1997年万圣节，高中生活的最后一天，滑板男孩科瑞护送被霸凌的同学乔纳回家。两人曾经是童年好友，但如今已形同陌路。街道很空旷，气氛很诡异，路就像没有尽头，渐渐地他们就像踏上了回忆的小径，那些隐藏的感情如洪水倒卷回来。

1997年万圣节，高中生活的最后一天，滑板男孩科瑞护送被霸凌的同学乔纳回家。两人曾经是童年好友，但如今已形同陌路。街道很空旷，气氛很诡异，路就像没有尽头，渐渐地他们就像踏上了回忆的小径，那些隐藏的感情如洪水倒卷回来。

Four short films explore love, growth, and pain in intimate relationships between men. In "Death in Venice, CA," a stressed-out academic succumbs to the temptations of his landlady's 17-year old step-son. "Achilles" tells the story of Achilles and Patroclus during the siege of Troy. Pride costs Achilles the love of his life. In "My Polish Waiter," a chatty young man, Timith, pushes himself upon Belky, a nearly-wordless immigrant waiter. After they become lovers, Timith sees beyond himself to Belky's happiness. In "Miguel, Ma Belle," a needy, HIV-positive young man gets a dog as a gift when he's jilted. Through the dog, the young man, Miguel, becomes master of himself.

Four short films explore love, growth, and pain in intimate relationships between men. In "Death in Venice, CA," a stressed-out academic succumbs to the temptations of his landlady's 17-year old step-son. "Achilles" tells the story of Achilles and Patroclus during the siege of Troy. Pride costs Achilles the love of his life. In "My Polish Waiter," a chatty young man, Timith, pushes himself upon Belky, a nearly-wordless immigrant waiter. After they become lovers, Timith sees beyond himself to Belky's happiness. In "Miguel, Ma Belle," a needy, HIV-positive young man gets a dog as a gift when he's jilted. Through the dog, the young man, Miguel, becomes master of himself.

藝術家使用彩色反轉片與鏡頭內剪接（In-camera editing）的技巧，在不同的時間裡，多次拍下老家後院那條通往聖查爾斯湖的路徑。不同時間軸上的光點，在膠卷的感光乳劑上曝曬推疊一種既熟悉又抽象的時空意境。

藝術家使用彩色反轉片與鏡頭內剪接（In-camera editing）的技巧，在不同的時間裡，多次拍下老家後院那條通往聖查爾斯湖的路徑。不同時間軸上的光點，在膠卷的感光乳劑上曝曬推疊一種既熟悉又抽象的時空意境。

Young Ralph Phillips is scolded for breaking a window and sent to his room, where he lets his imagination run riot and fantasizes he is in prison, next that he is in Africa, and then that he is a space ace pilot who single-handedly thwarts a Martian invasion.

日本にやってきた中国人小説家、李白蘭は、山奥の民宿に泊まる。そこで出会った謎めいた青年・洋介と過ごす中で、彼女は失いかけていた情熱を取り戻していく。洋介の正体を探るうちに、彼女の欲望が刺激され、さらに洋介に近づいていく。洋介の持つ秘密と自身の欲望に飲み込まれ、李白蘭もまた、山の記憶に迷い込んで いく。

男孩憧憬大自然，但他的家人为此担忧，他只能在文章中驰骋自己的想象力。 Natasha Golovanova执导。她在国家电影学院拿到演员与导演双学位。1971年她加入Soyuzmultfilm，执导一些根据俄罗斯和东方童话改编的“迪士尼式”的儿童动画。其剧本由夫婿Vla dimir主笔。“男孩就是男孩”是她首次与女编剧家Masha Denego合作，也是她探讨自身养育二个儿子的经验。 这部作品跟《猫与小丑》（Cat and Clown，1988）都大量使用变型与透视空间转换的手法，以抽象的方式探讨个人（或民族）追寻自我认同的困惑与矛盾。

男孩憧憬大自然，但他的家人为此担忧，他只能在文章中驰骋自己的想象力。 Natasha Golovanova执导。她在国家电影学院拿到演员与导演双学位。1971年她加入Soyuzmultfilm，执导一些根据俄罗斯和东方童话改编的“迪士尼式”的儿童动画。其剧本由夫婿Vla dimir主笔。“男孩就是男孩”是她首次与女编剧家Masha Denego合作，也是她探讨自身养育二个儿子的经验。 这部作品跟《猫与小丑》（Cat and Clown，1988）都大量使用变型与透视空间转换的手法，以抽象的方式探讨个人（或民族）追寻自我认同的困惑与矛盾。