While preparing to shut down the photo studio business that he has been running, a man (Yoon Jemoon) hears that someone named Chulsu has died. The man contacts several friends in the hope of finding to attend the funeral with him. Usu is a film in which an image of a man, sunk in depression, is printed on a screen. It is not important who Chulsu is. It looks as if the man traces back his past, but the film refuses to give any concrete explanation. Instead, it carves abstract emotions onto a refined screen. Characters are placed in the multi-layered frames and are as quiet as paintings. Leisurely paced, the film captures them as they are buried in darkness while conversations, that look absent-minded yet incisive, add vitality to the slow and contemplative rhythm. The half serious and half playful lines sound like an extended joke about loneliness. Usu is a drama that resembles a carefully staged photograph. It casts its shadow of sorrow and loneliness upon those who watch it. (SONG Kyung-won)

While preparing to shut down the photo studio business that he has been running, a man (Yoon Jemoon) hears that someone named Chulsu has died. The man contacts several friends in the hope of finding to attend the funeral with him. Usu is a film in which an image of a man, sunk in depression, is printed on a screen. It is not important who Chulsu is. It looks as if the man traces back his past, but the film refuses to give any concrete explanation. Instead, it carves abstract emotions onto a refined screen. Characters are placed in the multi-layered frames and are as quiet as paintings. Leisurely paced, the film captures them as they are buried in darkness while conversations, that look absent-minded yet incisive, add vitality to the slow and contemplative rhythm. The half serious and half playful lines sound like an extended joke about loneliness. Usu is a drama that resembles a carefully staged photograph. It casts its shadow of sorrow and loneliness upon those who watch it. (SONG Kyung-won)

清水逃离了家乡、母亲的生活和“谁的女儿”的命运。她没想到，家乡的雨水落下来，落到了出嫁的那一天，还落满了她漫长的婚姻生活。 　　改编自王占黑同名中篇小说，剧本曾入选戛纳电影节长篇剧本驻地计划( LaRésidence )、上海电影节电影项目创投、戛纳电影节影评人周Next Step长片计划（并获法国Moulin d’Andé艺术驻地奖）、威尼斯电影节市场创投。此外，影片还获到鹿特丹国际电影节Hubert Bals Fund 电影发展金的支持。

清水逃离了家乡、母亲的生活和“谁的女儿”的命运。她没想到，家乡的雨水落下来，落到了出嫁的那一天，还落满了她漫长的婚姻生活。 　　改编自王占黑同名中篇小说，剧本曾入选戛纳电影节长篇剧本驻地计划( LaRésidence )、上海电影节电影项目创投、戛纳电影节影评人周Next Step长片计划（并获法国Moulin d’Andé艺术驻地奖）、威尼斯电影节市场创投。此外，影片还获到鹿特丹国际电影节Hubert Bals Fund 电影发展金的支持。

纳净云从警宫大学研究生毕业，分配到东环市公安局。在回来的火车上他三拳两脚打跑了调戏姑娘的几个流氓，并因此结识了漂亮的女记者王彤。纳净云自己要求去重案组做了一名普通刑警。他认为六年寒窗，完全可以凭借丰富的理论知识在刑侦战线大显身手，一鸣惊人。没想到已有四十年警龄的探长王贵金安排重案组女侦察员周菁芳做纳净云的搭档……

纳净云从警宫大学研究生毕业，分配到东环市公安局。在回来的火车上他三拳两脚打跑了调戏姑娘的几个流氓，并因此结识了漂亮的女记者王彤。纳净云自己要求去重案组做了一名普通刑警。他认为六年寒窗，完全可以凭借丰富的理论知识在刑侦战线大显身手，一鸣惊人。没想到已有四十年警龄的探长王贵金安排重案组女侦察员周菁芳做纳净云的搭档……

一群离别原生家庭的小孩子，经莫姑娘安排下，遇上天美姨姨和彬叔叔这个短暂的幸福中途站，天美姨姨亦因此经历十三年来从聚合到分离；遇上每一个孩子，他们却又再要分散，感受到喜悦也要经历分离的痛。

多年前失去了亲儿的母亲，申请成为寄养家庭，想借此找回做母亲的感觉。

别墅惊魂 家中有鬼，惊恐慎入！ 　　有人离奇死亡，豪宅鬼影频现！身在局中，又被设局，生与死的游戏，刺激着你健全的神经，谁生谁死？　　午夜时分…

才华横溢的郑加福凭借他所开发的赛5生物科技项目赢得了融亿达集团老总的青睐，不仅有大笔资金支持项目的研发，还在公司内委以要职。然而郑为人急功近利，为了不断攀爬，他有意接近老总吴天诚的独生女儿吴小燕。经过步步为营的精心布局，心高气傲的吴小燕最终投入郑的怀抱，二人如愿走入婚姻的殿堂。在此之后，郑继续新一代产品赛6的开发，同时想尽办法掌控公司财权。他的异常举动为岳父所感知，于是吴天诚向女儿提出警告，要注意公司财物，另一方面则将赛6的项目转给其他公司。 连番举措令郑对吴家父女的怨恨日益加深，在此之后，他们的豪宅内也接二连三发生诡异事件……