600多年后的1996年，韩国的临济宗法孙们来到了天湖庵遗址，并发现了霞雾茶，立誓永远把石屋和太古美丽的因缘发扬光大。2008年，在妙西镇人民政府和韩国《茶的世界》杂志社、东亚西亚禅学研究所、大轮佛教文化（太古）研究院在霞幕山树立了中韩友谊海东禅宗中兴太古普愚求法纪念碑，永记中韩两国的友谊。《霞幕北飞》将以中华历史文化传播的独特视角尽可能记录与还原妙西禅宗文化的北飞之路。

讲述的是李廷镇饰演失去妻子之后心怀伤痛独自生活的监狱看守，而林秀香饰演因为杀人嫌疑而被关押的无国籍女囚犯“银河”。

讲述的是李廷镇饰演失去妻子之后心怀伤痛独自生活的监狱看守，而林秀香饰演因为杀人嫌疑而被关押的无国籍女囚犯“银河”。

When the eldest grandson of Mr. Kang (Choi Seong-ho), a prominent local figure in the village of Suri in Hwanghae-do, becomes afflicted with a mysterious, life-threatening illness, the entire household is plunged in anxiety. The imminent death of the direct heir to the family name is a serious matter indeed, since the Kangs have a history of seeing their sons die young a fact that has resulted in a household teaming with widows. The family matriarch (Hwang Jung-seun) calls in the most famous shamans and has them perform healing rituals, but the illness shows no sign of improving. The family steward recommends that they bring in Ok-hwa (Yoo Ji-in), who is renowned for her extraordinary spiritual powers. While she is performing the ritual, a large snake drops down from the eaves of the house and causes a commotion. Amazingly, the incident brings about a dramatic improvement in the condition of Mr. Kang's grandson. The household buzzes with glad excitement, with everyone clinging to Ok-hwa and asking her to cure the disease outright. But Ok-hwa searches all around as if possessed by a spirit and discovers a sinister-looking gourd bottle buried deep in the ground in the pine forest. This bottle hides a bloody secret. 　　Some twenty years ago, there was, in the Kang family, a young widow by the name of Lee (Kim Yun-kyeong). Bound by strict moral codes, Lee was living a lonely life of enforced celibacy. She had taken to stabbing her thigh with a small silver knife every night in order to suppress her frustrated desires, but the wound became infected and she came on the verge of death. According to family tradition, the Kangs removed Lee to an isolated hut (called pi-makin Korean), and left her there to await her own death. The family matriarch, wishing to grant her daughter-in-law one final wish, arranged for her to spend a night with the hut keeper, Sam-dol (Nam Koong-won). Through Sam-dol's devoted care, Lee miraculously recovered and the two developed deep feelings for each other. The matriarch welcomed her daughter-in-law's recovery at first, but became enraged when she found out about Lee's adulterous relationship with Sam-dol. As punishment, the Kang family secretly murdered both Sam-dol and Lee. 　　Ok-hwa, who is in fact Sam-dol's daughter, was merely pretending to be a shaman in order to exact revenge for her father. Possessed by a real spirit, she attempts to kill Mr. Kang inside the hut but lets him go unscathed. She enters the hut, sets it on fire, and dies in the flames.

When the eldest grandson of Mr. Kang (Choi Seong-ho), a prominent local figure in the village of Suri in Hwanghae-do, becomes afflicted with a mysterious, life-threatening illness, the entire household is plunged in anxiety. The imminent death of the direct heir to the family name is a serious matter indeed, since the Kangs have a history of seeing their sons die young a fact that has resulted in a household teaming with widows. The family matriarch (Hwang Jung-seun) calls in the most famous shamans and has them perform healing rituals, but the illness shows no sign of improving. The family steward recommends that they bring in Ok-hwa (Yoo Ji-in), who is renowned for her extraordinary spiritual powers. While she is performing the ritual, a large snake drops down from the eaves of the house and causes a commotion. Amazingly, the incident brings about a dramatic improvement in the condition of Mr. Kang's grandson. The household buzzes with glad excitement, with everyone clinging to Ok-hwa and asking her to cure the disease outright. But Ok-hwa searches all around as if possessed by a spirit and discovers a sinister-looking gourd bottle buried deep in the ground in the pine forest. This bottle hides a bloody secret. 　　Some twenty years ago, there was, in the Kang family, a young widow by the name of Lee (Kim Yun-kyeong). Bound by strict moral codes, Lee was living a lonely life of enforced celibacy. She had taken to stabbing her thigh with a small silver knife every night in order to suppress her frustrated desires, but the wound became infected and she came on the verge of death. According to family tradition, the Kangs removed Lee to an isolated hut (called pi-makin Korean), and left her there to await her own death. The family matriarch, wishing to grant her daughter-in-law one final wish, arranged for her to spend a night with the hut keeper, Sam-dol (Nam Koong-won). Through Sam-dol's devoted care, Lee miraculously recovered and the two developed deep feelings for each other. The matriarch welcomed her daughter-in-law's recovery at first, but became enraged when she found out about Lee's adulterous relationship with Sam-dol. As punishment, the Kang family secretly murdered both Sam-dol and Lee. 　　Ok-hwa, who is in fact Sam-dol's daughter, was merely pretending to be a shaman in order to exact revenge for her father. Possessed by a real spirit, she attempts to kill Mr. Kang inside the hut but lets him go unscathed. She enters the hut, sets it on fire, and dies in the flames.

有“台湾宝塚”之称的“艺霞歌舞剧团”，以充满创意与华丽的表演风格，在台湾歌舞剧团史上引领风骚廿四年，堪称史上规模最大、经营最久的台湾歌舞剧团。艺霞不仅风靡台湾，更远征香港、新加坡、马来西亚。这样光辉灿烂的年代，却因戏院改制，负责人与舞台编导相继过世，于一九八四年划下句点…。　　曲终人散二十五年后，当年红极一时的霞女明星与一群年轻学子，共同重建过往舞作，本片纪录这段新旧世代共同练习表演的过程，这群与当年霞女们年纪相仿的女孩，将建构出怎样的新艺霞年代？

有“台湾宝塚”之称的“艺霞歌舞剧团”，以充满创意与华丽的表演风格，在台湾歌舞剧团史上引领风骚廿四年，堪称史上规模最大、经营最久的台湾歌舞剧团。艺霞不仅风靡台湾，更远征香港、新加坡、马来西亚。这样光辉灿烂的年代，却因戏院改制，负责人与舞台编导相继过世，于一九八四年划下句点…。　　曲终人散二十五年后，当年红极一时的霞女明星与一群年轻学子，共同重建过往舞作，本片纪录这段新旧世代共同练习表演的过程，这群与当年霞女们年纪相仿的女孩，将建构出怎样的新艺霞年代？

中国约有1000万老人患有阿尔茨海默病，他们的家人该如何与他/她共同生活？有人已经在困顿中逐渐适应，有人则体会着疲倦与孤独。而在另一些人那里，他们正经受茫然和无措，同时在极度崩溃的日常生活里寻找那些用以验证往日真情的微小片段。