汤姆·雷普利（安德鲁·斯科特 Andrew Scott 饰）是上世纪60年代初一个混迹在纽约小偷，他被一个有钱人雇佣前往意大利，试图说服有钱人的流浪儿子回家。汤姆接受的这份工作，也成为他充斥着谎言、欺诈、谋杀的复杂生活的开端。

汤姆·雷普利（安德鲁·斯科特 Andrew Scott 饰）是上世纪60年代初一个混迹在纽约小偷，他被一个有钱人雇佣前往意大利，试图说服有钱人的流浪儿子回家。汤姆接受的这份工作，也成为他充斥着谎言、欺诈、谋杀的复杂生活的开端。

MissRipley讲述一个女人用谎言掩盖谎言，深陷谎言的泥沼，并因此差点像泡沫一样失去一切的内容，还有爱着这个有着贪婪的欲望的这个女人的两个男人，在爱与幻灭之间的纠葛和原谅的传统爱情片。　　　此剧以饭店为背景，描写了失去了亲人被不幸家庭收养，不得已为进入饭店工作而伪造孤儿院妹妹 （姜惠贞饰）的学历的张美里（李多海饰），和金胜友饰演的饭店社长张明勋、朴有天饰演的日本知名渡假村会长儿子宋宥贤展开的爱情纠葛。宋宥贤因为张美丽,他感受到了真正的爱情,也因为这个女人,人生陷入了没落。

MissRipley讲述一个女人用谎言掩盖谎言，深陷谎言的泥沼，并因此差点像泡沫一样失去一切的内容，还有爱着这个有着贪婪的欲望的这个女人的两个男人，在爱与幻灭之间的纠葛和原谅的传统爱情片。　　　此剧以饭店为背景，描写了失去了亲人被不幸家庭收养，不得已为进入饭店工作而伪造孤儿院妹妹 （姜惠贞饰）的学历的张美里（李多海饰），和金胜友饰演的饭店社长张明勋、朴有天饰演的日本知名渡假村会长儿子宋宥贤展开的爱情纠葛。宋宥贤因为张美丽,他感受到了真正的爱情,也因为这个女人,人生陷入了没落。

以婆媳关系重逢的母女“雷普利”为主角，一场围绕财阀家族继承权的谎言战争就此展开。故事融入人性欲望、亲情背叛与人生逆袭元素，堪称“既可恨又催人泪下的奋斗记”。

暂无剧情简介

本片为《天才雷普利》的续集。 　　在上一集中，雷普利（约翰·马尔科维奇 John Malkovich 饰）凭借自己的聪明才智从一个名不见经传的穷小子摇身变成了腰缠万贯的大亨，在和钢琴家妻子路易莎（切瑞拉·凯瑟莉 Chiara Caselli 饰）结婚后，雷普利回归了平静的生活。可是，他的狡猾和野心从未改变，当得知工匠乔纳森（多格雷·斯科特 Dougray Scott 饰）在他的背后大放厥词后，复仇的火焰在雷普利的内心中熊熊的燃烧起来。 　　当雷普利的朋友希望雷普利帮他干掉一个竞争对手时，雷普利想到了乔纳森，而经济上十分拮据的乔纳森无法抗拒那高额报酬的诱惑。雷普利的这一行为显然是造成乔纳森死亡的最主要原因，他纵然能够逃脱法网恢恢，却无法逃避来自良心的谴责，看着爱妻的背影，雷普利的心中五味杂陈。

暂无剧情简介

Politically-tinted film about the pioneers of Soviet television shows Kovalov as an actor. 　　A film in which Oleg Kovalov performs as actor. The Paper Eyes of Prishvin, a politically-tinted film about the pioneers of Soviet television, is in fact one of the first manifestations of Russian post-modernism, in which playing with genres and leitmotifs has a leading role. Like the film Confession by Tengiz Abuladze, that was released slightly earlier, the film demythologises the ideology and the aesthetics of the 'Grand Style', monumentalism in art. One of those who fell victim to that was Eisenstein, who is here portrayed as a caricature with a homosexual bent. In this film Oleg Kovalov plays the role of a symbolic Leningrad intellectual with glasses and a hat: a small victim of the great dictatorship. While he is not a professional actor, Kovalov manages to give his personality a timelessness that brings him unexpectedly close to the figures created by Nabokov.

Politically-tinted film about the pioneers of Soviet television shows Kovalov as an actor. 　　A film in which Oleg Kovalov performs as actor. The Paper Eyes of Prishvin, a politically-tinted film about the pioneers of Soviet television, is in fact one of the first manifestations of Russian post-modernism, in which playing with genres and leitmotifs has a leading role. Like the film Confession by Tengiz Abuladze, that was released slightly earlier, the film demythologises the ideology and the aesthetics of the 'Grand Style', monumentalism in art. One of those who fell victim to that was Eisenstein, who is here portrayed as a caricature with a homosexual bent. In this film Oleg Kovalov plays the role of a symbolic Leningrad intellectual with glasses and a hat: a small victim of the great dictatorship. While he is not a professional actor, Kovalov manages to give his personality a timelessness that brings him unexpectedly close to the figures created by Nabokov.