巴西影史最佳超现实主义电影之一，与Joaquim Pedro de Andrade的《Macunaima》不相上下，更值得一提的是这么NB的无政府主义电影居然出自一个女导演之手，那个时代巴西的女导演还真不多见，Ana Carolina属于巴西新浪潮一代中的特例了，此片又是由我最爱的巴西女星Norma Bengell主演的。找这片已经很久了，今日终于拿到。。。：D 　　http://www.ejumpcut.org/archive/onlinessays/JC22folder/BrazilFilmUpdate.html 　　Anarchist film with surrealistic touches, fine actors and delightfully wacky dialog.A Weird and Surrealistic Dramatic Story. 　　Ana Carolina surprised everybody when, after many documentary shorts and a hit documentary feature about Brazilian dictator Getúlio Vargas, she jumped into anarchist, surrealist crazy drama/black comedy with her first fiction film "Mar de Rosas". A non-sequitur, iconoclast portrait of middle-class family life, her protagonist Betinha (Cristina Pereira, perfectly cast) is a sort of teenage Mafalda (Quino's comic book anti-heroine): rambunctious, naughty, irrepressible, eager to be evil. She's on the run with her mother Felicidade (Norma Bengell, returning to Brazilian films after a long sojourn in European cinema and theater), who has killed husband Sergio (Hugo Carvana) in a hotel bathroom. Betinha and Felicidade are followed by suspicious character Bardi (Otávio Augusto) and, after terrible "accidents" -- Betinha sets fire on her mother at a gas station, Felicidade is hit by a bus while trying to escape from Bardi -- the 3 of them end up being "helped" by wacky couple Dirceu (Ary Fontoura) and Niobi (hilarious, wreck-voiced Myriam Muniz). 　　"Mar de Rosas" has some major lulls (especially toward the end) and is technically precarious, but the acting is inspired and, despite being ultimately a tragic film, you'll find yourself cracking with the loony dialog which is rather difficult to translate, as Ana Carolina uses a lot of Brazilian jeux de mots, adages and figures of speech in her trademark style of "free association". "Mar de Rosas" is refreshingly anti-cliché, and its critical and commercial success paved the way to Ana Carolina's very individual oeuvre that combines anti- conformism, feminism and social criticism with a delightful touch of surrealistic (black) humor. 　　The antagonism portrayed in this explosive black comedy makes a dysfunctional family seem like the Brady bunch. Director Ana Carolina has her leads play it straight, allowing the absurdity of their situations to speak for itself. Felicidade (Norma Benguel) has just slashed her husband with a razor blade in a violent argument, and she and her offensive daughter (Cristina Pereira) run away together. They are caught by Orlande (Otavio Augusto) who was sent out after them by the injured husband. Instead of bringing them back, Orlande takes off with them and a series of misadventures results. Long periods of dialogue are well-written and maintain interest in this maladjusted trio.

幼年宋昭昭和陆烬在一个孤儿院相遇，宋朝朝用她如火的热情，温暖了少年陆烬冰封的内心，两人从此相伴着成长，成为彼此的唯一。但成年后的宋昭昭却不幸得了白血病，两人在病房举办完最后一场婚礼，宋昭昭离开了人世，弥留之际，宋昭昭不忍抛下绝望的陆烬，向神明许愿再陪伴陆烬一程。神明答应了宋昭昭的请求，但一睁眼，宋昭昭就到了七年后。变成了陆烬的未婚妻苏柔，宋昭昭欢欢喜喜地出嫁，却发现陆烬早已不是她记忆中的模样。

丈夫是我的天，我一直在为了家庭而活。然而，我却喜欢上了另一个人，这只能成为秘密。成为一段不可告人的恋情。

丈夫是我的天，我一直在为了家庭而活。然而，我却喜欢上了另一个人，这只能成为秘密。成为一段不可告人的恋情。

When her marriage fails, a beautiful country girl heads to the waiting arms of her ex-lover and inadvertently puts into motion a threat that endangers them both.

供职于世界最大金融公司Gold Partners的资深投资专家姜敏浩（郑敬淏 饰）拥有令人欣羡的社会地位以及迷人出众的气质，但是他骨子里却是个冷酷狠毒的暴君。一步步走上业界顶点的过程中，无数企业和员工葬身在他扩张征伐的车轮之下，成为敏浩功成名就的牺牲品。当然他的暴虐却是由许多原因造成的，25年前他的家族遭到前所未有的巨变，叔父从他的手中夺走了父亲留下的公司，而自己从出生那一刻起就被诊断患有扩张性心肌病，随时都可能死亡。为了完成对叔父的复仇，敏浩全速奔跑，却最终被病魔击倒。 　　当他接受心脏移植手术醒来后，意外发现其内心的坚冰正一点点融化，友情、爱情纷至沓来，似乎那颗陌生的心脏为他注入了额外的热情……

“《陷入姜局》是一档姜思达自毁式个人TV 　　我们每周会把发生在姜思达身上的好事儿，坏事儿 　　以一种没有滤镜的方式，暴露给大家 　　姜思达说——我想把自己变成媒体内容本身”

“《陷入姜局》是一档姜思达自毁式个人TV 　　我们每周会把发生在姜思达身上的好事儿，坏事儿 　　以一种没有滤镜的方式，暴露给大家 　　姜思达说——我想把自己变成媒体内容本身”

两名侦探正在调查一起牵扯帮派的犯罪案件，他俩发现自己成了两方帮派共同的目标，几个不老实的警察也盯上了他俩。

郑京浩饰演的姜敏浩本来是一名冷血的投资专家，在接受了心脏手术后因“细胞记忆症候群（器官捐赠者的性格和习惯会向移植者转移的现象）”产生对生活的热情，从而和金素妍饰演的温柔善良的会长秘书金纯情相遇并感受到了真正的爱情和幸福的意义。