一次偶然中，高树圭太（织田裕二 饰）结识了名叫绘恋（上野树里 饰）的女子，没过多久，圭太便被绘恋的活泼开朗所深深吸引坠入了爱河，可是，横亘在两人之间的，是足足20岁的年龄差距。然而，真爱是可以跨越时间的，让圭太感到无比幸福的是，绘恋也深深的爱上了圭太，并且准备与他结婚，美好的未来等待着两人。 　　绘恋将圭太带回了家，没想到，这却是一连串麻烦的开始。原来，巧合的是，绘恋的母亲竟然是圭太曾经的恋人，曾经的前女友变成了如今的丈母娘，这让圭太感到十分头痛。与此同时，圭太在事业上亦遭遇了滑铁卢。面对接连而来的打击，圭太会如何自处呢？

一次偶然中，高树圭太（织田裕二 饰）结识了名叫绘恋（上野树里 饰）的女子，没过多久，圭太便被绘恋的活泼开朗所深深吸引坠入了爱河，可是，横亘在两人之间的，是足足20岁的年龄差距。然而，真爱是可以跨越时间的，让圭太感到无比幸福的是，绘恋也深深的爱上了圭太，并且准备与他结婚，美好的未来等待着两人。 　　绘恋将圭太带回了家，没想到，这却是一连串麻烦的开始。原来，巧合的是，绘恋的母亲竟然是圭太曾经的恋人，曾经的前女友变成了如今的丈母娘，这让圭太感到十分头痛。与此同时，圭太在事业上亦遭遇了滑铁卢。面对接连而来的打击，圭太会如何自处呢？

By Our Selves documents a four-day walk made by the English Poet John Clare. Toby Jones, Iain Sinclair and a Straw Bear follow in his footsteps exactly 150 years after his death. En route they bump into Macgillivray, Dr Simon Kovesi and the wizard Alan Moore. Meantime the journey is narrated by Toby’s father Freddie, a maverick actor who featured in numerous David Lynch films. 　　John Clare’s escape from Epping Forest; an epic march through hunger and madness, is an English journey to set beside ‘A Pilgrim’s Progress’. Andrew Kötting, hyperkinetic camper-van captain of Gallivant, sets out in hot pursuit, dressed as a Straw Bear. Father and son, Freddie and Toby Jones, are possessed by the spirit of Clare, and locked in Beckettian embrace: one all-voice and one all-mute. 　　The writer Iain Sinclair watches from the shadows, Alan Moore waits like a bearded figure of fate, in Northampton and Dr Simon Kovesi hands out the medicine. Captured in lustrous black and white photography, they discover the only truth of the road; whatever our hopes and delusions, we are always by ourselves. The film is inspired by Iain Sinclair’s Edge of the Orison and John Clare’s Journey out of Essex.

1983年，导演的24岁姐姐出现精神分裂的症状。从事医学研究的父母却无法接受这个事实，不仅拒绝为她寻求治疗，更选择将女儿长期锁在家中，以保护为名行囚禁之实。弟弟对此深感困惑，拿起摄像机开始记录家庭日常。导演翻找原本温馨私密的家庭视频，忍痛翻开伤口，审视亲情与疾病、伦理与抉择之间的复杂纠缠，诘问社会对精神病的偏见以及日本传统观念的束缚，反问自己面对着无法重来的过去——「我们当时究竟该怎么做？」

By recreating personal stories though testimony, poetry and archival material, the artist and performers explore deep traumas that no single place or language can contain. Abkhazia, the disputed state on the Black Sea – once an opulent Soviet holiday resort with a multi-ethnic population – became a symbolic ghost town following the 1992-93 war with Georgia. Here, fragmented memories and dreams destroyed by violence and exile are exhumed through interpretive re-enactment and haunting sound.

一对恋人，在美丽的日子结束不美丽的人生。

By recreating personal stories though testimony, poetry and archival material, the artist and performers explore deep traumas that no single place or language can contain. Abkhazia, the disputed state on the Black Sea – once an opulent Soviet holiday resort with a multi-ethnic population – became a symbolic ghost town following the 1992-93 war with Georgia. Here, fragmented memories and dreams destroyed by violence and exile are exhumed through interpretive re-enactment and haunting sound.

影片以一对恋人在美丽日子结束不美丽人生为题。