In the late nineteenth century, Ellen Creed works as the live-in companion to Miss Leonora Fiske, a retired actress who lives in the English countryside and who still retains her theatrical mannerisms. Ellen receives notice that the landlady of her two sisters, Emily Creed and Louisa Creed, who currently live in London, is threatening to call the police to haul them away to an asylum because of their disruptive behavior due to their mentally deranged state. Ellen will not allow her sisters to be institutionalized, and convinces Miss Fiske to allow them to stay with them for a couple of days. Miss Fiske was unaware of their deranged mental state when she agreed and is also unaware that Ellen hopes to make their stay permanent. Both issues eventually become apparent to Miss Fiske, who cannot tolerate how Emily and Louisa disrupt her home life. However, Ellen "convinces" Miss Fiske to take an extended leave from the house, while Ellen tells her sisters that she bought the house from Miss Fiske, which the sisters are not to tell anyone else. The secrets that Ellen is keeping about the situation threaten to bring her and her sisters' lives down when they receive a visit from their distant nephew Albert Feather, a cad who has his own financial well being as his main priority.

倪雾带女儿就医，在医院重逢前男友裴淮聿。因倪雾改头换面，导致裴淮聿未认出。同学会上传她“死讯”，他调查发现与倪雾似有过往。慢慢接触中，裴淮聿疑窦丛生，最终知晓原来程青渺就是倪雾，女儿竟是自己亲生，两人终拨开迷雾，解开心结。

倪雾带女儿就医，在医院重逢前男友裴淮聿。因倪雾改头换面，导致裴淮聿未认出。同学会上传她“死讯”，他调查发现与倪雾似有过往。慢慢接触中，裴淮聿疑窦丛生，最终知晓原来程青渺就是倪雾，女儿竟是自己亲生，两人终拨开迷雾，解开心结。

三十岁出头的丛林（任素汐 饰）如何也想不到，与哥哥丛来（李晨 饰）的又一次戈壁“寻人之旅”，会被一场沙暴推向生命绝境。哥哥身负重伤，丛林必须独自前行，为两条生命寻找一线生机。

三十岁出头的丛林（任素汐 饰）如何也想不到，与哥哥丛来（李晨 饰）的又一次戈壁“寻人之旅”，会被一场沙暴推向生命绝境。 哥哥身负重伤，丛林必须独自前行，为两条生命寻找一线生机。

三十岁出头的丛林（任素汐 饰）如何也想不到，与哥哥丛来（李晨 饰）的又一次戈壁“寻人之旅”，会被一场沙暴推向生命绝境。 　　哥哥身负重伤，丛林必须独自前行，为两条生命寻找一线生机。

在未来的北美洲大陆上，「世界彻底分裂」。七个巨头瓜分了所有的土地，他们和他们的私人武装对辖区实施独裁统治。未来没有枪支，没有火器。一个受训练﹑粗鲁，叫Sunny的战士（吴彦祖饰演），以及一个男孩M.K.（Aramis Knight），为找到教化一同踏上旅程。

2022年，杭州亚运会施工建设正如火如荼展开。傍晚，一对恋人开摩托车行驶在城郊，剖开城市肌理，寻找记忆中的游乐场。当一阵风吹过的时候，他们回想起一名诗人说过的一句话：世界是一片荒原。

To an American audience, "The Abandoned Field: Free-Fire Zone" is an unusual movie in many ways. First, this Vietnamese film tells a story of the Vietnam War through the eyes of Viet Cong guerillas. Instead of the camera hovering above the ground in the U.S. helicopters, it's in the rice paddies looking up at those lethal machines. Second, it depicts the effects of war on a family (mother, father, and child) whose daily life is made unpredictable and uncertain by the whims of battle. Granted, the father and mother are VC guerillas who voluntarily put themselves – and their child – in harm's way, but this touches upon another uncommon element: Hollywood audiences aren't used to seeing a woman (the wife) as a protagonist in a war drama. These qualities alone would make "The Abandoned Field" of great interest, but the film also does more. This movie is quite well made. The story is briskly paced, but it still takes time for quiet observations of the couple's frugal family life as they hide from the choppers. The film's visual surface appears equally frugal. The hand-held black & white cinematography gives the images a rough-hewn feel that captures the spirit of the 1960s New Wave and resembles early newsreels of the war. This visual approach might have been completely determined by the economic realities of the time, but the film's low-tech look seems to stand in defiant opposition to Hollywood's high-gloss surface. It's as though director Hong Sen Nguyen wanted to utilize a "guerilla" visual style to match the content of his story. Of course, being from Vietnam, "The Abandoned Field" wants us to side with the guerillas, but the movie also acknowledges the humanity of an American soldier and presents him as an equal victim of the war. Certainly, the movie is more even-handed than most American films about Vietnam, especially those of the Rambo/Chuck Norris variety. The movie's biggest drawback for U.S. audiences is that its American characters are played by Vietnamese actors (some of whom look racially mixed) speaking in the Vietnamese language. Of course, this instance of unbelievable casting arose from Vietnam's lack of access at the time to professional American talent. The American viewer simply has to accept it as a convention. Another admirer of "The Abandoned Field" is director Oliver Stone, who also bemoans the film's lack of authenticity in things American. He once remarked at a UCLA panel that he wished he could have been the film's technical advisor. But its inaccuracies didn't interfere with his enjoyment of the movie. (Stone would go on to direct his own war drama told from the perspective of a Vietnamese woman: 1993's "Heaven & Earth.") "The Abandoned Field" offers American audiences an unusual and absorbing story. Coming to the movie with an open mind, viewer

2022年，杭州亚运会施工建设正如火如荼展开。傍晚，一对恋人开摩托车行驶在城郊，剖开城市肌理，寻找记忆中的游乐场。当一阵风吹过的时候，他们回想起一名诗人说过的一句话：世界是一片荒原。