该片参加2020年贾樟柯艺术中心第四届86358短片电影节特别展映 　　该片导演拍摄的电影《海上城市》2018年8月曾荣获洛迦诺电影节生命迹象单元最佳影片

该片参加2020年贾樟柯艺术中心第四届86358短片电影节特别展映 　　该片导演拍摄的电影《海上城市》2018年8月曾荣获洛迦诺电影节生命迹象单元最佳影片

毕业后的沈枝意在家乡岭南村开了一家民宿。在好朋友孟娇娇，马熠的帮助下，民宿逐渐有了起色。天文爱好者江澄经过精密的计算，预测一颗小陨石即将掉落在岭南村。为了拯救村民，他意外结识了孟娇娇，林岸锦，姜楚扬等年轻人。此时他们的生活和工作都陷入低谷，且厌倦了城市的内卷和复杂的人际交往。最初，民宿里的小伙伴有矛盾冲突，但在之后的相处过程中逐渐了解彼此的遭遇和故事，渐渐成为了知己好友，在远离城市喧嚣的世外桃源互相陪伴，各自成长。他们重新审视过往，互相帮助，在有风的地方整理好心情，获得力量重新出发。众人相聚在岭南村，不断地磨合，共同患难，克服了重重难关，成功将民宿经营起来，并且大力发展了岭南村的旅游业。

江澄观测到小行星将坠落到南岭村，跟着导航来到了半山伴山民宿。此时无赖江大海带着一辆挖掘机来到了民宿外准备推翻了民宿修建化工厂，村长及时出面阻止了江大海的行动，同时村长要求沈枝意要在三个月内拿出民宿未来十年的租金来换取这片土地的租用权，沈枝意无奈妥协。江澄转身与端着果盘跑过来的沈枝意相撞。江澄认出眼前就是他一直以来的暗恋对象沈枝意。沈枝意撒开江澄的手，手臂上没有出现任何反应。沈枝意误认为江澄为“姜总”投资人闹了乌龙。夜晚江澄与沈枝意叙旧，得知沈枝意已经分手兴奋不已。沈枝意和江澄在黑车司机那里帮投资人林岸锦拿回了行李。

苏青梨意外发现自己车祸失忆的老公时屿是装的，为了白月光江圆母女出国前，重温遗憾的旧情，串通医生隐瞒病情，谎称自己脑海中仅存的记忆都是和江圆母女的点滴。苏青梨强忍委屈看着时屿和江圆“一家人”其乐融融。 发现真相后，苏青梨终于心灰意冷，决定带着女儿移民，而时屿却一次次假借失忆伤害苏青梨和女儿，甚至为了白月光的女儿不惜让自己的女儿受伤，最终，苏青梨带着女儿离开时屿的世界，当她们消失之后，时屿慌了……

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

A stern, raw, one breath-timing journey, and the even darker conclusion. One picture, three women, so many sorrow - after all the unsolvable mystery. It's more than a film, more than an work of art, it's just like a poem without words, something incomprehensible, something personal called life. I saw this film 10 years ago, and I still remember it, because it's so powerful and awesome. That's why I really love the art movies, i'ts timeless, worthy and beautiful. The director was inspired by a photo, and he makes a whole world not with colors, but passion. Grab it,check it, and go over again and again......