The project provisionally titled “Forgotten Leaders” is a series of seven films, each featuring an individual from the leaders of the Soviet state in power during the time period from 1920 to 1953. Each episode is a filmed portrait depicting the story of life, political and public activities of its hero. The heroes of “The Forgotten Leaders” are 　　individuals ambiguous from the perspective of the Russian and world’s history and odious and often sharply negative in the eyes of public consciousness. Unfortunately, when labeling, we often forget that “each individual 　　is a tangle of contradictions” and that “history is written by the victors”. Seven men. Seven lives. One era. What was behind their decisions and at what was the price they paid for their deeds?

The project provisionally titled “Forgotten Leaders” is a series of seven films, each featuring an individual from the leaders of the Soviet state in power during the time period from 1920 to 1953. Each episode is a filmed portrait depicting the story of life, political and public activities of its hero. The heroes of “The Forgotten Leaders” are 　　individuals ambiguous from the perspective of the Russian and world’s history and odious and often sharply negative in the eyes of public consciousness. Unfortunately, when labeling, we often forget that “each individual 　　is a tangle of contradictions” and that “history is written by the victors”. Seven men. Seven lives. One era. What was behind their decisions and at what was the price they paid for their deeds?

21人の輪〜震災のなかの6年生と先生の日々〜（にじゅういちにんのわ〜しんさいのなかのろくねんせいとせんせいのひび〜）は、2011年6月4日から2012年4月8日までNHK Eテレで放送されていたテレビ番組。 　　Eテレ版：相葉雅紀（嵐） 　　NHKスペシャル：手嶌葵

21人の輪〜震災のなかの6年生と先生の日々〜（にじゅういちにんのわ〜しんさいのなかのろくねんせいとせんせいのひび〜）は、2011年6月4日から2012年4月8日までNHK Eテレで放送されていたテレビ番組。 　　Eテレ版：相葉雅紀（嵐） 　　NHKスペシャル：手嶌葵

毕业前夕，我将过年期间讨到的红包存入银行。与此同时，即将入职的直播工作需提前缴纳一笔保证金。穿梭于教堂、银行、停车场与垃圾站之间，却始终困在系统的牢笼。我们究竟在扮演什么？这不仅是一个青年的迷失，更是一个时代的症候——在这里，所有人都在用扮演对抗虚无，用荒诞消解荒诞。影片对焦不同社会空间中的生存状态，追问在扮演与荒诞中，我们是否还能赎回真实的自我。 　　Graduation eve: deposited New Year red envelopes, yet my new live streaming job demanded upfront cash. Trapped shuttling church, bank, parking lot, garbage dump. Roles cage us all. Film questions existential states across social spaces: can authenticity survive role-playing and absurdity?

毕业前夕，我将过年期间讨到的红包存入银行。与此同时，即将入职的直播工作需提前缴纳一笔保证金。穿梭于教堂、银行、停车场与垃圾站之间，却始终困在系统的牢笼。我们究竟在扮演什么？这不仅是一个青年的迷失，更是一个时代的症候——在这里，所有人都在用扮演对抗虚无，用荒诞消解荒诞。影片对焦不同社会空间中的生存状态，追问在扮演与荒诞中，我们是否还能赎回真实的自我。 　　Graduation eve: deposited New Year red envelopes, yet my new live streaming job demanded upfront cash. Trapped shuttling church, bank, parking lot, garbage dump. Roles cage us all. Film questions existential states across social spaces: can authenticity survive role-playing and absurdity?

In Nerven, writer-director-producer Robert Reinert tried to capture the "nervous epidemic" caused by war and misery which "drives people mad". This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff who looses his mind in view of catastrophies and social disturbances, teacher John who is the hero of the masses and Marja who turns into a radical revolutionary. Using different fragments the Munich Film Museum could reconstruct this forgotten German classic which is a historic document and anticipates already elements of the Expressionist cinema of the 1920s. 　　Having a more complete version of Nerven available is a wonderful contribution to our understanding of film history. The standard version was known to very few students of cinema, and though it was impressive, it was somewhat incoherent. We are still lacking a lot of footage, but Stefan Droessler and his team have added what they could and arranged the sequences into a more intelligible order. The quality of the restoration, moreover, makes the film's visual style even more vivid and unsettling. 　　Released shortly before The Cabinet of Dr. Caligari, Nerven ought to have entered the Expressionist canon. Its themes echo the movement's post-Romantic attack on capitalism and the modern conception of the anguished soul. Its narrative plays out the implications of such icons of Expressionist art as convulsive crowds and men's homicidal urges toward women. Just as important, the film's pictorial design finds an original way to convey the tale's emotional tenor, the sense of nervous anxiety strung ever tighter. Significantly, Reinert achieves a unique look without recourse to the painted sets of Caligari, but through a unique use of other cinematic resources. 　　http://img186.imageshack.us/img186/196/nerven01jo3.jpg 　　http://img360.imageshack.us/img360/3403/nerven04en0.jpg 　　http://img117.imageshack.us/img117/8886/nerven06ts0.jpg 　　http://img238.imageshack.us/img238/7650/nerven07rf9.jpg 　　http://img523.imageshack.us/img523/2677/nerven09nk7.jpg

地震发生之后无意中拾到的一张照片，背后有怎样的故事？

地震发生之后无意中拾到的一张照片，背后有怎样的故事？