原本只是單純的警方驅離法拍屋，卻因屋主兒子受託藏毒害怕警方入屋，變成始料未及的人質綁架案，越鬧越大，最後甚至升級為紅色警戒大事件。屋內父親、兒子、人質的三角關係開始微妙拉鋸；屋外談判專家、特種部隊與媒體亂象則掀起軒然大波。導演展現犀利的敘事與精彩的場面調度，透過崩裂的父子關係與僵化扭曲的資本社會觀察，逆向思考究竟何謂犯罪與公義。 　　François, a forty-something bailiff, is about to execute his daily eviction. But fate takes an unexpected turn: as he enters the apartment, he is mistakenly taken hostage by an amateur drug dealer and his father. Keen to resolve this situation quickly and quietly, the local deputy calls in the Special Police Force…

原本只是單純的警方驅離法拍屋，卻因屋主兒子受託藏毒害怕警方入屋，變成始料未及的人質綁架案，越鬧越大，最後甚至升級為紅色警戒大事件。屋內父親、兒子、人質的三角關係開始微妙拉鋸；屋外談判專家、特種部隊與媒體亂象則掀起軒然大波。導演展現犀利的敘事與精彩的場面調度，透過崩裂的父子關係與僵化扭曲的資本社會觀察，逆向思考究竟何謂犯罪與公義。 　　François, a forty-something bailiff, is about to execute his daily eviction. But fate takes an unexpected turn: as he enters the apartment, he is mistakenly taken hostage by an amateur drug dealer and his father. Keen to resolve this situation quickly and quietly, the local deputy calls in the Special Police Force…

该剧讲述了女主为了踏入上流社会，不惜赌上整个人生努力拼搏，展现了她的欲望、母性，以及通过置业实现暴富的成功历程。

任何人类的欲望都得不到满足，人类为了拥有更多的东西，会不停地往上爬。因能眺望到最高的风景和拥有出色的隐私保护而备受资本家喜爱的顶层公寓里到底住着谁呢，他们靠什么攒钱，他们欲望的尽头在哪里。想要往上的理由是什么， 梦寐以求的最顶层会有什么，爬到顶层的他们真的幸福吗，是不是隐藏着各自隐秘的秘密。这里有为了这儿的孩子不惜一切辛劳，向顶峰奔跑的三个女人：向凄惨地践踏孩子生活的坏人们彻底报仇，流着血泪的双胞胎的妈妈沈秀莲；对于比自己在各方面实力都不足的女儿来说，努力将自己的名誉和聚光灯的闪耀传下去的千瑞珍；不把贫穷留给女儿；赌上人生一路疾驰，最后变成“怪物”的母亲吴允熙。这三个女人的生活里，责任和正义，良心被放在一边，只望着上层努力往上爬，这就是人类无尽的欲望 。

Early Tati Feature With Some Good Moments, 21 July 2005 　　Author: Snow Leopard from Ohio 　　A very young-looking Jacques Tati provides some good moments in this generally amusing early feature. The overall style of the comedy (which was directed by René Clément) is somewhat different from Tati's own, but with some hints in his character of things to come. 　　The simple story has Tati's character working on a farm when he meets a boxer who is in training nearby. The early parts are pleasant, if a little slow, but when Tati gets in the ring with the boxer, the pace starts to build up quickly, leading to a madcap climax. It makes fairly good use of the opportunities, and it is particularly funny to see Tati's character keep trying to refer to the boxing manual. It's a good gag, and not an easy one to pull off that smoothly. 　　No one would compare this with Tati's best features, but it is a solid comedy with some good laughs. If it had been a Hollywood short comedy of the mid- to late-1930s, it would probably have been a little above average.

Early Tati Feature With Some Good Moments, 21 July 2005 　　Author: Snow Leopard from Ohio 　　A very young-looking Jacques Tati provides some good moments in this generally amusing early feature. The overall style of the comedy (which was directed by René Clément) is somewhat different from Tati's own, but with some hints in his character of things to come. 　　The simple story has Tati's character working on a farm when he meets a boxer who is in training nearby. The early parts are pleasant, if a little slow, but when Tati gets in the ring with the boxer, the pace starts to build up quickly, leading to a madcap climax. It makes fairly good use of the opportunities, and it is particularly funny to see Tati's character keep trying to refer to the boxing manual. It's a good gag, and not an easy one to pull off that smoothly. 　　No one would compare this with Tati's best features, but it is a solid comedy with some good laughs. If it had been a Hollywood short comedy of the mid- to late-1930s, it would probably have been a little above average.

一次实现人生逆转的机会摆在眼前，而达成这一逆转所需的金额待定。此次竞争的总奖金高达4亿韩元，一切都是为了一场占据顶楼的入住争夺战。

一次人生逆转的机会，你需要的人生逆转金额是多少？总奖金最高4亿韩元，为占据顶楼的入住争夺战

巴西导演Luiz Fernando Carvalho的故事片处女作，171分钟的长片。情节和主题意味深重：通过一个离家出走的年轻男孩子，讲述了巴西乡间，一个虔诚的基督教家庭的悲剧。这家庭，太充满爱意，太圣洁，太有序、太美好了，连镜头都沉于安稳之中，流动于井然安详的条理，静穆在神圣的威严之下。而那欲望、那热情，太炽烈，太狂放、太撕心裂肺，它暴露在过分的特写之中、摇曳在离乱的剪辑之外。永恒不变的是悲剧的主题：无望的情欲、无知的物欲，终于摧毁了一切的安然与恬美；游离在疯狂凌乱之外的，只有时间与泥土。

巴西导演Luiz Fernando Carvalho的故事片处女作，171分钟的长片。情节和主题意味深重：通过一个离家出走的年轻男孩子，讲述了巴西乡间，一个虔诚的基督教家庭的悲剧。这家庭，太充满爱意，太圣洁，太有序、太美好了，连镜头都沉于安稳之中，流动于井然安详的条理，静穆在神圣的威严之下。而那欲望、那热情，太炽烈，太狂放、太撕心裂肺，它暴露在过分的特写之中、摇曳在离乱的剪辑之外。永恒不变的是悲剧的主题：无望的情欲、无知的物欲，终于摧毁了一切的安然与恬美；游离在疯狂凌乱之外的，只有时间与泥土。