重生在1992年的清晨，他面对的第一件事便是早已貌合神离的婚姻。没有犹豫，他果断同意了离婚，凭借对时代趋势的了解，他将目光投向了酒厂。从跑销路、谈合作到积累客户，他用真诚与韧性打开市场，顶着质疑与压力，在白酒行业站稳脚跟，用自己的双手为重生的人生挣得第一份底气。

米兰，1992年2月，冰冷的风吹过意大利企业家们的办公室。这是属于“净手运动”的一年，由米兰地区检察官发起的反贪污政治调查吹响了变革的号角，其目的是给“贿赂之都”带来终结。莱昂纳多·诺德是这个错综复杂的权力游戏中的一个关键，他是一个聪明的广告人，他只相信自己，他将是第一批拥护新的“统治者”踏上政治舞台的人.....

米兰，1992年2月，冰冷的风吹过意大利企业家们的办公室。这是属于“净手运动”的一年，由米兰地区检察官发起的反贪污政治调查吹响了变革的号角，其目的是给“贿赂之都”带来终结。莱昂纳多·诺德是这个错综复杂的权力游戏中的一个关键，他是一个聪明的广告人，他只相信自己，他将是第一批拥护新的“统治者”踏上政治舞台的人.....

故事发生在1992年。马丁和上夜班的父亲住在一起，除了上学之外，他把时间都花在了自己的摄像机上。在学校挨了揍之后，助理老师送他回家，两人就此萌生了爱意。而这一切，偶然被马丁的父亲发现了……

丈夫在一次奇怪的爆炸中死亡后，安帕罗开始在保安、前警察和酒鬼里奇的帮助下寻找答案。 与此同时，谋杀案总是遵循同样的模式：受害者烧焦的尸体旁边会出现一个库罗玩偶，它是1992年塞维利亚世博会的标志性吉祥物。

Jacob Sterling brings home a mysterious clock from the infamous Amityville house, not knowing that it's haunted by demonic spirits.

重回过去，夏宇内心除了忏悔还是忏悔，这次他决定努力赚钱，弥补自己上一世的过错。

Even though the 1992 Los Angeles riots took place long before the spread of camera phones, they were captured on video from the beginning, or at least from the event that lit the spark: the beating of Rodney G. King by Los Angeles police officers. “LA 92,” one of several documentaries being released to commemorate the riots’ 25th anniversary, takes advantage of the wealth of broadcast and helicopter footage available to assemble a chronological account with a present-tense feel. 　　The movie, which opens theatrically on Friday and airs on the National Geographic channel on Sunday, begins and ends by drawing a parallel with the 1965 Watts riots, which the news media addressed in strikingly similar language. Apart from overbearing music — the lead-in to the first day of the riots is scored with an orchestra tuning up — the film mostly lets the archival footage speak for itself.

Even though the 1992 Los Angeles riots took place long before the spread of camera phones, they were captured on video from the beginning, or at least from the event that lit the spark: the beating of Rodney G. King by Los Angeles police officers. “LA 92,” one of several documentaries being released to commemorate the riots’ 25th anniversary, takes advantage of the wealth of broadcast and helicopter footage available to assemble a chronological account with a present-tense feel. 　　The movie, which opens theatrically on Friday and airs on the National Geographic channel on Sunday, begins and ends by drawing a parallel with the 1965 Watts riots, which the news media addressed in strikingly similar language. Apart from overbearing music — the lead-in to the first day of the riots is scored with an orchestra tuning up — the film mostly lets the archival footage speak for itself.