선 성종 8년, 정절을 중요시해 재가가 금지되자 외로움을 견디다 못한 한과부는 신령님께 치성을 드린다. 한과부는 나무 공을 받는데 이 나무 공은 '이것이 무엇에 쓰는 물건인고'라는 주문을 외면 멋진 남자로 변한다. 기쁨에 들뜬 한과부를 이상히 여긴 오과부는 한과부를 미행해서 나무 공의 비밀을 알아내고 가짜와 바꿔친다. 뒤늦게 이를 알게 된 한과부와 오과부 사이에 싸움이 벌어지고 공은 젊은 마님 손에 들어가 그녀도 얼떨결에 남자를 만난..

金猴奖专家评委说这个动画“看不懂”，动漫草根们却说“热泪盈眶”地把它看完了。在一群动画小人追求梦中情人的过程中，你笑了还是哭了？“谐脉阵”、“分钟数”，你还能找到多少隐藏在剧情中的现实彩蛋？专家看不懂的故事里，你看懂了多少？有没有自己在里面？我，“不知道”！ 这是一部幽默的音乐动画短片, 几个年轻人为了追求理想中的梦中情人, 经历一系列冒险和考验, 最终却获得了意想不到的效果. 但同时所有动画人看到这部片子都会会心一笑, 中国动画的发展史, 从早期的辉煌,后来的网络动画兴盛,动漫产业扶持到现状,每一个角色, 每一个场景道具, 都是中国动画原创力量中的一份子, 也许是作品, 也许是团队logo, 也许是一个知名的事件, 故事结尾预示着在三部委的引领下,中国原创动画从量产到创作精品的过程, 实现动画产业的井喷式发展.

金猴奖专家评委说这个动画“看不懂”，动漫草根们却说“热泪盈眶”地把它看完了。在一群动画小人追求梦中情人的过程中，你笑了还是哭了？“谐脉阵”、“分钟数”，你还能找到多少隐藏在剧情中的现实彩蛋？专家看不懂的故事里，你看懂了多少？有没有自己在里面？我，“不知道”！ 这是一部幽默的音乐动画短片, 几个年轻人为了追求理想中的梦中情人, 经历一系列冒险和考验, 最终却获得了意想不到的效果. 但同时所有动画人看到这部片子都会会心一笑, 中国动画的发展史, 从早期的辉煌,后来的网络动画兴盛,动漫产业扶持到现状,每一个角色, 每一个场景道具, 都是中国动画原创力量中的一份子, 也许是作品, 也许是团队logo, 也许是一个知名的事件, 故事结尾预示着在三部委的引领下,中国原创动画从量产到创作精品的过程, 实现动画产业的井喷式发展.

该剧改编自同名小说和网漫，讲述大韩民国首屈一指的企业财阀三世兼女秘书杀人事件的嫌疑人尹伊俊，和以比一般男性更优越的力量，特殊部队出身的警察姜在熙，女扮男装的浪漫喜剧。 　　任时完饰演虽然是温室里长大的财阀三代，但也是杀人事件的嫌疑人尹伊俊一角，是一个四次元的角色。 　　薛仁雅饰演女扮男装，伪装成尹伊俊的随行秘书兼警卫员就业，紧密调查他的Girl Crush铁壁女姜在熙一角。

The film offers insight into the filmmaker's stay in hospital, where she repeatedly experiences absurd, funny moments between pain, homesickness, and disgust with her own body. Meanwhile, she tries to come to terms with the hospital's own procedures and hierarchies. An emotional trip through the long underground corridors of the hospital with lots of small talk and tubes.

Radu Jude has made a seven-minute self-portrait for the magazine report Kurzschluss (Short Circuit) by arte in cooperation with goEast Film Festival Wiesbaden (Germany). 　　Please also find an extensive Q&A with Radu Jude at the goEast website: filmfestival-goeast.de/en/goEast_online/online_in_discussion_with_radu_jude.php

Director Krzysztof Kieslowski gives a voice to a Polish whistleblower who revealed crimes and corruption involving local Communist Party leaders. During the 1950s, he was appointed manager of a leather factory in Silesia. There he came across shady practices such as selling stolen goods and claiming expenses for fictitious business trips. But the moment he started to investigate, he was accused of theft and fired, and subsequently even threatened with violence. Unbeknownst to him, he had become Public Enemy No. 1. All of this culminated in a nervous breakdown and his being committed to a psychiatric institution. Now, the only thing that matters to him is a clear conscience. Kieslowski’s seldom-screened documentary is the testimony of a man who eventually turned against the system he had initially been an enthusiastic part of. Kieslowski had great doubts about releasing the film, as he was afraid of putting the whistleblower in even greater danger. To protect him, he included the sound of a typewriter at the moments when people are named.

《像那一样的东西》是2011年突然病逝的导演大匠森田芳光同名电影35年后翻拍的续作，松山健一饰演主人公落语家出船亭志田，北川景子则饰演志田心中的所爱夕美。

Dominique Pinon talks to the camera describing his likes and dislikes, ranging from the simple such as "I hate men with a beard but no moustache" to the more touching, "I like to think that after death can't be worse than before birth." Each of his examples is accompanied by a visual demonstration. 　　Jean-Pierre Jeunet reused this technique in his 2001 flim Amélie when introducing the characters.