做秦王妃的第七年，云幸如对夫君赵明聿彻底心灰意冷。他新纳第九个妾室，却为三两药钱质疑她，这份不信任和漠视击垮了她七年尽心维系的婚姻。曾是都城贤良典范的她，毅然决然地向皇后娘娘求取和离懿旨。赵明聿震惊不解，试图以王府、庶长子瑾玉和金钱挽留，甚至在皇帝面前跪求，但这些都无法挽回云幸如决绝的心。她面对赵明聿的自私与花心，以及瑾玉的童言无忌，彻底揭露了七年间自己所受的委屈：流产、操劳病痛、情感荒芜。在皇后沈姝妍的鼎力支持下，云幸如拒绝了秦王的一切挽留，选择入宫担任公主女师，摆脱了秦王妃的桎梏。她的勇敢举动在都城掀起和离风潮，激励了无数女性。

A man walks every night along the jetty. There he meets a young woman who is waiting for the man of her life. Over four nights, they discuss life and he gradually falls in love with her. But then the man she's been yearning for arrives.

A man walks every night along the jetty. There he meets a young woman who is waiting for the man of her life. Over four nights, they discuss life and he gradually falls in love with her. But then the man she's been yearning for arrives.

《柳》探讨了人、树、手工技艺与灵性之间的联结。影片以超 8 胶片拍摄，追溯柳树形态、工业结构、人类与鸟类编织之间的关系，自由穿行于波兰、德国、匈牙利与捷克的森林与民间传说之间。 　　本片是导演关于树木及其与土地上人类与非人生命文化深层联系的艺术研究的一部分。柳树曾是中欧地景的主导植物，但自十九世纪中叶工业化生产兴起以来，传统的柳编工艺逐渐式微，几近消失。在十九世纪，这种坚韧的植物也是民族独立运动民歌中的常见意象。 　　如今，波兰的柳编传统正在复兴，并被提议纳入联合国教科文组织非物质文化遗产名录。在波兰期间，导演与艺术家扬·萨伊达克（Jan Sajdak）合作——他以柳树为素材进行土地艺术与雕塑创作——同时也与普罗塔姐妹（the Plota sisters）合作，她们在完成学业后因家族事业重新学习柳编。 　　《柳》试图模糊自然与文化、人类与非人、艺术与手工之间的界限；在视听层面上，探索现代结构与树木形态之间的重叠。

故事围绕着女主冯芜的复杂情感历程展开，她与青梅竹马的许星池之间的恩怨纠葛，以及与霸道贵公子傅司九之间逐渐萌芽的爱情。展现了冯芜在原生家庭的洗脑环境中挣扎，并最终在傅司九的支持下找到自我价值和幸福。

生活在古代父权下的小绿，从小被父亲以‘守宫砂’方式控制她的贞操，当她心仪的船夫出现在她生命当中，红色的守宫砂是否能阻止两人？数位水墨动画方式，试图呈现并探讨父权底下的女性处境

生活在古代父权下的小绿，从小被父亲以‘守宫砂’方式控制她的贞操，当她心仪的船夫出现在她生命当中，红色的守宫砂是否能阻止两人？数位水墨动画方式，试图呈现并探讨父权底下的女性处境

大约在冬季，周青随王晓振来到翟家庄村见父母，他们遇到了满嘴脏话的男孩永顺，遇到了一脸困惑 的女童子歌，遇到了健忘的老人奶奶，遇到了无所事事的青年小胡，他们似乎不知道要做什么。但他们都自得其乐。而周青和王晓振一直在等待迟迟不来的父母，除 此之外他们觉着做什么都没意思。 　　Qing Zhou and Xiaozhen Wang came to Huojiacun to visit Wang’s parents at the end of winter. They met the foul-mouthed boy Yongshun, the confused girl Zige, the forgetful old lady Grandma, and also Xiaohu, who knew nothing but hanging out. All of them enjoyed their lives purely without any targets. Meanwhile, Wang and Zhou felt nothing interested while waiting for the parents, who never showed their faces.

大约在冬季，周青随王晓振来到翟家庄村见父母，他们遇到了满嘴脏话的男孩永顺，遇到了一脸困惑 的女童子歌，遇到了健忘的老人奶奶，遇到了无所事事的青年小胡，他们似乎不知道要做什么。但他们都自得其乐。而周青和王晓振一直在等待迟迟不来的父母，除 此之外他们觉着做什么都没意思。 　　Qing Zhou and Xiaozhen Wang came to Huojiacun to visit Wang’s parents at the end of winter. They met the foul-mouthed boy Yongshun, the confused girl Zige, the forgetful old lady Grandma, and also Xiaohu, who knew nothing but hanging out. All of them enjoyed their lives purely without any targets. Meanwhile, Wang and Zhou felt nothing interested while waiting for the parents, who never showed their faces.

In the Himalayan Mountain range, a rural village loses its inhabitants to the city’s allure while an elderly couple, Padam Singh and Tulsi, live in desolate isolation. Their days are filled with routine and occasional humour as they mask their loneliness. Their son’s absence gnaws at them, and when a letter arrives promising his return, it reignites their hearts with joy and anticipation. However, the reunion does not unfold as expected, shattering their hopes. As the film climaxes, the spectator is confronted with a more rueful plight, deeply engaging the audience’s empathy.