一个迷恋漫画书的连环杀人狂教他的儿子如何逃脱一系列残忍的谋杀，直到男孩和一个神秘的男子成为朋友，此人威胁要揭露他们家可怕的秘密。。。

Stanley Nelson examines the largest prison uprising in US history, conducting dozens of new interviews with inmates, journalists, and other witnesses.

«Приключения поросёнка Фунтика» — советский четырехсерийный мультфильм, снят на студии «Экран» в 1986—1988 гг. Продолжительность каждой серии — около 10 минут. Сценарий сюжетной линии мультфильмов Юрий Фридман написал на основе своей пьесы «Четвёртый поросёнок». Всего было снято четыре мультфильма. В 2010 было снято трёх-серийное продолжение.

«Приключения поросёнка Фунтика» — советский четырехсерийный мультфильм, снят на студии «Экран» в 1986—1988 гг. Продолжительность каждой серии — около 10 минут. Сценарий сюжетной линии мультфильмов Юрий Фридман написал на основе своей пьесы «Четвёртый поросёнок». Всего было снято четыре мультфильма. В 2010 было снято трёх-серийное продолжение.

Nine-year-old Trang and her cousin tenderly take care of ants, for which they have built a home out of plastic containers covered with colourful stickers. Their playfulness reflects the seriousness of life. Downstairs in the living room, the adults are caring for their dying grandmother. With great sensitivity, Carol Nguyen depicts how her protagonist becomes aware of the challenging situation: with looks, cautious approaches to grandma, and death. 　　源自：https://www.berlinale.de/en/2023/programme/202305671.html

Nine-year-old Trang and her cousin tenderly take care of ants, for which they have built a home out of plastic containers covered with colourful stickers. Their playfulness reflects the seriousness of life. Downstairs in the living room, the adults are caring for their dying grandmother. With great sensitivity, Carol Nguyen depicts how her protagonist becomes aware of the challenging situation: with looks, cautious approaches to grandma, and death. 　　源自：https://www.berlinale.de/en/2023/programme/202305671.html

For Le Genou d'Artemide Jean-Marie Straub once again chose a dialogue by Cesare Pavese. And not just any dialogue, but one that tears open a painful, mystical abyss between love and the one left behind. The film is one single exhilaration and one single rush, a spell and dispersion into nature. It rises from a dark screen and chant to disappear in the woods with the whisper of the wind. It has little to do with what is generally called «cinema». It has one foot in the world beyond. 　　Nature has ten million times the imagination of the most imaginative of artists. (Jean-Marie Straub)

For Le Genou d'Artemide Jean-Marie Straub once again chose a dialogue by Cesare Pavese. And not just any dialogue, but one that tears open a painful, mystical abyss between love and the one left behind. The film is one single exhilaration and one single rush, a spell and dispersion into nature. It rises from a dark screen and chant to disappear in the woods with the whisper of the wind. It has little to do with what is generally called «cinema». It has one foot in the world beyond. 　　Nature has ten million times the imagination of the most imaginative of artists. (Jean-Marie Straub)

一位大学四年级学生为没有遇到同龄的有绅士风度男生而感到沮丧，她放弃了为爱和人约会而改为和年长的男人约会，以换取礼物。

他一直拖到一九四九年五月初才坐上去香港的轮船，算得上真正的末班车。没有人知道他在拖什么或等待什么，我想他自己也未必知道，不过是下意识的拖延。不…