同是失去希望的犯人，男犯刘浪（中井贵一 饰）和女犯周红（苗圃 饰）在日常的劳动改造中由相识而发展到相惜。在那个特定的环境之中，他俩之间鲜有言语的交流，然而眼神却在他俩之间传达着彼此的信任和关怀。刘浪得知周红属鸡后求老良头（郭涛 饰）帮他俩算缘分，老良头告诉了他关于鸡蛇相配“凤求凰”的故事，自此，爱的种子在刘浪心中生根发芽。周红意外掉进天坑，刘浪冒命相救，在那个世外桃源般的地方，他俩度过人生中最美妙的日夜。然而在那个动荡的年代，美好总是那么短暂，刘浪和周红的命运随着时局几经沉浮，但两人心头对于彼此的牵挂与爱恋却未曾停息……

同是失去希望的犯人，男犯刘浪（中井贵一 饰）和女犯周红（苗圃 饰）在日常的劳动改造中由相识而发展到相惜。在那个特定的环境之中，他俩之间鲜有言语的交流，然而眼神却在他俩之间传达着彼此的信任和关怀。刘浪得知周红属鸡后求老良头（郭涛 饰）帮他俩算缘分，老良头告诉了他关于鸡蛇相配“凤求凰”的故事，自此，爱的种子在刘浪心中生根发芽。周红意外掉进天坑，刘浪冒命相救，在那个世外桃源般的地方，他俩度过人生中最美妙的日夜。然而在那个动荡的年代，美好总是那么短暂，刘浪和周红的命运随着时局几经沉浮，但两人心头对于彼此的牵挂与爱恋却未曾停息……

《凤凰》的故事主角是一个生活在西南边境的小女孩，全片讲述她寻找母亲、破解身世之谜的传奇故事。

《凤凰》的故事主角是一个生活在西南边境的小女孩，全片讲述她寻找母亲、破解身世之谜的传奇故事。

Arabeskebi Pirosmanis temaze (Arabesques on the Pirosmani Theme) 　　(1985), 25mins 　　A short mediation on the work of Georgian painter Niko Pirosmaniszvili (1862-1918). 　　Sergei Paradjanov was born in Tblisi, Georgia (former Soviet Union) in 1924. In 1964 he was able to direct 'Shadows of our Forgotten Ancestors'; a boldly conceived and astonishingly photographed blend of enchanting mythology, hypnotic religious iconography, and pagan magic introducing the world to a new idiosyncratic cinema talent. 　　In 1968 he created one of many masterpieces; "Sayat Nova" which was promptly banned by Soviet authorities. It was renamed (and re-edited without his approval) and entitled "The Color of Pomegranates". For religious sympathies and lack of conformity to the strict socialist realism of the former Soviet union Paradjanov was arrested in December of 1973 and sentenced to five years imprisonment - residing in various hard-labor camps. 　　An important group of world-famous filmmakers, artists and activists (including notables such as Federico Fellini, Tonino Guerra, Francesco Rosi, Poet Louis Aragon, Mikhail Vartanov, Giulietta Masina, Marcello Mastroianni and Bernardo Bertolucci) persistently protested Paradjanov was eventually released after 4 years. His activity remained monitored and he was limited by the Soviet authorities but 15 years after "Sayat Nova" he created "The Legend of the Suram Fortress"; a folk tale and adapted from the novella by Daniel Chongadze. Once again the cinema world was peering inside viewing vividly poetic and poignant imagery. 　　In 1986 Parajanov made yet another multi-award winning film, Ashug-Karibi (1988), based on a tale by Mikhail Lermontov, and he dedicated the film to his friend Andrei Tarkovsky. His stay in prison had crushed his health, and he passed away in July of 1990 of cancer, leaving the world a rich and unforgettable blend of unique and meaningful cinema but his legendary films live on and his picture adorns a postage stamp in Armenia.

Arabeskebi Pirosmanis temaze (Arabesques on the Pirosmani Theme) 　　(1985), 25mins 　　A short mediation on the work of Georgian painter Niko Pirosmaniszvili (1862-1918). 　　Sergei Paradjanov was born in Tblisi, Georgia (former Soviet Union) in 1924. In 1964 he was able to direct 'Shadows of our Forgotten Ancestors'; a boldly conceived and astonishingly photographed blend of enchanting mythology, hypnotic religious iconography, and pagan magic introducing the world to a new idiosyncratic cinema talent. 　　In 1968 he created one of many masterpieces; "Sayat Nova" which was promptly banned by Soviet authorities. It was renamed (and re-edited without his approval) and entitled "The Color of Pomegranates". For religious sympathies and lack of conformity to the strict socialist realism of the former Soviet union Paradjanov was arrested in December of 1973 and sentenced to five years imprisonment - residing in various hard-labor camps. 　　An important group of world-famous filmmakers, artists and activists (including notables such as Federico Fellini, Tonino Guerra, Francesco Rosi, Poet Louis Aragon, Mikhail Vartanov, Giulietta Masina, Marcello Mastroianni and Bernardo Bertolucci) persistently protested Paradjanov was eventually released after 4 years. His activity remained monitored and he was limited by the Soviet authorities but 15 years after "Sayat Nova" he created "The Legend of the Suram Fortress"; a folk tale and adapted from the novella by Daniel Chongadze. Once again the cinema world was peering inside viewing vividly poetic and poignant imagery. 　　In 1986 Parajanov made yet another multi-award winning film, Ashug-Karibi (1988), based on a tale by Mikhail Lermontov, and he dedicated the film to his friend Andrei Tarkovsky. His stay in prison had crushed his health, and he passed away in July of 1990 of cancer, leaving the world a rich and unforgettable blend of unique and meaningful cinema but his legendary films live on and his picture adorns a postage stamp in Armenia.

以中国第一座机械化矿井为主线，讲述心系强国的海归学子，在华打工的美国总统，爱恨纠葛的乱世情缘，杀机暗藏的中西交锋。爱情与梦想，金钱与大义，恩怨情仇交织出的传奇人生。导演张子恩继《宰相刘罗锅》、《京华烟云》后再度书写时代巨制。

荣敬梓老人突然收到一个来自日本的邮包，是一个精美的木盒。打开木盒，里面是一竿六十多年前的凤凰箫。寄邮包的日本老太太林田秀子去世前交代孙女把这竿凤凰箫寄还给荣敬梓老人。荣敬梓老人当即拿着凤凰箫打车出门。开出租车的司机碎嘴唠叨，搅得荣敬梓老人心烦意乱，干脆下车另换一辆出租车，这一下车，便把那竿凤凰箫忘记在了前一辆车上。丢了凤凰箫的荣敬梓老人失魂落魄，满大街拦住出租车寻找，逐个出租车公司打问，凤凰箫重无下落。遗失的那竿凤凰箫记录着少年时代荣敬梓和日本女孩林田秀子的几乎全部恩怨……

荣敬梓老人突然收到一个来自日本的邮包，是一个精美的木盒。打开木盒，里面是一竿六十多年前的凤凰箫。寄邮包的日本老太太林田秀子去世前交代孙女把这竿凤凰箫寄还给荣敬梓老人。荣敬梓老人当即拿着凤凰箫打车出门。开出租车的司机碎嘴唠叨，搅得荣敬梓老人心烦意乱，干脆下车另换一辆出租车，这一下车，便把那竿凤凰箫忘记在了前一辆车上。丢了凤凰箫的荣敬梓老人失魂落魄，满大街拦住出租车寻找，逐个出租车公司打问，凤凰箫重无下落。遗失的那竿凤凰箫记录着少年时代荣敬梓和日本女孩林田秀子的几乎全部恩怨……

民国年间，清末将领彭飞和其师父巴特鲁二人，为保护国宝“凤凰琉璃盏”而勇敢与日本忍者杀手浴血奋战，期间在蓝天龙、蓝凤凰和阿四等众多正义人士的帮助下消灭强敌，保护了国宝。同时，彭飞等江湖义士经此过程也找到了真正报效国家的光明大道。