故事讲述Laura Simmonds和她的巴塞罗那领事同事兼朋友Alba Ortiz，为保护那些在加泰罗尼亚地区陷入困境的英国国民而战斗。Laura和Alba担任的角色混合了律师、顾问和警察，她们的外交技巧在解决各种困境中发挥到了极致。 　　剧集开场，一名年轻的英国人莫名身亡，他生前曾在巴塞罗那臭名昭著的码头附近当酒吧招待。尽管西班牙警方和英国外交部都认为这只是起悲惨的意外事故，但Laura支持这名男孩悲愤的父亲Colin，他坚信儿子死的那晚发生了更可怕的事情。 　　随着新证据的出现和一场谋杀案调查的展开，Laura和Alba发现酒吧男招待的死亡、有组织犯罪和英国安全部门之间存在联系。Laura坚决要曝光英国和西班牙两国不遗余力埋藏的秘密，而她对于正义的追求将她置于真正的危险之中。

杰西·威廉姆斯、乔丹娜·布鲁斯特加盟，杰伊·巴鲁切尔自导自演新片[随机暴力行动](Random Acts Of Violence，暂译)。本片根据同名漫画小说改编，将围绕漫画作者托德(威廉姆饰)、他的女友(布鲁斯特饰)、他的助理(妮娅姆·威尔逊饰)、他的好朋友(巴鲁切尔饰)展开。在从多伦多到纽约参加动漫展的路上，人们开始像托德漫画中的方式被杀害。很明显，是有一个狂热粉丝在搞事......本片正在拍摄，将持续到9月。

Alice and Tommaso have been together for many years. When they invite their friends to dinner, everyone thinks they'll announce they're getting married. Instead, they are breaking up. 　　Venetian Nights 2021

一名在汽车经销店工作的单身女性因过去的创伤而对男性产生恐惧。但她在一家妇女诊所得到了异常的满足，那里的医生秘密拍摄了她的检查结果。一天晚上，她在一家自助洗衣店被一名男子从背后袭击。这引发了她内心的一种奇怪的欲望，她回到自助洗衣店寻找更危险的乐趣。

在这部搞笑短剧中，餐馆迎来一位神秘厨师，他手中的食谱每天随机刷新，菜品千奇百怪——从“爆炒榴莲披萨”到“冰镇麻辣烫”，离谱搭配却意外香飘整条街。饥肠辘辘的食客们闻香而来，却被“今日特供”的莫测画风逼到崩溃，一边骂骂咧咧一边狂炫三碗，甚至为最后一块“臭豆腐蛋糕”大打出手。当午夜钟声响起，新菜单再度刷新，全员盯着“折耳根奶茶”集体瞳孔地震……

距今 30 年后，在东方小国——叁国，AI 技术已深度控制人类社会的各方面。一群有识青年组成随机联盟，利用易经文化研究出一套随机万能公式，向 AI Zero 发起实时挑战赛，以期让更多人重新发现到人类自身的力量和无限可能性。

在这部搞笑短剧中，餐馆迎来一位神秘厨师，他手中的食谱每天随机刷新，菜品千奇百怪——从“爆炒榴莲披萨”到“冰镇麻辣烫”，离谱搭配却意外香飘整条街。饥肠辘辘的食客们闻香而来，却被“今日特供”的莫测画风逼到崩溃，一边骂骂咧咧一边狂炫三碗，甚至为最后一块“臭豆腐蛋糕”大打出手。当午夜钟声响起，新菜单再度刷新，全员盯着“折耳根奶茶”集体瞳孔地震……

动物学家露西·库克用镜头带领我们前往一次奇幻旅程，见证不同动物出生的时刻。在这里，我们能看到哺乳动物从母亲的身体中来到世界，第一次自由呼吸，第一次睁开双眼打探新奇的世界，第一次站立，第一次喝奶，第一次啼哭；也能看到卵生动物挣脱束缚，破壳而出。在这里，我们能看到动物的母亲与孩子之间强烈的情感纽带，也能看到人类与动物之间的信任与感激。生命的力量让人感动，让人热泪盈眶。

A famous docking: Algiers, the White City, in a radiant light. The picture darkens with a voice-over reading of the text of the surrender of the Dey of Algiers in 1830. About the Conquest confronts us with a page of the French national novel that was too hastily turned. Franssou Prenant audaciously gathers a community of complicit voices who read a succession of archives (reports, testimonies, memoirs, historical, geographical, and urbanistic considerations) in a matter-of- fact tone. Recounting the stages of France’s colonisation of Algeria between 1830 and 1848, they outline the ideological landscape of a staggering annihilation effort. The film could just as well have been entitled About Destruction. Franssou Prenant thus constructs a memorial with a technique common to History and cinema: montage. A montage of texts: the words of Victor Hugo, Ernest Renan, Tocqueville are interwoven with those of military men, senior officials, brigadiers, without any way of distinguishing the authors. Then, a montage of images through which yesterday’s acts of violence and dispossession echo in the present: in contrast to an account of murders, the film presents a desolate desert landscape or the frank and innocent smiles of teenagers. The promises of riches offered by colonized Algeria are accompanied by shots of an opulent, Haussmann-style Parisian city centre. We are plunged into a reflection on the nature of this extraordinary violence, through a pictorial meandering into contemporary Algeria, entwined with archival extracts heard in an interplay of convergence and divergence. The piling up of texts brings to light both the ethnocentric and racist imaginary and the cold logic of economic exploitation that dictated the colonization of Algeria and its irreversible consequences, from which Algerian society still suffers today. 　　源自：https://fidmarseille.org/en/film/de-la-conquete-about-the-conquest/

Michel Piccoli stars as an amorous dentist whose philandering seemingly knows no bounds. He is no sooner shooing such lovelies as Anna Karina and Elsa Martinelli out the back door than he is welcoming such "new blood" as Joanna Shimkus into his living room. When Shimkus demands a commitment, Piccoli runs home movies of his past girlfriends, insisting all the while that he has forgotten them and that Joanna is the only woman in his life. The very next day he's running his movies for still another woman, and the song continues. De L'Amour is based on an 1822 novel by Stendhal (who would have been visionary indeed if he'd included all those home movies!)