《青園》試圖賦形於一系列不連貫的歷史與回憶。作品部分使用已停產的軍用過期樂凱航空膠卷拍攝，影像徘徊於一個隱蔽的電台遺址和⼀位藝術家友⼈經營的「情人」民宿之間。1969年到1981年間，流亡的馬來西亞共產黨地下電台「馬來亞革命之聲」曾在離友人住所不遠的城鎮駐留，而其遺址正被改造成為一個度假村。投射在半透明壓克⼒板上的影像，生成朦朧的殘影，搖曳閃爍於檔案音頻、電台遺址和裝修成「東南亞」風格的民宿之間。空間的重飾、⾰命的殘存、被扼殺的浪漫和從未準確的回憶在《青園》中交織成⼀組視覺筆記，並隨著電台調頻裡的流⾏歌曲逐漸散去。 　　The Cyan Garden considers the limits of giving form to the past which cannot cohere into memory. In part filmed on ‘Lucky', a discontinued b&w 16mm film reel stock intended for military aerial detection, the film revolves around a radio station that was not supposed to be detected and an Airbnb apartment ‘The Lover’, run by the artist’s friend in their hometown. Between 1969 and 1981, a Malaysian communist underground radio in exile Voice of the Malayan Revolution resided in what is now soon to be a resort. Contemplation on a revolution’s fraught relation to emancipation, The Cyan Garden interweaves visual notes on contemporary urbanization, revolutionary bodies, stifled romance and inability to remember ‘rightly’ as love songs lull in the background.

《青園》試圖賦形於一系列不連貫的歷史與回憶。作品部分使用已停產的軍用過期樂凱航空膠卷拍攝，影像徘徊於一個隱蔽的電台遺址和⼀位藝術家友⼈經營的「情人」民宿之間。1969年到1981年間，流亡的馬來西亞共產黨地下電台「馬來亞革命之聲」曾在離友人住所不遠的城鎮駐留，而其遺址正被改造成為一個度假村。投射在半透明壓克⼒板上的影像，生成朦朧的殘影，搖曳閃爍於檔案音頻、電台遺址和裝修成「東南亞」風格的民宿之間。空間的重飾、⾰命的殘存、被扼殺的浪漫和從未準確的回憶在《青園》中交織成⼀組視覺筆記，並隨著電台調頻裡的流⾏歌曲逐漸散去。 　　The Cyan Garden considers the limits of giving form to the past which cannot cohere into memory. In part filmed on ‘Lucky', a discontinued b&w 16mm film reel stock intended for military aerial detection, the film revolves around a radio station that was not supposed to be detected and an Airbnb apartment ‘The Lover’, run by the artist’s friend in their hometown. Between 1969 and 1981, a Malaysian communist underground radio in exile Voice of the Malayan Revolution resided in what is now soon to be a resort. Contemplation on a revolution’s fraught relation to emancipation, The Cyan Garden interweaves visual notes on contemporary urbanization, revolutionary bodies, stifled romance and inability to remember ‘rightly’ as love songs lull in the background.