JEUXhttp://www.mtime.com/my/100233内向的少年朝人（小池彻平饰）新搬到一个小镇生活。他去饭馆吃饭，同桌的青年发现他不用手碰就能移动盐瓶大为惊讶，“你是怎么做到的？！”这是朝人与健雄（玉木宏饰）的初次相遇。 健雄在镇上的工厂里干体力活。他曾因伤害罪而坐过牢，如今过着没有梦想也没有希望的机械式生活。这天，健雄在街上再次偶遇朝人，出手帮他解围赶走了缠人的小混混。从此之后，两人成了好朋友。 朝人发觉自己身怀一种特殊的能力——能把别人的伤转移到自己的身上。在公园里，他把小朋友的皮外伤移给自己。看到孩子露出笑容，朝人的心里也暖洋洋的。 健雄和朝人结识了在美国餐厅工作的女孩志穂（栗山千明饰）。因为脸上有丑陋的伤疤，志穂很自卑，总是戴着面具不敢以真面目示人。在两人的鼓励和帮助下，她重拾信心，生活中又有了笑声。 好心的朝人不断为转移别人伤口，代人承受痛苦。他甚至不顾健雄的阻止，移来了无法治愈的心灵伤痛。虽然朝人勉强露出笑容，但健雄明白，他其实很难受。为了让朝人好起来，健雄提出了一个解决方案。不料，这令朝人、健雄、志穗三人的关系发生了转变……

一座偏僻的小镇，一间冷清的酒吧，冗长无奇的生活因为一个人的到来而改变。 　　朝人（小池徹平饰）搬家来此的第一天，就在酒吧里结识了车间修理员武雄（玉木宏饰）和服务生志穗（栗山千明饰），并和他们成为好朋友。让武雄和志穗惊讶的是，朝人竟与生具有超能力，能把人身上的伤任意转移。 　　看到武雄和志穗身上的旧伤后，朝人毫不犹豫地把伤口都转嫁到自己身上。之后，朝人不顾武雄的劝阻，把援手伸向越来越多的人。事实上，朝人自己从小就开始背负着不为人知的伤口，至今未曾愈合，造成伤口的不是别人，正是朝人的生母……

Chris receives his test results and is horrified at the idea of revealing the outcome himself. He wants Jon to be by his side when he opens the letter. At its core, Chris desperately wants Jonathan's comfort and support in this difficult situation, but that means confessing his most unforgiving mistake to Jon.

Chris receives his test results and is horrified at the idea of revealing the outcome himself. He wants Jon to be by his side when he opens the letter. At its core, Chris desperately wants Jonathan's comfort and support in this difficult situation, but that means confessing his most unforgiving mistake to Jon.

A portrait of a man who analyses his life on his 44th birthday. The past and the present, the actual and potential developments blend in a dreamy vision. "The protagonist seems to assume that travelling in time is possible, and things happen in an imaginary, invented time which he fittingly adjusts and changes", said Konwicki in the Film Press News 1/1972. The film is a formally complex analysis of what is commonly referred to as the Polish fate. Awards: 1972 - The Warsaw Mermaid of the Film Critics' Club at the Polish Journalists' Association in the feature film category; Special Jury Award at the Lubuskie Film Summer in Lagow; 1973 - Special Award for Screenplay at the San Remo Film Festival.

A portrait of a man who analyses his life on his 44th birthday. The past and the present, the actual and potential developments blend in a dreamy vision. "The protagonist seems to assume that travelling in time is possible, and things happen in an imaginary, invented time which he fittingly adjusts and changes", said Konwicki in the Film Press News 1/1972. The film is a formally complex analysis of what is commonly referred to as the Polish fate. Awards: 1972 - The Warsaw Mermaid of the Film Critics' Club at the Polish Journalists' Association in the feature film category; Special Jury Award at the Lubuskie Film Summer in Lagow; 1973 - Special Award for Screenplay at the San Remo Film Festival.

没有人告诉我，没有人告诉我。 　　一起生活会这么难： 　　保持最初的欲望，维护一个家庭的完整 　　竟会这么难！ 　　事实上我也不会听， 　　即使当初真有人一本正经地提醒。 　　我只愿意享有生活本身，用我手中的相机，去记录情感走过的路线。 　　无论是伊甸园还是失乐园， 　　无论是新生还是重生， 　　这部历时九年的记录片 　　想讲述一个奶爸的经历 　　探寻幸福的历程 　　和爱情的奥秘

没有人告诉我，没有人告诉我。 　　一起生活会这么难： 　　保持最初的欲望，维护一个家庭的完整 　　竟会这么难！ 　　事实上我也不会听， 　　即使当初真有人一本正经地提醒。 　　我只愿意享有生活本身，用我手中的相机，去记录情感走过的路线。 　　无论是伊甸园还是失乐园， 　　无论是新生还是重生， 　　这部历时九年的记录片 　　想讲述一个奶爸的经历 　　探寻幸福的历程 　　和爱情的奥秘

妈妈发给我的几段儿时录像，让我发现幼年的自己曾试图拍摄一部“未完成的片子”，而内容恰好与我的台湾友人大P（陈谷桓）所分享的家庭录影巧妙呼应。今日的朋友，儿时的玩伴，我们之间的距离原来那么远，又那么近。

妈妈发给我的几段儿时录像，让我发现幼年的自己曾试图拍摄一部“未完成的片子”，而内容恰好与我的台湾友人大P（陈谷桓）所分享的家庭录影巧妙呼应。今日的朋友，儿时的玩伴，我们之间的距离原来那么远，又那么近。