"野冈不厌其烦地向她一个同学的哥哥做了一个书面的忏悔，但他甚至没有读过这些信。这促使她亲自停下来，通过各种滑稽动作表达她对他的“恨”......

Channel 4's "Secret Life of Japan" series concludes with this moving documentary. Containing personal accounts, this film shows how the stress and strain of failure at work and the recent recession in Japan, are driving increasing numbers of Japanese people to suicide. 　　In the past several years, much has been written about suicides and their connection to high unemployment rates in Japan. Dire statistics show that in the years since 1998, Japan's suicide numbers have topped the 30,000 mark annually. This has the general population, as well as health and social welfare critics around the world taking notice. 　　Near the base of Mount Fuji is an unhappy little spot called Aokigahara Woods, which happens to be one of the most infamous places in Japan for suicidal people to do themselves in. In recent years these woods have been known by a more tragic name, "Suicide Forest". In 2003, 78 middle-aged men apparently committed suicide here by hanging themselves from tree branches. This is an increase from the former record of 73 found on searches back in 1998. Experts cite unemployment, bankruptcies and other economic problems as major reasons for the deaths. 　　The total number of Japanese suicides is roughly equal to that of the entire United States, a country that has more than twice Japan's population. To put the latest data in context, in today's Japan one is roughly five times as likely to die by one's own hand as to be killed in a traffic accident. 　　Some cultural factors exacerbate the problem: lack of religious prohibition against suicide, reluctance to discuss mental health and stress-related problems, a literary tradition that romanticizes suicide, a view of suicide as an honorable act, a way of taking responsibility for failure, among other issues. The breakdown of family and social networks and the increasing isolation of individuals contribute to the problem.

Channel 4's "Secret Life of Japan" series concludes with this moving documentary. Containing personal accounts, this film shows how the stress and strain of failure at work and the recent recession in Japan, are driving increasing numbers of Japanese people to suicide. 　　In the past several years, much has been written about suicides and their connection to high unemployment rates in Japan. Dire statistics show that in the years since 1998, Japan's suicide numbers have topped the 30,000 mark annually. This has the general population, as well as health and social welfare critics around the world taking notice. 　　Near the base of Mount Fuji is an unhappy little spot called Aokigahara Woods, which happens to be one of the most infamous places in Japan for suicidal people to do themselves in. In recent years these woods have been known by a more tragic name, "Suicide Forest". In 2003, 78 middle-aged men apparently committed suicide here by hanging themselves from tree branches. This is an increase from the former record of 73 found on searches back in 1998. Experts cite unemployment, bankruptcies and other economic problems as major reasons for the deaths. 　　The total number of Japanese suicides is roughly equal to that of the entire United States, a country that has more than twice Japan's population. To put the latest data in context, in today's Japan one is roughly five times as likely to die by one's own hand as to be killed in a traffic accident. 　　Some cultural factors exacerbate the problem: lack of religious prohibition against suicide, reluctance to discuss mental health and stress-related problems, a literary tradition that romanticizes suicide, a view of suicide as an honorable act, a way of taking responsibility for failure, among other issues. The breakdown of family and social networks and the increasing isolation of individuals contribute to the problem.

此作品的立意是来自于对“观远山庄”所藏的赵孟頫手卷这件传世之作的观看、分析与想象。以动画影片的方式，阐述中华民族特殊性的来源——在中国，每一个接受教育的孩子，先要用几年时间牢记、书写几千个字型。每一个字就是一幅图画。中国人几千年历代如此，这一定影响着这个民族的性格。中国人看待事物以及处理事物的方法，以至今天的中国为什么会是今天这个样子——没有按照西方的价值观却发展的如此之快。 　　中国人的世界观、自由观；中国人的集体主义、爱面子、顾大局、重符号、崇名牌的结果；中国人消化其他文化养料的能力；中国人文化中的拷贝观与“山寨现象”的关系等。这些特殊之处可以说都与中国特殊的汉字书写方式有关。而任何单一的“主义”，如西方市场经济、社会主义、自由民主等，都被溶解在这个特别的，源自于汉字书写的“文化范围”之中。本质上，这些主义对中国人的思想来说，只是起着比照与添加材料的作用，而绝不是起到决定性的作用。此动画片最终是要表明的是：中国文化的内核与能量，以及在未来人类新文明建设中的利弊与作用。整个片子看完，实际上是了解了一篇关于书法与中国人特性的“论文”的内容。

此作品的立意是来自于对“观远山庄”所藏的赵孟頫手卷这件传世之作的观看、分析与想象。以动画影片的方式，阐述中华民族特殊性的来源——在中国，每一个接受教育的孩子，先要用几年时间牢记、书写几千个字型。每一个字就是一幅图画。中国人几千年历代如此，这一定影响着这个民族的性格。中国人看待事物以及处理事物的方法，以至今天的中国为什么会是今天这个样子——没有按照西方的价值观却发展的如此之快。 　　中国人的世界观、自由观；中国人的集体主义、爱面子、顾大局、重符号、崇名牌的结果；中国人消化其他文化养料的能力；中国人文化中的拷贝观与“山寨现象”的关系等。这些特殊之处可以说都与中国特殊的汉字书写方式有关。而任何单一的“主义”，如西方市场经济、社会主义、自由民主等，都被溶解在这个特别的，源自于汉字书写的“文化范围”之中。本质上，这些主义对中国人的思想来说，只是起着比照与添加材料的作用，而绝不是起到决定性的作用。此动画片最终是要表明的是：中国文化的内核与能量，以及在未来人类新文明建设中的利弊与作用。整个片子看完，实际上是了解了一篇关于书法与中国人特性的“论文”的内容。

《聚焦新型腐败和隐性腐败系列创意短剧》以真实案例为原型，深入剖析“影子戏法”干股分红等典型问题，通过情景剧形式揭露权钱交易新变种，直击“披马甲”“隐身衣”腐败本质，以直观、生动的宣传教育方式增强党员干部拒腐防变意识。

Michael Mosley explores the latest science about how our personalities are created - and whether they can be changed. 　　Despite appearances, Mosley is a pessimist who constantly frets about the future. He wants to worry less and become more of an optimist. 　　He tries out two techniques to change this aspect of his personality - with surprising results. 　　And he travels to the frontiers of genetics and neuroscience to find out about the forces that shape all our personalities.

TBS系列全国ネットで放送のバラエティ番組で、改編期や年末年始などを中心に不定期で放送していた特別番組。県民性をテーマに、全国1万人アンケートを基に、あることにおける都道府県ランキングを紹介している。 　　あるテーマについて、アンケートで質問した内容を説明した後、まず上位5位～2位の順に歴史的由来やアンケートの結果をVTRで紹介する。1位であった都道府県にはレポーターの櫻井翔が実際に訪れ、検証を行う。なお、この検証はほかの県では行われない（対照実験を行わない）。その後スタジオでのトークの後、全都道府県のランキングを紹介する。ランキング以外にも、ふるさとを思い出させる食べ物（同番組では「ソウルフード」という）の紹介なども行っている。

TBS系列全国ネットで放送のバラエティ番組で、改編期や年末年始などを中心に不定期で放送していた特別番組。県民性をテーマに、全国1万人アンケートを基に、あることにおける都道府県ランキングを紹介している。 　　あるテーマについて、アンケートで質問した内容を説明した後、まず上位5位～2位の順に歴史的由来やアンケートの結果をVTRで紹介する。1位であった都道府県にはレポーターの櫻井翔が実際に訪れ、検証を行う。なお、この検証はほかの県では行われない（対照実験を行わない）。その後スタジオでのトークの後、全都道府県のランキングを紹介する。ランキング以外にも、ふるさとを思い出させる食べ物（同番組では「ソウルフード」という）の紹介なども行っている。