亚当（利亚姆·海姆斯沃斯 Liam Hemsworth 饰）供职于一家十分庞大的电信公司，是基层离十分平凡的一员，一位和亚当感情十分要好的同事即将退休，重情重义的亚当挪用了公司的财物，为期举办了一场盛大的离职派对。 　　亚当的这一莽撞举动惹恼了老板尼古拉斯（加里·奥德曼 Gary Oldman 饰），他指控亚当贪污，并且扬言要起诉他。之后，他告诉亚当，只要亚当能够替自己办事，潜入他的竞争对手的公司里担当卧底，便可以考虑免除对他的控诉。强压之下，亚当只能就范，在亚当的帮助下，尼古拉斯的确获得了许多不为人知的的商业秘密，公司也因此经营的愈发红火。然而，亚当对这样的双面生活感到十分厌倦，他蛰伏着，等待着，等待一个机会，能够彻底脱离尼古拉斯的掌控。

亚当（利亚姆·海姆斯沃斯 Liam Hemsworth 饰）供职于一家十分庞大的电信公司，是基层离十分平凡的一员，一位和亚当感情十分要好的同事即将退休，重情重义的亚当挪用了公司的财物，为期举办了一场盛大的离职派对。 　　亚当的这一莽撞举动惹恼了老板尼古拉斯（加里·奥德曼 Gary Oldman 饰），他指控亚当贪污，并且扬言要起诉他。之后，他告诉亚当，只要亚当能够替自己办事，潜入他的竞争对手的公司里担当卧底，便可以考虑免除对他的控诉。强压之下，亚当只能就范，在亚当的帮助下，尼古拉斯的确获得了许多不为人知的的商业秘密，公司也因此经营的愈发红火。然而，亚当对这样的双面生活感到十分厌倦，他蛰伏着，等待着，等待一个机会，能够彻底脱离尼古拉斯的掌控。

A psychological thriller.

A psychological thriller.

调香师沈清芜为了给植物人姐姐复仇，刻意去接近权势滔天的贺妄，借助着贺妄的权势，沈清芜完成复仇后悄然消失。贺妄因爱而陷入疯狂，全力追妻。最终沈清芜终于被他的一片深情打动，二人化解误会，甜蜜相拥，开启了新生活。

前世，宁风笙拼命逃离南川世爵嫁给他的小叔宫烨，最终被挖心剖腹惨死，而南川世爵却为了她殉情，重生回到分手夜，她发誓这辈子再也不离开他，誓要报复宫烨。

调香师沈清芜为了给植物人姐姐复仇，刻意去接近权势滔天的贺妄，借助着贺妄的权势，沈清芜完成复仇后悄然消失。贺妄因爱而陷入疯狂，全力追妻。最终沈清芜终于被他的一片深情打动，二人化解误会，甜蜜相拥，开启了新生活。

前世，宁风笙拼命逃离南川世爵嫁给他的小叔宫烨，最终被挖心剖腹惨死，而南川世爵却为了她殉情，重生回到分手夜，她发誓这辈子再也不离开他，誓要报复宫烨。

This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. 　　I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). 　　Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).

This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. 　　I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). 　　Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).