題材となる「無言館」は長野県上田市に実在する美術館。太平洋戦争の最中、「あと10分、あと5分でいいから描かせてくれ……」と出征直前まで戦没画学生たちが描き続けたのは故郷、家族、愛する者を描いた穏やかな絵ばかりだった。本作では、そんな画学生たちの作品を展示する無言館の開館に向け、主人公・窪島誠一郎が奔走するさまが描かれる。

題材となる「無言館」は長野県上田市に実在する美術館。太平洋戦争の最中、「あと10分、あと5分でいいから描かせてくれ……」と出征直前まで戦没画学生たちが描き続けたのは故郷、家族、愛する者を描いた穏やかな絵ばかりだった。本作では、そんな画学生たちの作品を展示する無言館の開館に向け、主人公・窪島誠一郎が奔走するさまが描かれる。

【邦　題】　ＭＵＴＥ　－無言－ 　　【英　題】　MUTE 　　【製作年】　1996年 　　【時　間】　45分 　　【製作国】　日本 　　【言　語】　ほぼ無言 　　【監　督】　不明 　　【撮　影】　種岡広志　（BAROQUE） 　　バンコク・チュラロンコーン大学病院内標本資料室に置かれた人々

【邦　題】　ＭＵＴＥ　－無言－ 　　【英　題】　MUTE 　　【製作年】　1996年 　　【時　間】　45分 　　【製作国】　日本 　　【言　語】　ほぼ無言 　　【監　督】　不明 　　【撮　影】　種岡広志　（BAROQUE） 　　バンコク・チュラロンコーン大学病院内標本資料室に置かれた人々

城破之日，昔日尊贵的公主与我一同沦为敌国军妓。我的哥哥，曾是备受敬重的将领，如今却成了叛军的领袖。敌军首领给了他一个选择：带走一名军妓。我满心期待，以为他会选择我这个亲妹妹，可他却毫不犹豫地抱走了公主，临走时还留下一句“很快来救你”。然而，他未曾兑现承诺，而我却在无尽的凌辱中苟延残喘，甚至看到他在我最绝望的时刻，与公主一同祈祷。

信长深爱的妹妹·市，嫁给了浅井长政。 　　而浅井·朝仓军与织田军的冲突已经不可避免。 　　只要有一瞬的迷惘就会失去重要事物的大规模野战“姊川之战”，含泪的千鸟于此战觉醒。 　　名为天下布武的不合常理的征程！ 　　不得不将自己的妹夫打倒！！ 　　本格时代剧搞笑动画，姊川·石山篇 突入！！

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

This experimental documentary uses the life stories of a Chinese woman artist to explore alternatives to dominant versions of history. Growing up in China during the Cultural Revolution, she first came to the U.S. to study, and then, after the government crackdown, to live. FLOW's narratives of the Cultural Revolution are constructed from her extremely personal and often satirical points of view. The fragments of her memory are used to undermine the master narrative of history. Yau Ching writes, "An exiled native speaks a language not fully comprehensible to her 'fellow-natives' any more. A part of her is not able to go back any more. Given its politically subversive content, the very fact that this tape can only be made here, when the native is not at home, highlights the limitations of 'home.' Her memory haunts her and blocks her from being assimilated by the dominant American society. She lives in this 'between-world dilemma,' deprived of the privileges of being fully identified either as a native or as a westerner." 　　In Mandarin, Cantonese and English with English subtitles. 　　Producer/Director/Editor: Yau Ching. Camera: Yau Ching, Ellen Pau. 'Butterfly in California' Camera: Robert Harris. On-line Editors: Karen Heyson, Eric Kinke, John Grod. Sound Mix: Karen Heyson. Creative Consultants: Yvonne Rainer, Mary Kelly, Deirdre Boyle. On-line Facilities: Center for New Television, Chicago, Film & Video arts, NY, Electric Film NY. Off-line Facility: Girls make Videos, inc. 　　Ordering & Fees

This experimental documentary uses the life stories of a Chinese woman artist to explore alternatives to dominant versions of history. Growing up in China during the Cultural Revolution, she first came to the U.S. to study, and then, after the government crackdown, to live. FLOW's narratives of the Cultural Revolution are constructed from her extremely personal and often satirical points of view. The fragments of her memory are used to undermine the master narrative of history. Yau Ching writes, "An exiled native speaks a language not fully comprehensible to her 'fellow-natives' any more. A part of her is not able to go back any more. Given its politically subversive content, the very fact that this tape can only be made here, when the native is not at home, highlights the limitations of 'home.' Her memory haunts her and blocks her from being assimilated by the dominant American society. She lives in this 'between-world dilemma,' deprived of the privileges of being fully identified either as a native or as a westerner." 　　In Mandarin, Cantonese and English with English subtitles. 　　Producer/Director/Editor: Yau Ching. Camera: Yau Ching, Ellen Pau. 'Butterfly in California' Camera: Robert Harris. On-line Editors: Karen Heyson, Eric Kinke, John Grod. Sound Mix: Karen Heyson. Creative Consultants: Yvonne Rainer, Mary Kelly, Deirdre Boyle. On-line Facilities: Center for New Television, Chicago, Film & Video arts, NY, Electric Film NY. Off-line Facility: Girls make Videos, inc. 　　Ordering & Fees

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。