杨武在战场上大杀四方，为国征战，却不知道自己的妹妹被恶少欺辱，母亲更是蒙冤受屈被打，此时杨武归来，救出自己的母亲，并且教训了恶少，让恶少绳之以法。在随后的受封仪式上，杨武受封镇南天君，并且打算平定宗门祸乱....

Based on true events, Picco sheds light on the everyday life of youth prison inmates in Germany and shows in a merciless way that the judiciary system is by no means able to re-educate these lost youths. Kevin is new in youth prison. He has to share a cell with Tommy, Andy and Marc. A partnership of convenience in a system where only the strong prevail. It is hard for Kevin to establish himself. He's afraid of not sticking it out. Only Tommy gives him an amicable advice: In this system, you're either a victim or a culprit. An advice that will trigger most dire consequences and will lead to a night that will change the lives of the four inmates forever.

改编自知乎/盐言故事《以爱为囚》，作者知言。家庭主妇甘雅为了自保，杀了想杀妻骗保的丈夫和情人，警察苏芮接到报案，开启了调查，抽丝剥茧下，苏芮发现了许多不为人知的秘密……

该剧以一位二婚母亲甘雅的视角展开，她因急需为聋哑女儿筹集复聪手术费用，却遭遇了二婚丈夫昭坤的背叛与暴力。昭坤的突然失踪，不仅为剧情蒙上了一层神秘面纱，更将甘雅推向了风口浪尖。她巧妙设计，用一盘“饺子”引公婆报案，这一情节不仅展现了甘雅的智慧与勇气，更预示着剧情将迎来一系列令人意想不到的反转。

故事发生在1930年黑势力横行的上海滩。风流警探田继业无意中介入了一起妓女凶杀案，而犯罪嫌疑人竟是他曾抛弃的初恋女友何如是。在调查过程中，田继…

理查德（雅克布·伊库伦德 Jacob Eklund 饰）虽然表面看来有一个美满的家庭，但实际上，他身陷一段婚外情中。这一天，他的情妇告诉他自己怀上了他的孩子，理查德知道，他必须做一个了断了。安妮塔（安·彼得伦 Ann Petrén 饰）曾经有过一段失败的婚姻，虽然已经过去三年了，但安妮塔仍然没有从阴影中走出来。当她得知自己的前夫奥尔夫（彼特·安德森 Peter Andersson 饰）即将再婚时内心五味杂陈。 　　安德斯（马格努斯·克雷佩 Magnus Krepper 饰）是一名建筑包工头，一天，他接了一笔订单，为一对中年夫妻装修房子。而在这对夫妻家里的所见所闻让安德斯明白，许多事情根本不是表面上看起来的那么简单。

一座修建十年的隧道即将竣工之际，受全球地质变动影响，地裂、地震、山体滑坡、泥石流等一系列地质灾害呼啸而至，隧道与整个县城危在旦夕，老洪（黄志忠…

一座修建十年的隧道即将竣工之际，受全球地质变动影响，地裂、地震、山体滑坡、泥石流等一系列地质灾害呼啸而至，隧道与整个县城危在旦夕，“老洪”洪赟兵（黄志忠 饰）、“小洪”洪翼舟（朱一龙 饰）父子俩于绝境处挺身而出，他们如何与16万人度过这场生死危机？

Devil’s Peak reflects on recent unprecedented shifts in the socio-cultural fabric of the artist’s homeland of Hong Kong and a nagging anxiety that hangs over daily life in the former British Colony. Highly condensed glimpses of cityscapes and everyday life form a collage of overlapping poetic narratives and coded references. The film cycles through ominous sites of social tension, lush urban spectacle, relics of imperialist legacies, and places of personal significance—such as the artist’s 500-year-old ancestral village—at a rapid, frenetic pace. By interrogating highly subjective experiences in the context of a seemingly insurmountable change in the political and cultural fabric of his native city, Liu creates a site of remembrance for a time and place that may never be as it was.

Devil’s Peak reflects on recent unprecedented shifts in the socio-cultural fabric of the artist’s homeland of Hong Kong and a nagging anxiety that hangs over daily life in the former British Colony. Highly condensed glimpses of cityscapes and everyday life form a collage of overlapping poetic narratives and coded references. The film cycles through ominous sites of social tension, lush urban spectacle, relics of imperialist legacies, and places of personal significance—such as the artist’s 500-year-old ancestral village—at a rapid, frenetic pace. By interrogating highly subjective experiences in the context of a seemingly insurmountable change in the political and cultural fabric of his native city, Liu creates a site of remembrance for a time and place that may never be as it was.