吴雪莹刚刚获得了博士学位，从国外学成归来，可是一进家门就看到了满屋的债主，他们告诉吴雪莹，她的弟弟吴文清跳楼自杀了，这个消息让吴雪莹精神受到了沉重的打击，气血攻心一下子晕了过去。趁着吴雪莹失去意识，陆疯子抢走了她的资料箱，里面装的都是非常机密的文件。 　　刑警队长赵天祥成为了这起案件的负责人，经过缜密的调查，他发现，吴文清的死亡并非自杀而是他杀，而一切的根源，要追溯到神秘小时的资料箱上。果不其然，陆疯子用资料箱作为要挟，向吴雪莹勒索巨款。可没过多久，陆疯子的尸体被人发现了。

该剧以1937年“七七事变”后日本大举侵略中国、国民政府由南京迁都重庆为背景，讲述了川军英勇抗敌以及重庆人民在八年抗战中无比顽强的生存之路。剧中张丰毅出演川军将领朱豪，一个袍哥出身的草莽军人，同时又是一个逐渐苏醒的爱国青年，还与抢来的大学生媳妇上演了一段“不般配 ”恋情。

该剧以1937年“七七事变”后日本大举侵略中国、国民政府由南京迁都重庆为背景，讲述了川军英勇抗敌以及重庆人民在八年抗战中无比顽强的生存之路。剧中张丰毅出演川军将领朱豪，一个袍哥出身的草莽军人，同时又是一个逐渐苏醒的爱国青年，还与抢来的大学生媳妇上演了一段“不般配 ”恋情。

本片追踪记录了一项全球高风险任务，建造詹姆斯·韦布空间望远镜（JWST）并将其发射到距离地球一百万英里的轨道上，本片试图回答自时间开始以来一直困扰我们的问题：我们从哪里来？宇宙是如何开始的？我们是孤独的吗？《深空》展现了我们从未见过的宇宙；观众将沉浸在NASA新太空望远镜传回地球的惊人图片中——并在只有在巨大的IMAX银幕上才能体验到的规模领略它们的宏伟美景。

本片追踪记录了一项全球高风险任务，建造詹姆斯·韦布空间望远镜（JWST）并将其发射到距离地球一百万英里的轨道上，本片试图回答自时间开始以来一直困扰我们的问题：我们从哪里来？宇宙是如何开始的？我们是孤独的吗？《深空》展现了我们从未见过的宇宙；观众将沉浸在NASA新太空望远镜传回地球的惊人图片中——并在只有在巨大的IMAX银幕上才能体验到的规模领略它们的宏伟美景。

故事发生在疫情之中，宵宵则被迫滞留在一个陌生的城市，她遭遇了百无聊赖的李由。 城市显得有些诡异，两个年轻人在空荡荡的街道、游乐场、KTV、废墟寻找乐子;情绪、道德观念、身体渐渐地沦为欲望的工具。

故事发生在疫情之中，宵宵则被迫滞留在一个陌生的城市，她遭遇了百无聊赖的李由。 城市显得有些诡异，两个年轻人在空荡荡的街道、游乐场、KTV、废墟寻找乐子;情绪、道德观念、身体渐渐地沦为欲望的工具。

City Deep is the eleventh film from Drawings for Projection, a series of animation films that William Kentridge has been working on since 1989. City Deep is about so-called Zama zamas, illegal mineworkers who scour abandoned mines for remnants of gold. Kentridge mixes the world of the mineworkers with, among others, the Johannesburg Art Gallery, built during the heyday of the gold industry and colonialism. 　　Drawings for Projection marked Kentridge’s international breakthrough as an engaged artist with a sense of commitment and a concern for developments in his native country. His films illuminate the charged history of South Africa. ‘I have never tried to make illustrations of apartheid’, he once stated. ‘But the drawings and films are certainly spawned by and feed off the brutalized society left in its wake.’

City Deep is the eleventh film from Drawings for Projection, a series of animation films that William Kentridge has been working on since 1989. City Deep is about so-called Zama zamas, illegal mineworkers who scour abandoned mines for remnants of gold. Kentridge mixes the world of the mineworkers with, among others, the Johannesburg Art Gallery, built during the heyday of the gold industry and colonialism. 　　Drawings for Projection marked Kentridge’s international breakthrough as an engaged artist with a sense of commitment and a concern for developments in his native country. His films illuminate the charged history of South Africa. ‘I have never tried to make illustrations of apartheid’, he once stated. ‘But the drawings and films are certainly spawned by and feed off the brutalized society left in its wake.’