云城富二代楚天奇，仗着自己父辈的财力，带着一群狐朋狗友，搞得云城人民苦不堪言，直到有一天，他的富豪母亲李梦在公园散步时突发恶疾，好心人苏平安柳芊芊这一对小夫妻见状，赶紧将李梦扶上自己的面包车，正要去往医院的时候，在公园停车场，因为一点小擦碰被楚天奇带着狐朋狗友拦下，楚天奇并不知道，他找茬的好心人救治的是自己的富豪母亲，错过了救治李梦的最佳时间，到这时候她才知道，什么是生而不教，必将自食其果！

云城首富之女许歌，爱上了一个只会依靠她养活的软饭男，并在他身上花费巨资。这让许老爷子非常不满，于是决定采取极端措施来改变现状：他假装公司破产并住院治疗，同时委托与许歌有婚约的陆修泽代为照顾孙女，希望两人能日久生情、早日成婚。然而，事情的发展却出乎所有人意料——许歌误将陆修泽认作牛郎，为了筹集医药费而向他借钱。陆修泽顺势而为，与许歌签订了一份卖身合同。与此同时，周国涛安排自己的养子周宇凡接近许歌，试图破坏她和陆修泽之间的关系；另一边厢，陆修泽的青梅竹马沈梦瑶也从国外归来，加入了这场情感争夺战之中。就在此时，许氏集团突然面临严重的资金链断裂问题，整个家族陷入了前所未有的危机之中……

A young man's life is suddenly and inexplicably derailed, as he finds himself at the mercy of automated "justice."

导演陈策鼎被马来西亚近年频频发生的电话诈骗案所启发，拍摄的一部以诈骗集团接线员为主题的短片。

导演陈策鼎被马来西亚近年频频发生的电话诈骗案所启发，拍摄的一部以诈骗集团接线员为主题的短片。

15 年前，陆衍行爷爷为利益吞并江莱家公司，致江莱爷爷跳楼身亡，年少的陆衍行还抢走江莱的礼物，这让江莱铭记仇恨。多年后，江莱化名 “寻真” 以设计师身份归来复仇，虽因学历被陆衍行公司拒绝，却凭珠宝大赛冠军成功入职，借机靠近身为珠宝设计师的陆衍行。

白月本应在重要日子接受未婚夫施简仁的求婚，却目睹他与情妇林蓝蓝亲密无间，心碎不已。施简仁不仅背叛了感情，还图谋她的钱财。此时，闺蜜儿子陆逸意外出现，他继承了天价家产，成为富豪。陆逸没有离她而去，选择站在她身边，帮助她看清施简仁和林蓝蓝的丑恶嘴脸。他们不仅背叛了白月，还企图利用她的善良。白月决定不再忍让，要为自己讨回公道。在陆逸的支持下，她勇敢地站了出来，坚韧和勇气感染了所有人。最终，施简仁和林蓝蓝的真面目被揭露，受到了应有的惩罚。白月和陆逸在这个过程中产生了深厚感情，决定携手共进，面对未来的挑战。这段经历让白月明白，真正的爱情和友情是值得信赖和依靠的。

白月本应在重要日子接受未婚夫施简仁的求婚，却目睹他与情妇林蓝蓝亲密无间，心碎不已。施简仁不仅背叛了感情，还图谋她的钱财。此时，闺蜜儿子陆逸意外出现，他继承了天价家产，成为富豪。陆逸没有离她而去，选择站在她身边，帮助她看清施简仁和林蓝蓝的丑恶嘴脸。他们不仅背叛了白月，还企图利用她的善良。白月决定不再忍让，要为自己讨回公道。在陆逸的支持下，她勇敢地站了出来，坚韧和勇气感染了所有人。最终，施简仁和林蓝蓝的真面目被揭露，受到了应有的惩罚。白月和陆逸在这个过程中产生了深厚感情，决定携手共进，面对未来的挑战。这段经历让白月明白，真正的爱情和友情是值得信赖和依靠的。

女主沈婉晴从小被家人送上山学艺，擅长玄学和算命，一次下山替人看风水，惨遭算计被下药。这时遇到被人追杀的男主陆浩然，于是把陆浩然抓来当自己的解药，而陆浩然也为了躲避杀手，同意和沈婉晴做戏，没想到假戏成真。一夜过后，沈婉晴只留下一串保平安的手串离去。而陆浩然也发现自己对沈婉晴并不排斥，还可以缓解自己的怪病，于是下决心一定要找到沈婉晴。

官方评选出的格鲁吉亚影史十五佳的第二名，经典的高加索民族传统喜剧，第一名居然也是这个导演的作品，Mimino (1977)。 　　This light comedy is taken from the Claude Tiller novel "My Uncle Benjamin", a family favorite of director Georgi Daneliya. Benjamin (Vakhtang Kikabidze) is the young physician who leads a carefree life. He and his friends drink and dance at the local tavern and take pleasure in the butcher's wife. Levan (S. Zakariadze) is the older doctor who wants Benjamin to marry his daughter, but she runs away with an Army officer. The worried father asks Benjamin to find his daughter and bring her home. He finds her but she dies while giving birth to a child, and the officer is killed in a dual. Benjamin returns with the baby to his hometown, where he is saddened to learn of Levan's demise. At the funeral, Levan watches his family and friends for the last time before he really dies. His last wish is fulfilled as he sees the people who are close to him one last time. This is the only film by Daneliya that is set entirely in his native country of Georgia. 　　Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers; his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).