"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

中华医药简称中医药，是指中医和中药。另外，1998年6月1日在中央电视台国际频道正式开播《中华医药（Traditional Chinese Medicine）》栏目，每周播出，每期节目时长30分钟。2002年9月2日，《中华医药》进行了全面改版，栏目扩版为每期节目时长50分钟，栏目的品牌效应和影响力得到了进一步扩大，成为中央电视台国际频道深受海内外观众欢迎的品牌栏目之一。

中华医药简称中医药，是指中医和中药。另外，1998年6月1日在中央电视台国际频道正式开播《中华医药（Traditional Chinese Medicine）》栏目，每周播出，每期节目时长30分钟。2002年9月2日，《中华医药》进行了全面改版，栏目扩版为每期节目时长50分钟，栏目的品牌效应和影响力得到了进一步扩大，成为中央电视台国际频道深受海内外观众欢迎的品牌栏目之一。

打扮成美国印第安人的女孩，造访了一个好老弟的生日。

打扮成美国印第安人的女孩，造访了一个好老弟的生日。

大卫·柯南伯格将与Netflix合作拍摄迷你剧《消费》。柯南伯格在蒙特利尔参加4K修复版[欲望号快车]放映会时透露，他正在为Netflix迷你剧《消费》工作中。该剧改编自柯南伯格2014年出版的同名小说，小说讲述娜奥米和纳森，既是情侣，也是竞争对手。娜奥米被阿荷斯特基夫妇的相关新闻所吸引。希丽丝汀与阿里斯提德是马克思主义哲学家，也是放荡不羁的酒色之徒。希丽丝汀死在自己的巴黎公寓里，而且被截肢。有犯罪嫌疑的阿里斯提德则是销声匿迹。娜奥米的好奇心被点燃，决心追寻神秘案件的真相。此时，纳森在布达佩斯，拍摄一名极具争议的外科医师动手术的过程。纳森和手术中的病人上床后，得了一种罕见疾病——罗依夫症。纳森决定去见发现此病的罗依夫医生，过程中，遇到了罗依夫的女儿。这位年轻女性行为怪异，原来背后藏着一个不为人知的毁灭性秘密。

大卫·柯南伯格将与Netflix合作拍摄迷你剧《消费》。柯南伯格在蒙特利尔参加4K修复版[欲望号快车]放映会时透露，他正在为Netflix迷你剧《消费》工作中。该剧改编自柯南伯格2014年出版的同名小说，小说讲述娜奥米和纳森，既是情侣，也是竞争对手。娜奥米被阿荷斯特基夫妇的相关新闻所吸引。希丽丝汀与阿里斯提德是马克思主义哲学家，也是放荡不羁的酒色之徒。希丽丝汀死在自己的巴黎公寓里，而且被截肢。有犯罪嫌疑的阿里斯提德则是销声匿迹。娜奥米的好奇心被点燃，决心追寻神秘案件的真相。此时，纳森在布达佩斯，拍摄一名极具争议的外科医师动手术的过程。纳森和手术中的病人上床后，得了一种罕见疾病——罗依夫症。纳森决定去见发现此病的罗依夫医生，过程中，遇到了罗依夫的女儿。这位年轻女性行为怪异，原来背后藏着一个不为人知的毁灭性秘密。

一名神秘的教师来到了一座外省小镇的学校教书。但这名老师并没有老师的样子，他对事物的看法过于现代和自负。但整座小镇都很喜欢他，喜欢到超乎他的想象。

一名神秘的教师来到了一座外省小镇的学校教书。但这名老师并没有老师的样子，他对事物的看法过于现代和自负。但整座小镇都很喜欢他，喜欢到超乎他的想象。