Following Souad's suicide, her younger sister embarks on a journey in search for answers.

Following Souad's suicide, her younger sister embarks on a journey in search for answers.

吴德为一念慕虚荣，不学无术之青年，藉好友MARK的介绍当上舞男后，虽然拥有良好的物质享受，却疲于侍候一群阔太客人，且不获父亲认同，感到精神生活空虚。他唯一的寄望，是追求念书时的同学Joanne，Joanne为一金融经纪，亦追求物质享受，德藉跟Joanne开户口而与她熟络，当Joanne获悉他为舞男时，却反成为他的客人。一次他俩发生关系，翌日德却因Joanne替他弄早餐而害怕二人关系稳定，令Joanne要付钱给他以释尴尬。而当Joanne事业出现问题时，德又把所有积蓄交给她予以资助。二人最后决定结婚，后德跟Joanne从事金融行业，乐也融融。Joanne为试德是否决心不再做舞男，竟着德之舞厅经理向德借贷巨款，逼德重操旧业，而顾客竟是Joanne本人，Joanne因此恼恨德食言，一怒之下离开，德遍寻不获Joanne，失意之余转行开设烧腊店。数月后，Joanne从外地返港，到烧腊店光顾，重遇德，二人爱火重燃，重修旧好。

吴德为一念慕虚荣，不学无术之青年，藉好友MARK的介绍当上舞男后，虽然拥有良好的物质享受，却疲于侍候一群阔太客人，且不获父亲认同，感到精神生活空虚。他唯一的寄望，是追求念书时的同学Joanne，Joanne为一金融经纪，亦追求物质享受，德藉跟Joanne开户口而与她熟络，当Joanne获悉他为舞男时，却反成为他的客人。一次他俩发生关系，翌日德却因Joanne替他弄早餐而害怕二人关系稳定，令Joanne要付钱给他以释尴尬。而当Joanne事业出现问题时，德又把所有积蓄交给她予以资助。二人最后决定结婚，后德跟Joanne从事金融行业，乐也融融。Joanne为试德是否决心不再做舞男，竟着德之舞厅经理向德借贷巨款，逼德重操旧业，而顾客竟是Joanne本人，Joanne因此恼恨德食言，一怒之下离开，德遍寻不获Joanne，失意之余转行开设烧腊店。数月后，Joanne从外地返港，到烧腊店光顾，重遇德，二人爱火重燃，重修旧好。

Mario consigns his girlfriend Licia to a whorehouse for an evening in order to get the photographic goods to blackmail her father with. To get her out of the way, Licia is then consigned to a mental hospital by her father.

Mario consigns his girlfriend Licia to a whorehouse for an evening in order to get the photographic goods to blackmail her father with. To get her out of the way, Licia is then consigned to a mental hospital by her father.

十年前，一位在派对上被强奸的年轻女子，饱受创伤，抓住难得的机会，向施暴者反击。然而，复仇的甜蜜滋味，却让她变成了多年来一直恐惧的那个怪物。这段惊险刺激的旅程将让你紧张不安，模糊是非对错的界限。随着权力格局的不断变化，安吉的治愈之路也引出了一个问题：“为了摆脱创伤，你愿意付出多少？”

Although Gilles Deleuze never wanted a film to be made about him, he agreed to Claire Parnet's proposal to film a series of conversations in which each letter of the alphabet would evoke a word: From A (as in Animal) to Z (as in Zigzag). These DVDs, elegantly transtlated and subtitled in English, make these conversations available for English-speaking audiences? for the first time.In dialogue with Parnet (a journalist and former student of Deleuze), the philosopher exhibited the modest and thrilling transparency that his seminal works (such as Anti-Oedipus and A Thousand Plateaus) reveal. The sessions were taped when Deleuze was already terminally ill; he and Parnet agreed that the film would not be shown publicly until after his death. The awareness of mortality floats through the dialogues, making them not just intellectually stimulating but also emotionally engaging. Because Parnet knew Deleuze so well, she was able to draw him out--as no one else had--to what might be the 1001st plateau: a place of brilliance, rigor, and charm.In "A as in Animal," for example, Deleuze vents his hatred of pets: "A bark," he declares, "really seems to me the stupidest cry." Instead, he praises the tick: "... in a nature teeming with life, [the tick] extracts three things": light, smell, and touch. This, he claims, in a sense is philosophy. "And that is your life's dream?" Parnet wryly asks. "That's what constitutes a world," he replies. For Deleuze, doing philosophy meant not just creating concepts but living a life in philosophy. Gilles Deleuze from A to Z presents the mind of a great philosopher at work. 　　A as in Animal 　　B as in "Boire" (Drink) 　　C as in Culture 　　D as in Desire 　　E as in "Enfance" Childhood 　　F as in Fidelity 　　G as in Gauche (Left) 　　H as in History of Philosophy 　　I as in Idea 　　J as in Joy 　　K as in Kant 　　L as in Literature 　　M as in Malady 　　N as in Neurology 　　O as in Opera 　　P as in Professor 　　Q as in Question 　　R as in Resistance 　　S as in Style 　　T as in Tennis 　　U as in 'Un' (One) 　　V as in Voyage 　　W as in Wittgenstein 　　X, Y as in Unknowns 　　Z as in Zigzag

Although Gilles Deleuze never wanted a film to be made about him, he agreed to Claire Parnet's proposal to film a series of conversations in which each letter of the alphabet would evoke a word: From A (as in Animal) to Z (as in Zigzag). These DVDs, elegantly transtlated and subtitled in English, make these conversations available for English-speaking audiences? for the first time.In dialogue with Parnet (a journalist and former student of Deleuze), the philosopher exhibited the modest and thrilling transparency that his seminal works (such as Anti-Oedipus and A Thousand Plateaus) reveal. The sessions were taped when Deleuze was already terminally ill; he and Parnet agreed that the film would not be shown publicly until after his death. The awareness of mortality floats through the dialogues, making them not just intellectually stimulating but also emotionally engaging. Because Parnet knew Deleuze so well, she was able to draw him out--as no one else had--to what might be the 1001st plateau: a place of brilliance, rigor, and charm.In "A as in Animal," for example, Deleuze vents his hatred of pets: "A bark," he declares, "really seems to me the stupidest cry." Instead, he praises the tick: "... in a nature teeming with life, [the tick] extracts three things": light, smell, and touch. This, he claims, in a sense is philosophy. "And that is your life's dream?" Parnet wryly asks. "That's what constitutes a world," he replies. For Deleuze, doing philosophy meant not just creating concepts but living a life in philosophy. Gilles Deleuze from A to Z presents the mind of a great philosopher at work. 　　A as in Animal 　　B as in "Boire" (Drink) 　　C as in Culture 　　D as in Desire 　　E as in "Enfance" Childhood 　　F as in Fidelity 　　G as in Gauche (Left) 　　H as in History of Philosophy 　　I as in Idea 　　J as in Joy 　　K as in Kant 　　L as in Literature 　　M as in Malady 　　N as in Neurology 　　O as in Opera 　　P as in Professor 　　Q as in Question 　　R as in Resistance 　　S as in Style 　　T as in Tennis 　　U as in 'Un' (One) 　　V as in Voyage 　　W as in Wittgenstein 　　X, Y as in Unknowns 　　Z as in Zigzag

A successful psychologist battles with problems in his personal life.