威廉·布拉塞（Wilhelm Brasse）谈及他在第二次世界大战期间在奥斯威辛集中营当摄影师的工作。

威廉·布拉塞（Wilhelm Brasse）谈及他在第二次世界大战期间在奥斯威辛集中营当摄影师的工作。

Peter Capaldi探讨了苏格兰艺术的故事。他有绘画天赋和对艺术的热爱，这让他来到了格拉斯哥的艺术学校，但毕业后不久他就成为了一名演员。 　　卡帕尔迪花时间与那些让苏格兰艺术与众不同的画作和艺术家们在一起。他画了一些最重要的苏格兰肖像画，并把重点放在了500年前的肖像画的传统上，卡帕尔迪展示了苏格兰的艺术如何反映了这个国家不断变化的面貌。

Peter Capaldi探讨了苏格兰艺术的故事。他有绘画天赋和对艺术的热爱，这让他来到了格拉斯哥的艺术学校，但毕业后不久他就成为了一名演员。 　　卡帕尔迪花时间与那些让苏格兰艺术与众不同的画作和艺术家们在一起。他画了一些最重要的苏格兰肖像画，并把重点放在了500年前的肖像画的传统上，卡帕尔迪展示了苏格兰的艺术如何反映了这个国家不断变化的面貌。

Two escaped convicts are on the run in an unnamed Latin American country. But everywhere they go, they are followed and hounded by a menacing black helicopter.

Two escaped convicts are on the run in an unnamed Latin American country. But everywhere they go, they are followed and hounded by a menacing black helicopter.

In the 1950s, a devastating fog descended on London and enveloped the capital for several days, leaving Londoners lost in their own streets in one of the UK's biggest peacetime catastrophes.

木下惠介遇上黑泽明的剧本，分明一部喜剧，越看下去越是人性和命运的交响曲。喜剧的前提和开篇，滑稽贪婪的房屋经纪要赶走租住其目标破房子的穷画家，跟情妇搬到画家楼上见步行步。不正经的情妇给楼下的开心快活人天天小姐前小姐后，叫得真以为自己是大家闺秀了，谁知烦恼就这么开始。当画家 的模特儿本是美事啊，给那眼睛望着真如沐在清澈河水里，但善良的眼神无声无息变了穿心箭，用心做小姐原来好痛苦。楼上叹世界楼下捱世界，孰是天国孰是地狱，就是吊诡。 @Summer IFF 2012 　　From a script by his more widely recognised peer, Kurosawa Akira, Kinoshita Keisuke constructs a sensitive examination of an affluent but spiritually bankrupt real estate broker forced into a fresh outlook on life by an impoverished but enlightened artist. Intending to turn a tidy profit renovating a crumbling house, the broker tries to drive the artist and his family out of the home by moving his bawdy mistress into it. The plan starts to splinter when she agrees to sit for a portrait. Kinoshita deftly balances humour and drama for an astute reflection on art, reality, commerce, and fundamental humanism.

木下惠介遇上黑泽明的剧本，分明一部喜剧，越看下去越是人性和命运的交响曲。喜剧的前提和开篇，滑稽贪婪的房屋经纪要赶走租住其目标破房子的穷画家，跟情妇搬到画家楼上见步行步。不正经的情妇给楼下的开心快活人天天小姐前小姐后，叫得真以为自己是大家闺秀了，谁知烦恼就这么开始。当画家 的模特儿本是美事啊，给那眼睛望着真如沐在清澈河水里，但善良的眼神无声无息变了穿心箭，用心做小姐原来好痛苦。楼上叹世界楼下捱世界，孰是天国孰是地狱，就是吊诡。 @Summer IFF 2012 　　From a script by his more widely recognised peer, Kurosawa Akira, Kinoshita Keisuke constructs a sensitive examination of an affluent but spiritually bankrupt real estate broker forced into a fresh outlook on life by an impoverished but enlightened artist. Intending to turn a tidy profit renovating a crumbling house, the broker tries to drive the artist and his family out of the home by moving his bawdy mistress into it. The plan starts to splinter when she agrees to sit for a portrait. Kinoshita deftly balances humour and drama for an astute reflection on art, reality, commerce, and fundamental humanism.

This movie is a collection of still pictures of residents of Russian countryside. Not a single word. Only long look into the camera. Landscape. Flow of time.