it was interesting to see the acrobatic Japanese actors of the Tenjosajiki company in Shuji Terayama’s Directions to servants. The title and some of the text were taken from Swift’s satire, but the main inspiration seemed to come from Genet’s Les bonnes. Multiplying the maids into a large cast of servants, male and female, who take it in turns to imitate the master, Tereyama has physicalized and partly mechanized the action. Domination is imposed partly through machines—we see a man submitting to an imperious voice on a tape recorder, lowering his trousers and climbing inside a sadistic machine that beats his bare buttocks. 　　The ingenuity, the sadism and the offbeat humour are all characteristic of the production. The main cruelty to the audience was in the over-amplification of J.A. Seazer’s music. I sat with my hands over my ears for a lot of the time. The visual assault was almost equally strong, and some of the theatrical imagery was quite unlike anything that had been seen in this country. In one meticulously choreographed sequence the servant playing at being master throws a bone to a succession of servants who play at being dogs. In another, a servant trying to steal food from a cupboard is terrified to find that it is like a puzzle: each panel conceals a face that sings at him accusingly, and he can silence it only by sliding a panel that reveals another singing face.

it was interesting to see the acrobatic Japanese actors of the Tenjosajiki company in Shuji Terayama’s Directions to servants. The title and some of the text were taken from Swift’s satire, but the main inspiration seemed to come from Genet’s Les bonnes. Multiplying the maids into a large cast of servants, male and female, who take it in turns to imitate the master, Tereyama has physicalized and partly mechanized the action. Domination is imposed partly through machines—we see a man submitting to an imperious voice on a tape recorder, lowering his trousers and climbing inside a sadistic machine that beats his bare buttocks. 　　The ingenuity, the sadism and the offbeat humour are all characteristic of the production. The main cruelty to the audience was in the over-amplification of J.A. Seazer’s music. I sat with my hands over my ears for a lot of the time. The visual assault was almost equally strong, and some of the theatrical imagery was quite unlike anything that had been seen in this country. In one meticulously choreographed sequence the servant playing at being master throws a bone to a succession of servants who play at being dogs. In another, a servant trying to steal food from a cupboard is terrified to find that it is like a puzzle: each panel conceals a face that sings at him accusingly, and he can silence it only by sliding a panel that reveals another singing face.

父亲包著石膏躺在客厅沙发，不愿卸下患者的身份，胜文在驾训班教练车内盯著一旁的教练，他不想面对家裡以及不断在逃避的父亲，但似乎也无法面对身旁这位教练，渐渐的，胜文融入了他父亲的倒影。

A department store security guard is secretly in love with a clerk in the store's bookshop. When he witnesses a seeming rival being attacked in the train, he gets off instead of helping him. Not being able to deal with his bad conscience, his formerly controlled life breaks down

A department store security guard is secretly in love with a clerk in the store's bookshop. When he witnesses a seeming rival being attacked in the train, he gets off instead of helping him. Not being able to deal with his bad conscience, his formerly controlled life breaks down

每周四准时盘点韩娱圈值得关注的事件新闻、影视音乐 　　由最初的简单播报，逐步演进到播报、评论及对某一主题的深入分析，清醒犀利而不失公允 　　特色板块：冷知识系列、金泡菜赏 等

每周四准时盘点韩娱圈值得关注的事件新闻、影视音乐 　　由最初的简单播报，逐步演进到播报、评论及对某一主题的深入分析，清醒犀利而不失公允 　　特色板块：冷知识系列、金泡菜赏 等

《韩娱星动态》是国内首档介绍韩国当红明星、流行音乐、影视等全方位的娱乐资讯类节目。节目不仅带来韩国最流行的音乐、最具人气的韩剧和电影、最火爆的演唱会现场，还将介绍近期娱乐界最热门的话题和人气偶像组合的各种时尚潮流资讯。

《韩娱星动态》是国内首档介绍韩国当红明星、流行音乐、影视等全方位的娱乐资讯类节目。节目不仅带来韩国最流行的音乐、最具人气的韩剧和电影、最火爆的演唱会现场，还将介绍近期娱乐界最热门的话题和人气偶像组合的各种时尚潮流资讯。

一个小男孩和父亲生活在一起，很显然，母亲已经去世。 　　家里有一只病入膏肓的狗，父亲不忍看到狗被疾病折磨得难受的样子，曾经弃狗，狗还是回来了，给兽医打电话，仍然无果……