唐伯虎为一代风流人物，妻妾八人，还到处留情。一次在途中巧遇俏佳人秋香被她美绝产容吸引，惊为天人。后在庙中参神相遇，秋香回眸一笑，把唐伯虎看得神魂癫倒；伯虎立下决心，誓要赢得美人归。为要接近佳人，伯虎不借卖身于太史府为仆……

喜多川歌麿（坂東簑助 饰）因绘画某千金小姐雪江（大原英子 饰）惹上麻烦，雪江的未婚夫，同时也是幕府御用画师出身的小出势之助（坂东好太郎 饰）吵上门来，非要与之用画技一决雌雄。一番比试过后，势之助甘拜下风，随后抛弃武士身份并与雪江分手，拜入喜多川门下学习。 　　歌麿生性开朗，经他画出的美女图成为全城抢购的热销产品，而他的模特们也会自此迷恋上他。当然，爱人多了同样也会带来烦恼…… 　　[背景]江户本土出生的喜多川歌麿饰江户幕府时期最著名的浮世绘画家，他是“大首绘”的创始人，也就是有脸部特写的半身胸像，代表作为 “江户宽政年间三美人”，1804年因绘制《太阁洛东五妻游观》得罪幕府，受手铐刑（该事件在片中提到）。

圣诞节前夕，一个富裕人家正在忙着筹备圣诞。窗外白雪皑皑，屋里迎来了女儿大学归来。一家人沉浸在圣诞前团聚的气氛。此时，大家以为作为一家之主的父…

Four unrelated short comedies by four different directors. “Queen Sabina”chronicles the sexual misadventures of a teenage girl on the road home. “Queen Armenia” centers on a self-serving opportunistic gypsy babysitter who uses her employer’s kids for her own gain. The third episode, “Queen Elena centers on a husband who learns a lesson about the perils of infidelity after he succumbs to the wiles of the seductive wife next door. The last vignette, “Queen Marta” centers on a wealthy woman who, when drunk, uses her butler as an outlet for her lust.

故事发生在七十年代的香港，讲述八个不同阶层出身的少女，她们步入社会后的境遇。王丽花是油瓶女，被继父奸污，继而被推下海伴舞，虽有心跳出火坑，却命运弄人，最后仍然过货腰生涯。冯念慈是花同学，家世显赫，一生无忧无虑，而家姐念祖习医有成，嫁夫邝民丰是同业，注重事业忽略爱情，终于丈夫与程慕华旧情复炽，生了一子。林美凤是花另一要好同学，母是前上海舞女，受影响而贪慕虚荣，在娱乐圈中混，善见风驶?，终下嫁富商，闹出父子同科笑话。朱爱莲出身名门，父母是大律师兼议员，在父旧情人提名下，参加选美一夜成名，而其同父异母之姊廖晓晴，因为是私生女，又未得父爱，性格变得偏激、好胜、喜怒形于色，妒忌心重，对朱一切极尽破坏。而陈巧儿水上人家出身，因清贫中学未读完即出来谋生，好人一个，却在嫁杜青龙后难产而死。八个女性，不同出身，不同的遭遇，是说明富贵贫贱由天注定，抑是仍操纵在自己手里？故事籍著八个女性的境遇，以及周围人事发展，予观众一个出人意表的感受。

四人角色的关系并非亲姊妹，内容也无关亲情伦理。龚秋霞（饰演秋月）、陈琦（饰演叶铃）和张帆（饰演沙丽）是上海歌剧团的成员，莅临香江演出。陈娟娟（饰演丁香）为龚秋霞的表妹，满心向往舞台表演。男主角吕玉坤饰演的潘少安为花花公子，玩世不恭，属反派角色。他先对爱慕虚荣的陈琦始乱终弃，后玩弄不谙世事的陈娟娟的感情……

Three working girls in Budapest pool their resources to get a better apartment and impress their dates. One dates a nobleman and, learning of her rejection by him, considers poison. Another drinks the poison by mistake and lands a physician for herself. The third marries a businessman. The first girl gets a shop of her own.

圣诞节前夕，一个富裕人家正在忙着筹备圣诞。窗外白雪皑皑，屋里迎来了女儿大学归来。一家人沉浸在圣诞前团聚的气氛。 此时，大家以为作为一家之主的父亲还没有睡醒，谁知打开房门一开，他竟死在了睡床上，背后插着一把刀。众人惊慌失措，想报警之时却发现电话线早以被剪断；车已被蓄意破坏，无法开到警局。明显地，凶手就在这8人中间。彼此的猜忌和指控开始了，各人不为人知的秘密一一曝光，伦理道德的颠覆，贪婪自私的本性，令这个圣诞前夕特别混乱。讽刺的是，最后谁是凶手已经不重要了。

Mateo Sobode Chiqueno’s Ayoreo ancestors worshiped the sun, which they saw as a superior and generous being. But for him and his generation, the sun has primarily become a threat, turning deforested areas into dry, dusty plains—filmed here beautifully but ominously. 　　Some Ayoreo still live in seclusion in the forests of the Chaco in Paraguay. But many more, among them Sobode Chiqueno, were herded into isolated settlements by missionaries, who took their land and forcibly converted them to Christianity. 　　He started recording Ayoreo conversations, stories, and songs in the 1970s, and is still traveling to Ayoreo communities with his now-antique cassette recorder to interview them and collect their voices for his audio archive. Occasionally the device eats a tape, which he fixes with patient fiddling. The conversations express uncertainty about the loss of identity. Is it a problem that a culture disappears in order to adapt to another?

줄거리 　　실크커텐을 사이에 두고 두남녀가 벌이는 의식의 흐름을 이야기화했다. 자폐증에 가까운 남자와 개방적이며 신경질적인 여자가 벌이는 상황을 시적 이미지를 보강하여 사실적이며 밀도있게 파헤쳐 간다. 두사람 사이에는 두번의 상상이 이루어진다. 남자는 여자에게, 여자는 남자에게 유혹당하는 상상속에서 더 진실한 접근을 시도한다. 결국 이 영화는 인간의 속성은 무엇이며 또 성은 과연 얼마만큼 성스럽고 상스러운 것인지 새로운 시점에서 펼쳐간다. 　　故事 　　随着意识的故事流之间的丝绸窗帘是生气，两人均匀。这种情况是开放的，歇斯底里的女孩抓住最近的人患有自闭症加强诗意的影像如此逼真，去挖掘密度。由虚两次两人之间。男人到女人，女人试图想象一个更真诚的方式在被诱惑男人。毕竟，电影是什么是真正的人的财产，另一座城堡竟把神圣的意义在什么新的时间展开。