Shot in Hampi, India, among the ruins of a 14th-century city, now a UNESCO World Heritage Site, it is a landscape film of sorts. Static shots of massive boulders alternate with smallish rockslides. There is not a soul in sight, if not for monkeys eerily resembling humans. derelict architectures clearly built in ‘different’ styles denoting traditions very distant in space and time elicit a calm sense of despair. one cannot not think of the lunar landscapes seen in David Lean’s A Passage to India, or how Judy Davis felt those rocks alien. “The interest of the film, however, lies in how it raises the problem of conveying epochal change beyond the timescales of human life. With its precise, playful orchestrations of scale, perspective, and off-screen sound, … Slow Shift resembles nothing so much as the “Dawn of Man” section of 2001: A Space Odyssey stripped of any sense of prehuman advancement.” (Lawrence Garcia, Reverse Shot)

Shot in Hampi, India, among the ruins of a 14th-century city, now a UNESCO World Heritage Site, it is a landscape film of sorts. Static shots of massive boulders alternate with smallish rockslides. There is not a soul in sight, if not for monkeys eerily resembling humans. derelict architectures clearly built in ‘different’ styles denoting traditions very distant in space and time elicit a calm sense of despair. one cannot not think of the lunar landscapes seen in David Lean’s A Passage to India, or how Judy Davis felt those rocks alien. “The interest of the film, however, lies in how it raises the problem of conveying epochal change beyond the timescales of human life. With its precise, playful orchestrations of scale, perspective, and off-screen sound, … Slow Shift resembles nothing so much as the “Dawn of Man” section of 2001: A Space Odyssey stripped of any sense of prehuman advancement.” (Lawrence Garcia, Reverse Shot)

2017年，某座小城市预定要上演一出话剧。而这出剧名为《Morning》非比寻常，它由享誉全球的英国著名剧作家Simon Stephens亲自执笔创作，此次更是首度登陆日本。为此，主创紧锣密鼓准备。从最初的试镜选拔开始，未有任何经验的少男少女便踌躇满志朝向荣光的舞台。可就在排演过程中，意外发生了……

2017年，某座小城市预定要上演一出话剧。而这出剧名为《Morning》非比寻常，它由享誉全球的英国著名剧作家Simon Stephens亲自执笔创作，此次更是首度登陆日本。为此，主创紧锣密鼓准备。从最初的试镜选拔开始，未有任何经验的少男少女便踌躇满志朝向荣光的舞台。可就在排演过程中，意外发生了……

Pelu, a lonely projectionist in a dying cinema, loses his home and secretly moves into the theatre after being demoted. He turns it into a nocturnal refuge, hosting homeless friends and renting it to a camgirl, thereby reclaiming a sense of purpose. When his secret is exposed and the cinema closes down, Pelu defiantly breaks in to reclaim his home. A bittersweet ode to seventh art, which is not an escapist gesture, but rather a reminder of the inspiration that comes from togetherness and the essential need for community spaces, especially in times like these under the Milei administration.

Those two would really like to stop and pretty soon they will. 　　The landscape does not have a name as they neither do. 　　This day lasts long, every hour looks like the other and night doesn’t fall. Then they meet two kids with guns, two women that have been lost together inside the same opera and two men that exist separately inside the same music. 　　They are forced to rest. They decide to change roles so they can continue their walk. They lose their image and they find their proper voice. 　　They recall at once everything that happened during that endless day 　　and they give a name to this landscape.

Pelu, a lonely projectionist in a dying cinema, loses his home and secretly moves into the theatre after being demoted. He turns it into a nocturnal refuge, hosting homeless friends and renting it to a camgirl, thereby reclaiming a sense of purpose. When his secret is exposed and the cinema closes down, Pelu defiantly breaks in to reclaim his home. A bittersweet ode to seventh art, which is not an escapist gesture, but rather a reminder of the inspiration that comes from togetherness and the essential need for community spaces, especially in times like these under the Milei administration.

Those two would really like to stop and pretty soon they will. 　　The landscape does not have a name as they neither do. 　　This day lasts long, every hour looks like the other and night doesn’t fall. Then they meet two kids with guns, two women that have been lost together inside the same opera and two men that exist separately inside the same music. 　　They are forced to rest. They decide to change roles so they can continue their walk. They lose their image and they find their proper voice. 　　They recall at once everything that happened during that endless day 　　and they give a name to this landscape.

10 hours of paint drying on a wall.

苏朵儿与李景元这对从校园相恋即将步入婚姻殿堂的情侣的曲折故事。苏朵儿为救李景元意外失明，复明手术成功后却惊觉未婚夫出轨小师妹周若琳。心死如灰的她决定在婚礼揭露李景元和周若琳的奸情，并且当天同时举办一场自己的葬礼假死消失，让李景元自食恶果，同时在葬礼上出现的还有一直追求苏朵儿年下忠犬朱梓睿……