As armed conflict flares up at the edges of Europe, the commemoration of the Second World War is used to prepare people for renewed conflict. In Azerbaijan, the recent expulsion of Armenians from Nagorno-Karabakh is presented as a national success. And in Russia, with much flag-waving, bombastic language and tank parades, the invasion of Ukraine is equated with the victory over fascism in 1945. 　　Meanwhile, the Polish army displays its latest acquisitions, and the residents of Kyiv—between air-raid sirens—view the destroyed tanks that their own army has captured from the Russians. It’s only in Berlin that the public pays little attention to the Soviet memorial in Tiergarten Park, close to the once-defeated Reichstag, and dances as if there’s no tomorrow at an open-air techno party. 　　Filmmaker Vitaly Mansky was born in Ukraine, made critical documentaries in Russia in the 1990s and lives in Latvia due to his political stance since 2014. By showing how war commemorations vary across Europe, without commentary, he exposes a fundamental and potentially dangerous difference in mentality.

As armed conflict flares up at the edges of Europe, the commemoration of the Second World War is used to prepare people for renewed conflict. In Azerbaijan, the recent expulsion of Armenians from Nagorno-Karabakh is presented as a national success. And in Russia, with much flag-waving, bombastic language and tank parades, the invasion of Ukraine is equated with the victory over fascism in 1945. 　　Meanwhile, the Polish army displays its latest acquisitions, and the residents of Kyiv—between air-raid sirens—view the destroyed tanks that their own army has captured from the Russians. It’s only in Berlin that the public pays little attention to the Soviet memorial in Tiergarten Park, close to the once-defeated Reichstag, and dances as if there’s no tomorrow at an open-air techno party. 　　Filmmaker Vitaly Mansky was born in Ukraine, made critical documentaries in Russia in the 1990s and lives in Latvia due to his political stance since 2014. By showing how war commemorations vary across Europe, without commentary, he exposes a fundamental and potentially dangerous difference in mentality.

青春风暴讲述了少女舒品凡的青春成长故事。从小在单亲家庭中长大，一直和母亲相依为命的舒品凡，在时雨大学结识了推理社长亦子轩、校报记者紫荆、学生会长蓝君临等众多性格各异的同学和朋友。他们共同努力，经历了校园神秘传闻、学生会经费失窃、微博风波、校庆团体自行车竞赛、校史谜团等一系列不同寻常的事件，最终品凡和众人凭借青春的激情，战胜了各种困难，赢得了青春的荣耀。品凡本人则在经历了丧母之痛后，在学业上取得了成功，也收获了纯真甜蜜的爱情果实。 　　剧中，任容萱所饰演的舒品凡从小与母亲相依为命，家境贫寒。为了照顾身体欠佳的母亲，品凡本想高中毕业就直接找工作。但母亲鼓励她要继续上大学深造，并推荐自己年轻时所在的时雨大学。为了不让母亲担心，品凡努力考上的大学，由此开始一段扣人心弦的故事。

市大学生联赛，明洋女排队对战老牌劲旅星悦队再次失败，陷入解散危机。机缘巧合之下，有着排球天赋的少女易安乐加入了明洋队，但身高劣势和体能限制令队…

市大学生联赛，明洋女排队对战老牌劲旅星悦队再次失败，陷入解散危机。巧合之下，少女易安乐加入了明洋队，但身高劣势和体能限制令队友对她产生了质疑。易安乐用自己的善良、勇敢和毅力化解了队友间的矛盾，并与富家千金邱元雅、打工女孩盛芷、偷练排球的顾柏柏等人建立了友谊。这支本不被看好的球队一路由市联赛挺进了省联赛。然而，易安乐陷入与职排预备队主力叶满阳、青梅竹马的傅安晏和邱元雅之间的情感纠葛，盛芷家庭遭遇困境面临退队，队员间的内讧使明洋队征战省联赛时惨遭失败。面对各种压力，明洋队员们最终团结一致拿到了省级联赛最后一个晋级名额。在追逐排球梦想的路上，这群少年少女们也收获了属于自己的爱情和友情，完成了个人的人生目标。

该剧生动地描写了一群可爱的中学生，表现了多姿多彩的校园生活，剧中处处以孩子的视角来观察校园生活和成人世界，揭示了当代少年复杂多变、丰富多彩的内心世界，忠实地记录了他们在成长过程中的烦恼和欢乐。

该剧生动地描写了一群可爱的中学生，表现了多姿多彩的校园生活，剧中处处以孩子的视角来观察校园生活和成人世界，揭示了当代少年复杂多变、丰富多彩的内心世界，忠实地记录了他们在成长过程中的烦恼和欢乐。

本片描述了一个平静国家的人民不同的遭遇，但它从未成为一个国家。在若干年后的今天，大家也许都淡忘了，但那些古老的回忆仍然会让我们感动不已，一个个小故事组成了感动的元素，这些普通人民的故事会让我们铭记……

本片描述了一个平静国家的人民不同的遭遇，但它从未成为一个国家。在若干年后的今天，大家也许都淡忘了，但那些古老的回忆仍然会让我们感动不已，一个个小故事组成了感动的元素，这些普通人民的故事会让我们铭记……

同名纪录片《风景》42分钟短片版。 　　长片请移步：https://movie.douban.com/subject/21891819/