Mateo Sobode Chiqueno’s Ayoreo ancestors worshiped the sun, which they saw as a superior and generous being. But for him and his generation, the sun has primarily become a threat, turning deforested areas into dry, dusty plains—filmed here beautifully but ominously. 　　Some Ayoreo still live in seclusion in the forests of the Chaco in Paraguay. But many more, among them Sobode Chiqueno, were herded into isolated settlements by missionaries, who took their land and forcibly converted them to Christianity. 　　He started recording Ayoreo conversations, stories, and songs in the 1970s, and is still traveling to Ayoreo communities with his now-antique cassette recorder to interview them and collect their voices for his audio archive. Occasionally the device eats a tape, which he fixes with patient fiddling. The conversations express uncertainty about the loss of identity. Is it a problem that a culture disappears in order to adapt to another?

줄거리 　　실크커텐을 사이에 두고 두남녀가 벌이는 의식의 흐름을 이야기화했다. 자폐증에 가까운 남자와 개방적이며 신경질적인 여자가 벌이는 상황을 시적 이미지를 보강하여 사실적이며 밀도있게 파헤쳐 간다. 두사람 사이에는 두번의 상상이 이루어진다. 남자는 여자에게, 여자는 남자에게 유혹당하는 상상속에서 더 진실한 접근을 시도한다. 결국 이 영화는 인간의 속성은 무엇이며 또 성은 과연 얼마만큼 성스럽고 상스러운 것인지 새로운 시점에서 펼쳐간다. 　　故事 　　随着意识的故事流之间的丝绸窗帘是生气，两人均匀。这种情况是开放的，歇斯底里的女孩抓住最近的人患有自闭症加强诗意的影像如此逼真，去挖掘密度。由虚两次两人之间。男人到女人，女人试图想象一个更真诚的方式在被诱惑男人。毕竟，电影是什么是真正的人的财产，另一座城堡竟把神圣的意义在什么新的时间展开。

《太阳》以近未来的日本为舞台，描写了只能在夜晚生活的新人类与在太阳下生活的旧人类之间的对立和融合，是一部追寻生存意义的人情派作品。

《太阳》以近未来的日本为舞台，描写了只能在夜晚生活的新人类与在太阳下生活的旧人类之间的对立和融合，是一部追寻生存意义的人情派作品。

二战末期，轴心国败局已定，作为“邪恶轴心”一员的日本更面临巨大危机。亚太战场节节失利，两颗原子弹进一步摧毁了日本人的心理防线。作为日本最高统帅的裕仁天皇（尾形一成 饰），此时此刻面临着痛苦的抉择。 　　黑云压城城欲摧，这个身形瘦小的男人，他的内心世界无人能近…… 　　本片为俄罗斯导演亚历山大•索科洛夫“20世纪统治者三部曲”（亦作“统帅三部曲”）中的第三部，前后制作共花费8年时间，影片被评为2005年亚美尼亚埃里温国际电影节最佳影片。

Soleil》（1988，16分钟） 　　Pierre Clementi（1942-1999）自导的一部短片。很多人知道Pierre Clementi是因为他是法国影史上著名男演员之一，虽然他和世界各国的导演都有过很多合作，他曾经主演的作品有贝托鲁奇的《伙伴》《同流者》，帕索里尼的《啄豚屋》，布努艾尔的《银河》《白昼美人》，罗查的《被砍下的头颅》，莉莉安卡瓦尼的《食人族》，扬索的《和平者》等等，还曾在加里尔的先锋电影《内心的伤痕》中出演牵马人一角。他演出的电影风格多样，涉猎广泛，但很少有人知道他也是一位出色的实验电影导演。克雷门蒂被人称为是法国的Kenneth Anger，他导演的作品不多，但和美国导演安格的作品一样充满着神秘而怪诞的影像，明显受六七十年代迷幻运动和地下电影的影响很深。这部《太阳》据说是他个人最满意的作品之一。 　　Soleil (1988) is Clementi's favourite among his own works. I understand it forms a cinematic complement to his autobiographical final play, Chronique d'une mort retardee / Chronicles of a Delayed Death, a search for beauty and meaning in his life in the form of lengthy monologues, again, to the accompaniment of a wealth of images, trembling, superimposed with each other and with the author's thought processes. Clementi at his most vulnerable and Rimbaud-esque (refer to 　　Jeunesse from Illuminations).

太阳《脚踏实地》纪录片电影

柏林电影节奇遇单元

Soleil》（1988，16分钟） 　　Pierre Clementi（1942-1999）自导的一部短片。很多人知道Pierre Clementi是因为他是法国影史上著名男演员之一，虽然他和世界各国的导演都有过很多合作，他曾经主演的作品有贝托鲁奇的《伙伴》《同流者》，帕索里尼的《啄豚屋》，布努艾尔的《银河》《白昼美人》，罗查的《被砍下的头颅》，莉莉安卡瓦尼的《食人族》，扬索的《和平者》等等，还曾在加里尔的先锋电影《内心的伤痕》中出演牵马人一角。他演出的电影风格多样，涉猎广泛，但很少有人知道他也是一位出色的实验电影导演。克雷门蒂被人称为是法国的Kenneth Anger，他导演的作品不多，但和美国导演安格的作品一样充满着神秘而怪诞的影像，明显受六七十年代迷幻运动和地下电影的影响很深。这部《太阳》据说是他个人最满意的作品之一。 　　Soleil (1988) is Clementi's favourite among his own works. I understand it forms a cinematic complement to his autobiographical final play, Chronique d'une mort retardee / Chronicles of a Delayed Death, a search for beauty and meaning in his life in the form of lengthy monologues, again, to the accompaniment of a wealth of images, trembling, superimposed with each other and with the author's thought processes. Clementi at his most vulnerable and Rimbaud-esque (refer to 　　Jeunesse from Illuminations).