In 1934, Conrad Aiken wrote his most famous short story, "Silent Snow, Secret Snow." It went on to become one of the most widely read American short stories of the 20th-century. 37 years later in 1971, Rod Serling's Night Gallery would adapt this short tale as part of its weekly anthology series. With a teleplay and direction by Emmy Award-nominated Gene R. Kearney, the episode remains one of the finest half-hours from 1970s television. 　　"Silent Snow, Secret Snow" tells the story of young Paul Hasleman and his slow decent into madness. When Paul awakens one morning to the sound of the postman's muffled footsteps on the street below, his belief that it has snowed the night before is shattered when he discovers the sun-draped lawn outside his window. Paul's discovery of a "secret snow" begins his slow detachment from the real world around him. 　　Night Gallery is probably best known for it's weekly horror stories and strange tales book ended with introductions by it's host, writer Rod Serling. Serling worked more often as a host than writer on the program, unlike his more famous Twilight Zone series of the 1950s-60s. For Twilight Zone, Serling took a more active role in weekly production, and it shows. Night Gallery only ran for 3 seasons, and only a handful of episodes remain memorable in viewers minds. But the ones that do were strong, and often were based on famous and some not-so-famous short stories. Contemporary writers like Richard Matheson, and Serling provided among the best of the series along with adaptations by classic authors like Aiken and Edgar Allen Poe.

In 1934, Conrad Aiken wrote his most famous short story, "Silent Snow, Secret Snow." It went on to become one of the most widely read American short stories of the 20th-century. 37 years later in 1971, Rod Serling's Night Gallery would adapt this short tale as part of its weekly anthology series. With a teleplay and direction by Emmy Award-nominated Gene R. Kearney, the episode remains one of the finest half-hours from 1970s television. 　　"Silent Snow, Secret Snow" tells the story of young Paul Hasleman and his slow decent into madness. When Paul awakens one morning to the sound of the postman's muffled footsteps on the street below, his belief that it has snowed the night before is shattered when he discovers the sun-draped lawn outside his window. Paul's discovery of a "secret snow" begins his slow detachment from the real world around him. 　　Night Gallery is probably best known for it's weekly horror stories and strange tales book ended with introductions by it's host, writer Rod Serling. Serling worked more often as a host than writer on the program, unlike his more famous Twilight Zone series of the 1950s-60s. For Twilight Zone, Serling took a more active role in weekly production, and it shows. Night Gallery only ran for 3 seasons, and only a handful of episodes remain memorable in viewers minds. But the ones that do were strong, and often were based on famous and some not-so-famous short stories. Contemporary writers like Richard Matheson, and Serling provided among the best of the series along with adaptations by classic authors like Aiken and Edgar Allen Poe.

影片主要讲述一个过去富裕但如今贫困的一家人的故事。瓦兹瑞一家人每天都在为了生计而过着煎熬的生活。随之而来的是，一位求婚者来向这一家唯一的女儿求婚。影片的男主人公奥米德从国外留学回到家中，不知家中变故，却随即被卷入家族遭遇的困境中。影片最后，奥米德带上行囊离开家，屋外下起了雪，这时主题呼之即出。隐喻着这一家人的经济是否会如这一场雪一样雪上加霜又或者顺利度过严寒？而这一家人内心的雪何时才能下完？

在巴黎的毕迦尔广场周围，各式酒店和“娱乐场所”数不胜数。这儿是娼妓，吸毒贩与性变态者及病态社会罪恶的老窝。酒柜服务员阿妮达闻讯警方将派遣大批便衣警察到这一带活动，便告知黑人贩毒者若谷暂为收敛。他们的谈话正巧被出租车司机布鲁诺听到了，尤其是他们提到的送“货”人包比，更为布 鲁诺所注意。原来布鲁诺的妻子因犯谋杀罪身陷囹圄，他探监时，有两名便衣告诉他，若他能提供毕迦尔广场一带贩毒集团的线索，妻子可获假释。布鲁诺家庭情况也很艰难，家中有一个十三岁的女儿无人照料，他特别希望妻子能够回家来。于是他就向警方告发了包比。包比在逃避追捕的时候被击毙，此事引起了吸毒贩的惊恐，一批瘾君子惶惶不可终日。男扮女装的卖淫者贝蒂终因犯瘾难忍，前来哀求阿妮达帮他寻找毒品。阿妮达去找若谷和维里弄“货”，为讨好她，维里约阿妮达在酒吧碰头。半路上，维里看见贝蒂被便衣抓走了，知道事已败露，急忙赶回酒吧，而阿妮达也落入了警方之手。为了搭救阿妮达，第米特里被警方打死了。 　　幕后制作 　　本片导演白尔托是演员出身，拍片四十余部，是一个富有才华的电影编导和演员。《雪》是她执导的第一部长故事片，她自己主演。这部影片通过警方缉拿贩毒这一线索，暴露了巴黎毕迦尔地区的种种丑恶的社会实况，该片同其它揭露吸毒贩的影片不同，编剧没有把吸毒贩表现为一群穷凶极恶的人，相反，而是对他们寄予一定程度的同情，显然，这部作品的主题不在于单纯揭露吸毒贩的罪恶，而在于揭露产生这些人物的整个社会。

在虛無中，一股輕柔的微風輕拂而來，將草木和樹葉聚集成一個生物。草變成羽毛，樹葉變成身體。當它看到自己的身影時，世界隨風而響，萬物被激起。感受他者的存在，而它也被感受到，在這種節奏中，所有界線都模糊成無縫的和諧之舞…

在虛無中，一股輕柔的微風輕拂而來，將草木和樹葉聚集成一個生物。草變成羽毛，樹葉變成身體。當它看到自己的身影時，世界隨風而響，萬物被激起。感受他者的存在，而它也被感受到，在這種節奏中，所有界線都模糊成無縫的和諧之舞…

看他的电影就像坐过山车。他让看电影的我们陷入一种完全的困惑，让眼睛受到冲击无法正常运作，而这种对视觉的冲击正是为了呈现出身体本身就是我们的敌人。这部电影仅仅拍摄了一个黑暗中平静安全的体育馆，就足以让人突然全身冒汗。

看他的电影就像坐过山车。他让看电影的我们陷入一种完全的困惑，让眼睛受到冲击无法正常运作，而这种对视觉的冲击正是为了呈现出身体本身就是我们的敌人。这部电影仅仅拍摄了一个黑暗中平静安全的体育馆，就足以让人突然全身冒汗。

塞萨洛尼基国际电影节邀请数位国际导演加盟短片集#空间# 的拍摄，中国导演#贾樟柯# 和华裔导演张侨勇受邀！ 　　该短片集受新冠疫情下，世界上三分之一的人口因隔离而活动受限启发，整体创意来源于法国作家乔治·佩雷克所著书籍《Species Of Spaces And Other Pieces》。每位导演将拍摄10分钟的以“限制”为主题的短片。每部短片都将在家中拍摄，利用家中的环境、人物或动物，唯一可利用的室外区域为室外起居空间，例如家中的花园或阳台。 　　此外，金熊奖得主伊尔蒂科·茵叶蒂、《喝彩！》导演拉杜·裘德、《鬼镇事件簿》导演德尼·科泰、《上帝存在，她叫佩特鲁尼娅》导演缇奥娜·斯特鲁加·米泰夫斯卡、约翰·卡洛·林奇、娜诺克·利奥波德、马特奥·本迪斯基、瑞秋·利·琼斯等导演均确定参与。