独居寡居女子偶然救下一只受伤白虎，自此白虎便一心追随，终身守护女子。乡内蛮横村痞时常上门骚扰刁难，白虎挺身而出将其驱退；山间山匪劫掠村落，白虎奋勇对敌保下女子平安；黑心奸商企图欺瞒算计女子，也被白虎震慑惩戒。这只白虎灵性十足，甘愿倾尽自身一切护佑恩人。一人一兽跨越物种相伴，历经无数危难，彼此舍命相护，结下深厚难断的生死羁绊，山野岁月因这份双向守护多了安稳暖意。

“Chinese artist”: put those two words together and you get a virtual “open sesame” for biennales, art galleries and private collections. Though they were known only to a happy few early on, word of the discovery of the Chinese avant-gardes from the 80s soon spread. Being an artist in China today can be very lucrative indeed… as long as you hopped on the bandwagon at the right time. For trends change in the blink of an eye. This film gets inside an art system as well as penetrating Chinese creators’ dual identities: both predatory and exotic. Both “tiger” and “panda”. Spanning China’s eras and profound mutations over the last two decades, artists and critics, curators and gallery owners talk about the different currents that left an impression: the “political-pop” paintings of the 80s that thumbed their noses at the recent political past, the outrageous caricatures of Chinese society produced by adepts of “cynical realism,” performance art bordering on terrorism, then the multicultural 00s, steeped in manga culture, video art, internet, and more. From Suzhou Creek in Shanghai and Factory 798 in Beijing, the two main showcases for contemporary Chinese art, the film plunges into the buried memories of the earliest hippie-artist villages in the 90s, up to the first wave of demolition… The choice of a Franco-Chinese co-direction has quickly become selfevident. A dual gaze made all the more valuable if we wish to bring into clear focus the confrontation of two imaginary worlds: the West that the Chinese long for and the East that we Westerners fantasize. In so doing, the film hopes to scramble our western gaze, which seems to be stuck on a China we believe to be gung-ho and productive, in a state of fecund, inspired flux… yet which can not live up to this idealized portrait. More than ever, artists are questioning their deepest identity and what they are to become. What is the price to pay to preserve art’s independence? What does it mean to be an artist in today’s China? Or to be Chinese when you decide to be an artist?

A woman and her group of selfless thieves rob a pharmacy and hit the road to distribute medication, but find themselves trapped in the fringe lands of a law-less psychedelic city.

《猪哥与母老虎》，也叫《猪公猪孙》或《猪公猪孙（猪哥与母老虎）》。猪清风和月英本是青梅竹马的恋人，然而他们的父母猪哥亮和虎嫂关系不和，这使得两人无法长相厮守。在双方父母的安排下，他们各自准备谈婚论嫁，可就在这时，却突然传来新郎缺席的消息……

源自William Blake的诗The Tyger，是一部很前卫的实验动画。片中融合各种元素，木偶，板画效果和现代的数字技术。影片在制作过程中最大的挑战来自于图象，如何使最后的图象中各种元素看起来一致。少有的视觉效果，值得欣赏。 As the lights of a carnival midway dim, a huge tiger emerges from the dark. As it walks through the city, illuminated plants flourish in its path. It approaches a large apartment building: a napping man's TV goes off, he wakes and walks to the window, sees the tiger and is transformed into a monkey. Similar transformations occur as the tiger walks through the city: cars become snails, football fans become insects, hipsters outside a club become toucans. The tiger reaches a hilltop outside the city. Behind him in the city, plants glow and the air is full of flying creatures.

屠宰厂司机兰德执念找寻失踪多年的“妻子”阿琳，不惜悬赏重金。护林警察和单亲妈妈尚飞是兰德的租客，帮助兰德寻妻无果，劝兰德放弃执念。而小混混阿哲因女友丽丽和阿琳容貌相似，意图设计欺骗兰德换取悬赏金还清赌债。兰德为筹措赏金，跟随屠宰场老板老尤误入盗猎团伙，遇到盗猎惯犯老八等暴徒，经历盗猎生死局，与虎对峙，最终放弃执念，对抗盗猎分子，完成小人物英雄式成长，最终暴徒也被尚飞一举擒获。

印度丛林深处，揭开一位母亲的踪迹。

纪录片导演将镜头对准印度丛林的老虎妈妈，讲述她和孩子们的生存故事。

陈升是一个蹩脚的诗人，“看花眼”是老歪的弟弟，老歪当年与陈升犯案却一个人扛了死罪。在陈升家附近的理发店，新来了一个学徒。故事讲述的就是陈升、“看花眼”以及新来学徒之间命运的赋格。