女战神白镇南为救孤儿遭长公主肖玉陷害，临死前将凤凰神力传给女儿。孤儿朝阳救下其女明月，含辛茹苦抚养她长大，甚至牺牲清白为明月换取身份。明月考入军大，却遭肖玉之女陈菲打压。陈菲以朝阳为饵诱杀明月，朝阳为护明月而死，激发凤凰神力彻底觉醒。明月复仇成功，终结反派，完成众人夙愿。

赖对对在高中时期无意间招惹了学霸江佐，并获得她的芳心，可谁知脸盲症晚期的她转脸就忘了人家长相。大学重遇后，江佐利用学霸身份，把自己强行塞进学渣赖对对的生活中。二人经过重重风波和一波三折的感情危机，使彼此重新看到了对方的真心。

《爱一夏》（รักตะลอน ออน เดอะ บีช）是泰国青春爱情喜剧电影，2011年10月在泰国上映。 　　夏天，人们大多不喜欢充满冒险和美丽的海滩。洋岛四周的沙滩还有清澈的海水，环绕着少年。在这个读书季，我们来到了这里，为了想要放松每一天。这就是电影的最初。……在这个海滩旅游季，这个夏天，这部电影，让他们来告诉我。

一次人为的意外，失忆落难总裁被大大咧咧的小渔女救起，究竟是欢喜冤家还是天降奇缘？

#新剧资讯# 青春校园网剧《冰糖一夏》即将开拍！该剧根据小说《学霸，请离我远一点》改编，由奇時影业出品，预计今年9月下旬在厦门开机。又是一部小甜剧正在筹拍

一次人为的意外，失忆落难总裁被大大咧咧的小渔女救起，究竟是欢喜冤家还是天降奇缘？

In this sentimental drama, young Daniel has to confront his enemy in the boxing ring and fight out what it was like to be Jewish just before the war began. This was one of Ronnie Scribner's best performances with the redeeming feature of the movie being a very tough boxing match in which both boys take a real battering.

Set against the backdrop of an imperial victory in the civil war leading up to the Meiji Restoration, Fallen Blossoms tells the story of the sorrows of women in a geisha house in Kyoto by recounting the relationships of its inhabitants. 　　Alexander Jacoby & Johan Nordström wrote: 　　Ishida’s original and brilliant film tells history as ‘her story’. Against the backdrop of a victory for the imperial forces in the civil war leading up to the Meiji Restoration, Ishida recounts the relationships among the inhabitants of a Kyoto geisha house, producing what has been described by Noël Burch as “one of the most remarkable community portraits ever filmed”. The film is set completely inside the house, with only female characters ever seen on screen. 　　For Burch, “the exclusion from the scene of men, patrons or soldiers, is a meaningful corollary of the exclusion of Japanese women from the history of the country”. Ishida narrates his story using an imaginative cinematic style in which shots are almost never repeated. The narrative, Burch notes, evokes Chekhov, but he judges its “combination of a restricted, unified setting and continual renewal of the imagery” to be unparalleled in conventional narrative cinema.