1998年结成的四人摇滚乐队The Back Horn成军已将近二十个年头，他们以“共鸣”为关键词，战争、和平、孤独、死亡、爱、生命是躁动的旋律中永恒不变的主题。目前，乐队在海内外均享有一定的知名度，期间The Back Horn与电影界的合作，也是他们集聚更多粉丝的重要渠道之一。在过往的岁月里，The Back Horn曾为黑泽清的《光明的未来》、杂锦片《ZOO》、动画片《机动战士高达00》等作品担任了主题歌的工作。此番他们与同在1998年涉足电影圈的熊切和嘉跨界合作，推出了融合乐队理念、风格以及实况影像的特色纪录片，是一次颇具意义的尝试。

1998年结成的四人摇滚乐队The Back Horn成军已将近二十个年头，他们以“共鸣”为关键词，战争、和平、孤独、死亡、爱、生命是躁动的旋律中永恒不变的主题。目前，乐队在海内外均享有一定的知名度，期间The Back Horn与电影界的合作，也是他们集聚更多粉丝的重要渠道之一。在过往的岁月里，The Back Horn曾为黑泽清的《光明的未来》、杂锦片《ZOO》、动画片《机动战士高达00》等作品担任了主题歌的工作。此番他们与同在1998年涉足电影圈的熊切和嘉跨界合作，推出了融合乐队理念、风格以及实况影像的特色纪录片，是一次颇具意义的尝试。

苏禾前世因"闺蜜"郑雨琦长期下药致胖、毒哑嗓音，最终被顾城南陷害致死，连累深爱她的未婚夫顾临西一同惨亡。重生后她誓要守护真心爱自己的顾临西，实现歌手梦想。识破郑雨琦的阴谋后，她巧妙反制，在歌唱比赛中以天籁之音一鸣惊人。尽管因肥胖遭受歧视，仍凭实力夺冠并当众揭发郑雨琦下激素、陷害选手等罪行，令其身败名裂！

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

The title says it all. The movements in this black-and-white animation are governed by an echo. The flow of images creates a chain of associations. A pot-bellied creature with a tiny face roams the world. There are also other creatures, similarly pot-bellied, with stilt-like arms. This gives them a mobility which affords them new points of view. The swamp provides shade for their heads, the rhythm of the tambourines makes their bellies sway. The film follows these faceless creatures with minimal movements which focus only on the essentials.

回南天的日子里，小姜总是重复梦到一扇门。一开始，它只在夜晚的梦里出现，后来连午间小憩都能看见，以至于闭眼即会浮现它的样子。这个特别的梦一度让她无法安眠，药物虽然使她正常的入睡，但那扇门在梦中依旧清晰地伫立在她的眼前。慢慢的，小姜开始好奇这扇门的由来，它总不是无端入梦，或许会有些特别的缘由。于是每梦见一次，她就会把这扇门画下来，一个月以后，这扇门已经十分清晰地显现在手帐本上了…

As video technology became more widely available in the early 1970s, many artists were drawn to the medium's immediacy and ease of reproduction, which allowed works to be shown on television or through other modes of distribution that bypassed the walls of museums or commercial galleries. Serra, known primarily for his large lead and steel sculptures, made a number of films and videos in the late 1960s and early 1970s. Holt, a pioneer of land art, also worked with film, video, and photography throughout her career. 　　In Boomerang—which was broadcast live on a TV station in Amarillo, Texas—Holt's words are fed back to her through headphones with a one-second delay. She describes the experience, in which her words are suspended in time and space, as "a world of double reflections and refractions." As her voice echoes back to her, she continues, "words become like things," disconnected from their individual meanings and from their contexts. This interferes with Holt's thought process and establishes a distance between the artist and her sense of self, an effect intensified when pre-recorded sound samples are played or when glitches in the broadcast cause momentary periods of silence.

回南天的日子里，小姜总是重复梦到一扇门。一开始，它只在夜晚的梦里出现，后来连午间小憩都能看见，以至于闭眼即会浮现它的样子。这个特别的梦一度让她无法安眠，药物虽然使她正常的入睡，但那扇门在梦中依旧清晰地伫立在她的眼前。慢慢的，小姜开始好奇这扇门的由来，它总不是无端入梦，或许会有些特别的缘由。于是每梦见一次，她就会把这扇门画下来，一个月以后，这扇门已经十分清晰地显现在手帐本上了…

The title says it all. The movements in this black-and-white animation are governed by an echo. The flow of images creates a chain of associations. A pot-bellied creature with a tiny face roams the world. There are also other creatures, similarly pot-bellied, with stilt-like arms. This gives them a mobility which affords them new points of view. The swamp provides shade for their heads, the rhythm of the tambourines makes their bellies sway. The film follows these faceless creatures with minimal movements which focus only on the essentials.