An indeterminate location, summer. The inhabitants of a shared apartment ask themselves where they might live. They imagine countries, communities, and places. Time passes and nothing can change that. At some point, they all drift into a deep sleep.

达卡的情势水深火热，身体残疾的萨扎得在最近的股市大崩盘输尽了财产。挣扎生存的他一面还需要面对步步紧逼的高利贷放贷人，不知道该如何对付女朋友瑞哈娜和瘾君子弟弟迈克尔。压力越来越发，萨扎德急于寻找一切方式逃离达卡、远离麻烦，灵魂一步步地堕入黑暗。

During their stay in Beijing, two girls attempt to navigate reality through their fantasies. Drinking, dancing, binge-watching classic rom-coms—these activities help them forget the cruelness of the world. Just when they're searching for the meaning of love, they meet an angel in their dreams, but the rendezvous doesn't go as expected.

During their stay in Beijing, two girls attempt to navigate reality through their fantasies. Drinking, dancing, binge-watching classic rom-coms—these activities help them forget the cruelness of the world. Just when they're searching for the meaning of love, they meet an angel in their dreams, but the rendezvous doesn't go as expected.

Guadalcanal Requiem 　　by Nam June Paik with Charlotte Moorman 　　1977, re-edited 1979, 28:33 min, color, sound 　　One of Paik's most overtly political and poignant statements, Guadalcanal Requiem is a performance/documentary collage that confronts history, time, cultural memory and mythology on the site of one of World War II's most devastating battles. Guadalcanal in the Solomon Islands is the iconic setting upon which Paik inscribes symbolic gestures and performances. Scenes of Charlotte Moorman performing with her cello, interviews with American and Japanese veterans and Solomon Islanders, and archival footage of the battle are juxtaposed, synthesized, layered, colorized and otherwise electronically manipulated. The imagery is haunting and often surreal: Charlotte Moorman crawls along the beach in a G.I. uniform with a cello strapped to her back, plays a Beuys felt cello, and performs while concealed in a body bag. The subtext of this extraordinary collage is Paik's assertion that global conflict arises as a result of cultural miscommunication. 　　Guest: Bob Edwards. Cinematographer: Steve Mason. Narrator: Russell Connor. Location Director: Frank Pilleggi. Sound Effects: Laurie Spiegel. Camera: Bill Viola, Michael Pursche, Peter Hardy, Richard Maude, Graham Hellett. Produced by the TV Lab at WNET/ Thirteen.

1994年，赖声川拍了他第二部电影《飞侠阿达》。这次他不再选择舞台剧式的创作作为改编题材，而是特地为电影单独量身定作了这个故事。因此，影片不再固定地局限于剧场的狭窄空间里，开始穿越时空游弋到台湾社会的每一个角落，做开了理想主义者的都市之梦。

1994年，赖声川拍了他第二部电影《飞侠阿达》。这次他不再选择舞台剧式的创作作为改编题材，而是特地为电影单独量身定作了这个故事。因此，影片不再固定地局限于剧场的狭窄空间里，开始穿越时空游弋到台湾社会的每一个角落，做开了理想主义者的都市之梦。

아다다因为聋哑从小遭到歧视，并被家人推来推去，后来带着嫁妆进了一户没落官员家做媳妇。在新家，아다다一心一意照顾公婆、丈夫，认真做好每样家务。即便如此，丈夫仍对아다다渐渐生厌，经常出入声色场所，后索性一走了之。过了一段时间，丈夫在外地赚了不少钱，带着浑身散发颓废气息的“新女性”美玉回家。美玉八面玲珑，很快博取两位老人的欢心。于是，夫家退还所有嫁妆，将아다다扫地出门。心灰意冷的아다다想起了当年待自...

During a strike strike-breakers are being transported to Sandviken, where they are assaulted by the strikers. The military are sent in. On the 14th May 1931 there is a confrontation between demonstrators and the military who open fire and five people are killed and five injured.

During a strike strike-breakers are being transported to Sandviken, where they are assaulted by the strikers. The military are sent in. On the 14th May 1931 there is a confrontation between demonstrators and the military who open fire and five people are killed and five injured.