Mountain girl Trigger Hicks, a fierce loner equally handy with a rock or a prayer, is in danger of having her faith-healing mistaken for witchcraft by the neighbors. She shows a vulnerable side when John Stafford, a philandering engineer working on a new dam, is attracted to her. Matters come to a head when Trigger "rescues" an abused baby from its parents, and seeks help from the engineers. 　　—Rod Crawford 　　Trigger Hicks, a young faith-healing mountain girl with a drunk father who lives her life by bible saying she carries in her pocket, is treated as a witch by the local folk. And the two young engineers working on the local dam become interested in Trigger and her troubles. 　　—Kathy Li

Mountain girl Trigger Hicks, a fierce loner equally handy with a rock or a prayer, is in danger of having her faith-healing mistaken for witchcraft by the neighbors. She shows a vulnerable side when John Stafford, a philandering engineer working on a new dam, is attracted to her. Matters come to a head when Trigger "rescues" an abused baby from its parents, and seeks help from the engineers. 　　—Rod Crawford 　　Trigger Hicks, a young faith-healing mountain girl with a drunk father who lives her life by bible saying she carries in her pocket, is treated as a witch by the local folk. And the two young engineers working on the local dam become interested in Trigger and her troubles. 　　—Kathy Li

这是一个充满诗意的战时故事，讲述了一个年轻游击队员和一个乡村女孩之间的爱情。通过乡村女孩、年轻游击队员、一名摄影师和一名德国军官的讲述，给我们刻画了他们对战争时期的主观印象。将事件拼在一起，电影的基本故事就是女孩的故事。尽管经历了悲剧，这部电影的结尾还是证明了女孩的爱将战胜战争的残酷。

这是一个充满诗意的战时故事，讲述了一个年轻游击队员和一个乡村女孩之间的爱情。通过乡村女孩、年轻游击队员、一名摄影师和一名德国军官的讲述，给我们刻画了他们对战争时期的主观印象。将事件拼在一起，电影的基本故事就是女孩的故事。尽管经历了悲剧，这部电影的结尾还是证明了女孩的爱将战胜战争的残酷。

潘玲玲的父亲害了陈丽贞一家，后来陈丽贞好像变得强，并且回来报仇。男主角刚开始一直喜欢潘玲玲，不过陈丽贞很喜欢男主角，印像最深的是最后一集，男主角终于发现陈丽贞早就放弃报复潘玲玲，并且为了让他和潘玲玲能在一起做了许多努力，男主角终于发现自己早已爱上陈丽贞。其间好像记得最后一幕是陈丽贞在她父亲的墓前哭，并且已准备离开此地，而后男主角赶到~~~~~~~~`

可以對我們的母親說，我們被自己的兄弟侵犯嗎？答案顯而易見應該是可以的。然而，很少有人從沉默中走出來。我們應該問自己：「為什麼我們不談論這件事？」

Two young brothers live on the outskirts of Mexico City. Mario wakes up with no memories from his previous life. Adrift, he meets Lazarus, who teaches him how to enter other people's bodies through vast holes in the Earth. In the darkness of subterranean cavities, Mario’s memories fill his mind like dreams. The history of the land runs through his corporality. The space he passes through is distorted and his skin begins to crack along with the landscape.

可以對我們的母親說，我們被自己的兄弟侵犯嗎？答案顯而易見應該是可以的。然而，很少有人從沉默中走出來。我們應該問自己：「為什麼我們不談論這件事？」