actions using a computer tablet and pen and edits the process into films. 　　http://en.wikipedia.org/wiki/Otto_Muehl

Renowned French photographer and Nan Goldin disciple Antoine D'Agata offers this visual essay of Tokyo prostitution circuits that isn't for the easily offended. By exploring the prostitutes' filthy working rooms and capturing the sex workers as they service clients, shoot heroin, and masturbate with their own blood, D'Agata effectively shatters the standard perception of the porn industry.

Renowned French photographer and Nan Goldin disciple Antoine D'Agata offers this visual essay of Tokyo prostitution circuits that isn't for the easily offended. By exploring the prostitutes' filthy working rooms and capturing the sex workers as they service clients, shoot heroin, and masturbate with their own blood, D'Agata effectively shatters the standard perception of the porn industry.

一种病毒正在威胁着阿尔卡雄的有名的牡蛎的生命，在寻求解决办法的同时。价格和竞争也在逐步升温，阿尔卡雄海湾通向大西洋，这就是150年前法国，牡蛎养殖的起点。今天牡蛎贸易带来了数百万欧元的收入，然而近些年牡蛎被病毒蹂躏的很严重，牡蛎种群，受到了威胁，很多人也生计也受到了威胁......

《权力的游戏》制片人弗兰克·多尔格要为德国ZDF电视台开发一部全新惊悚剧集《康考迪亚》（Concordia），设定类似《少数派报告》，数百万台摄像机连接到一个人工智能系统，该系统监控公民生活的方方面面，并在犯罪嫌疑人犯罪之前阻止他们，整个城市没有枪支，犯罪率为零，直到有一天，在郊区发现了一具尸体……该剧集已邀请《弗兰肯斯坦传奇》的编剧Mike Walden撰写剧本。