When a battered mistress meets her neighbor, she knows he will be her perfect escape plan. But things turn chaotic when their plan backfires.

When a battered mistress meets her neighbor, she knows he will be her perfect escape plan. But things turn chaotic when their plan backfires.

When a battered mistress meets her neighbor, she knows he will be her perfect escape plan. But things turn chaotic when their plan backfires.

文明即大下水道。我们认为垃圾是商品的尸体，因为其丧失了功用性，我们却在电子游戏中大量精准地制造三维垃圾，只为了装饰虚拟的真实性。我们一边在城市模拟游戏中用居民的排泄物填满火山，再让其喷发淹没城市，我们一边在真实的垃圾山上以拾荒为生，每天收入几美元。我们一边将虚拟货币技术称作去中心化的记账方式，我们一边看到中心化的资本利用它让自己快速增值。我们，我们，非常，非常，非常地。

文明即大下水道。我们认为垃圾是商品的尸体，因为其丧失了功用性，我们却在电子游戏中大量精准地制造三维垃圾，只为了装饰虚拟的真实性。我们一边在城市模拟游戏中用居民的排泄物填满火山，再让其喷发淹没城市，我们一边在真实的垃圾山上以拾荒为生，每天收入几美元。我们一边将虚拟货币技术称作去中心化的记账方式，我们一边看到中心化的资本利用它让自己快速增值。我们，我们，非常，非常，非常地。

Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. 　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. 　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. 　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. 　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

A team of spelunkers, when investigating a system of caves beneath a small town, come across a hideous creature that can move through walls.

来自南斯拉夫黑山共和国一个极度保守的小山村的新婚夫妇去海滨城市打工。妻子竟被他们的老乡安排在一个天体营当服务员。然而，改变也就此悄悄地开始了……

来自南斯拉夫黑山共和国一个极度保守的小山村的新婚夫妇去海滨城市打工。妻子竟被他们的老乡安排在一个天体营当服务员。然而，改变也就此悄悄地开始了……