快来加入神奇的音乐时间学前班，嬉戏玩乐，每天都在少儿歌曲的冒险中徜徉，还能学到好多东西！

MACH DIE MUSIK LEISER portrays a group of teenagers in Essen, an industrial town in the Ruhr region in the Western part of Germany. It's the summer of 1993. School's over for most of the adolescents, who are mainly played by non-actors. The individuals’ decisions on the future are not determined yet. Bored uncertainty, shy and somewhat helpless passivity dominate the sparse actions and day to day activities – modest quarrels with parents, attending a concert (hardcore stalwarts "Biohazard"), watching pictures in the nearby drive-in-theatre (Cameron’s "Terminator") or on video (Raimi’s "Evil Dead"), meeting with friends in coffeeshops, pubs, along footways and park benches. At first glance nothing specific or dramatic is going on. But as the movie evolves the viewer gets more acquainted with some of the characters’ in- and exterior changes during their rites de passage. 　　MACH DIE MUSIK LEISER is Arslan’s first feature film, his graduation movie from Berlin film school. It already has him following a style of contained observational accuracy. A style connecting documentary and fiction, resting upon the means of spatiotemporal representation, not upon dramatic suspense.

MACH DIE MUSIK LEISER portrays a group of teenagers in Essen, an industrial town in the Ruhr region in the Western part of Germany. It's the summer of 1993. School's over for most of the adolescents, who are mainly played by non-actors. The individuals’ decisions on the future are not determined yet. Bored uncertainty, shy and somewhat helpless passivity dominate the sparse actions and day to day activities – modest quarrels with parents, attending a concert (hardcore stalwarts "Biohazard"), watching pictures in the nearby drive-in-theatre (Cameron’s "Terminator") or on video (Raimi’s "Evil Dead"), meeting with friends in coffeeshops, pubs, along footways and park benches. At first glance nothing specific or dramatic is going on. But as the movie evolves the viewer gets more acquainted with some of the characters’ in- and exterior changes during their rites de passage. 　　MACH DIE MUSIK LEISER is Arslan’s first feature film, his graduation movie from Berlin film school. It already has him following a style of contained observational accuracy. A style connecting documentary and fiction, resting upon the means of spatiotemporal representation, not upon dramatic suspense.

Desperate to experience true emotion, a young woman, CARYS, regularly attends the funerals of strangers. But she's unprepared for the secrets she must keep and the lies she must tell when, at one fateful wake, she falls for TYLER, who is mourning his fiancée. As Carys allows herself to experience love for the first time, she begins to fear that perhaps her fascination with death might lead to her own untimely demise...

1980年代，北京。外贸公司业务员田丹（高飞 饰）因引进设备出现问题，到火车站接技术员李非（张晓林 饰）时，意外遇见分别多年的女友苏小梅（陈冲 饰）。面对田丹的惊诧，苏小梅不为所动。李非对进口设备提出独到见解，副处长宋琪（智一桐 饰）对李非的见解不屑一顾，为找到原因，二人开始针对说明书展开运算。田丹再次见到苏小梅，两人亮开心扉，畅谈了分别后各自的生活。父亲田仲华（许还山 饰）发现儿子跟苏小梅的关系，从中作梗，他希望儿子娶副部长的女儿彭芳（屠茹英 饰），志趣的不同让田丹无法和彭芳交流。由于运算条件很差，田丹的运算遇到前所未有的困难，他硬着头皮求父亲疏通关节，父亲趁机提出了自己的要求......

児童小説を書いている野口麻里は、夫の時男と平凡だが幸せな毎日を過ごしていた。ある日、麻里の担当編集者の神田からSMを題材にした官能小説を書いて欲しいと頼まれる。とまどう麻里だが断れず、神田と共にSMクラブへ取材に行くことになった・・・

《电影手册》影评人阿萨亚斯的第三部故事片，讲一个想进入电视业的女子路易丝，吸毒成性，无法自拔，但她的男友（一个比她大很多的人）把她从悬崖边拉了回来。该男子有一个儿子，正在逃亡中，暂时回来跟他老爸住。起先他跟路易丝吵得天翻地覆，但逐渐他俩化恨为爱。路易丝为了他搬进了一处破败的公寓

《勁歌金曲》自1981年啟播，逾四十年來一直致力提供平台讓歌手發表音樂作品。隨後舉辦的《勁歌金曲頒獎典禮》，更是表揚及肯定一眾音樂人努力的成績表，在頒獎禮中獲獎，也被視為一份無比的榮譽。為跟觀眾一起重溫《勁歌》的輝煌歲月，節目召喚鄭丹瑞、蔡楓華、盧敏儀、樊亦敏、黃山怡等多代主持回到工作崗位，還會邀請譚詠麟、鍾鎮濤、區瑞強、吳雨、鄭國江，以歌手與幕後製作人的角度，引領大家回味《勁歌》的幕幕經典時刻。

Finding an apartment in Tel Aviv is never easy, especially on Memorial Day. 　　Nevertheless, Yael has no other choice but to leave her home.