Oscar-winning actor Eddie Redmayne explores war art and how conflict's compelling stimulus to the imagination has created some of our richest and most powerful artistic inspiration. He takes an intensely emotional journey, visiting artists' studios, museums and travelling to battlefield locations to discover how artists have shone a powerful light into the abyss of warfare, leaving a unique legacy. 　　 　　Redmayne, who studied History of Art at Cambridge University, meets contemporary war artists, soldiers and historians and travels to Flanders where he comes face to face with reminders of the fallen. The First World War had more serving artists than any other war in history. Redmayne explores the iconic canvasses of the Great War - Paul Nash, Stanley Spencer, John Singer Sargent and Henry Tonks, as well as the modernists C.R.W. Nevinson and David Bomberg, whose controversial art responded to the weaponry of the new machine world in revolutionary new forms, changing the artistic landscape forever. Redmayne travels behind the scenes to see war art hidden away from public view - some censored, some never seen on film before. 　　The challenge for artists of depicting war continues today. Redmayne meets contemporary war artists to see how this art form is as vital now as it ever was, including George Butler(Syria) and Graeme Lothian (Afghanistan), reportage artist Julia Midgley and official war artist Peter Howson (Bosnia), whose work was censored.

张坚庭和伍咏薇分别代表男性和女性，每一期都会请出一位嘉宾跟他们探讨男女感情生活方面的话题

刑警大队队长齐宝根因1988年金额巨大的抢劫杀人案,为守护真相与正义，不惜长期蛰伏,半生只做一件事，与把嫌疑人沈卫东开展了一场长达二十 　　年的“猫鼠游戏”的信念追逐。

刑警大队队长齐宝根因1988年金额巨大的抢劫杀人案,为守护真相与正义，不惜长期蛰伏,半生只做一件事，与把嫌疑人沈卫东开展了一场长达二十 　　年的“猫鼠游戏”的信念追逐。

http://www.youtube.com/watch?v=hUcvhGJFexc 　　7 min

Film's title roughly translates as "window lookers, garbage, etc." Kren juxtaposes blocks of images in montage sections cut to different rhythms and speeds. The "window lookers" - old people who rest elbows on pillows at windows - view the activities on the streets below: this action begins and ends the film and is repeated within the work many times. There are also sections depicting debris and broken glass, pedestrians, and positive and negative images of the moon. Splice marks, especially during the window scenes, are apparent, punctuating the silent work and reminding us of the film. While we may make associations among the image clusters, there is no narrative per se, and the rapid cutting purposefully undercuts any emotional expressiveness the material might contain.

《老郭讲水浒》是郭德纲的评书节目，2011年8月3日晚正式亮相天津卫视。郭德纲的评书首次亮相，就获得观众与网友热捧。他表示，尽管有30期，但每期只有10分钟，很难把整本的水浒说下来，只能有选择地说。但是每一个故事都是自己原创的，因为不会打电脑，所以用A4纸亲自写下来的。

《老郭讲水浒》是郭德纲的评书节目，2011年8月3日晚正式亮相天津卫视。郭德纲的评书首次亮相，就获得观众与网友热捧。他表示，尽管有30期，但每期只有10分钟，很难把整本的水浒说下来，只能有选择地说。但是每一个故事都是自己原创的，因为不会打电脑，所以用A4纸亲自写下来的。

每集以中醫醫理、西方醫學的角度，細談不同的生理與心理病症，包括都市病、流行性疾病，還會因應不同病症，帶來業界最新或最有科學根據的治療方案，讓觀眾參考。節目亦邀請本人(或其親朋)曾患上該病症的藝人，以「過來人」身分，訴說患病和康復的心路歷程。

When a child gets hold of a loaded handgun, someone often dies. Last year, 24,000 Americans lost their lives to handguns...and 3,600 of them were children. This profoundly disturbing documentary tells the stories of five handguns that killed five children--and how their deaths might have been prevented.