暂无简介

暂无简介

雾中鸟巢” 是一部双屏幕非线性影像短片，短片由几个片段性的故事情节组成，围绕着一个生活在工业化城市中的家庭展开，支离破碎的家庭成员之间冷漠的感情关系与城市化发展带来的环境问题是这部短片的核心。同时，短片还探索了在双屏幕影像中蒙太奇的变化。两个屏幕的影像同时呈现，打破了传统影像中的空间和时间关系。在形式与内容上，这种特殊的空间和时间关系与影片中所表现的两代人之间的隔阂，冷漠，对抗，形成一致。

本剧聚焦于患有相貌失认症却具备惊人记忆力的休职警官狗饲锥（平祐奈 饰），以及因暴力问题被调离搜查一课、但检举率排名第一的刑警猿渡响（丸山隆平 饰）。这对搭档携手挑战长期悬而未决的离奇案件。在破解谜团的过程中，他们逐渐建立起信赖关系，同时也直面各自内心的创伤。这是一部将推理元素与人性刻画巧妙融合的悬疑剧。

A couple lost in thick fog, take refuge in an old mansion next to a cemetery, and strange things start to happen.

Arlene Bradford is the quintessential high society bad girl. She's spoiled by Everett Bradford, her indulgently wealthy San Francisco father, who's recently become totally disgusted by her irresponsible antics. She has little regard for the law and the company she keeps. She has her investment broker fiancé Spencer Carlton involved in a stolen bond racket and flirts with local gangster types including the notorious Jake Bellow. The senior Bradford becomes concerned when Arlene begins to involve her half-sister Valkyr in her shady and highly dangerous activities.

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

回南天的日子里，小姜总是重复梦到一扇门。一开始，它只在夜晚的梦里出现，后来连午间小憩都能看见，以至于闭眼即会浮现它的样子。这个特别的梦一度让她无法安眠，药物虽然使她正常的入睡，但那扇门在梦中依旧清晰地伫立在她的眼前。慢慢的，小姜开始好奇这扇门的由来，它总不是无端入梦，或许会有些特别的缘由。于是每梦见一次，她就会把这扇门画下来，一个月以后，这扇门已经十分清晰地显现在手帐本上了…

As video technology became more widely available in the early 1970s, many artists were drawn to the medium's immediacy and ease of reproduction, which allowed works to be shown on television or through other modes of distribution that bypassed the walls of museums or commercial galleries. Serra, known primarily for his large lead and steel sculptures, made a number of films and videos in the late 1960s and early 1970s. Holt, a pioneer of land art, also worked with film, video, and photography throughout her career. 　　In Boomerang—which was broadcast live on a TV station in Amarillo, Texas—Holt's words are fed back to her through headphones with a one-second delay. She describes the experience, in which her words are suspended in time and space, as "a world of double reflections and refractions." As her voice echoes back to her, she continues, "words become like things," disconnected from their individual meanings and from their contexts. This interferes with Holt's thought process and establishes a distance between the artist and her sense of self, an effect intensified when pre-recorded sound samples are played or when glitches in the broadcast cause momentary periods of silence.