阿根廷新浪潮电影大师托雷尼尔逊最好的作品之一，1961年嘎纳国际电影节费比西奖，60年代最重要的阿根廷新电影之一，喜欢Jean Cocteau或者Georges Franju的应该会同样喜欢这部影片吧。 　　Leopoldo Torre Nilsson was probably the best film director in Argentina. He was a man with a vision. He was the one that elevated the local cinema and put it on the map in the late 50s and early 60s. He almost always worked on screen plays based on his wife, Beatriz Guido's novels, as is the case here. 　　This gothic tale of hidden monsters and well kept secrets among the provincial bourgeoisie had more impact for me the first time I watched it. On second viewing what seemed so eerie before doesn't hold true any more. 　　The husband-and-wife team of Beatriz Guido and Leopoldo Torre-Nilsson once again write and direct, respectively, to create another drama about the lives of an upper middle-class segment of society. In this engaging story, a young woman, Laura (Elsa Daniel), comes back from boarding school to a home that has seen wealthy days but is now barely managing. She discovers that an aunt has locked herself up in the attic to spend the rest of her life mourning the loss of her one great love, a loss that occurred when the man jilted her on their wedding day. Laura decides to hunt the man down and bring him to meet her aunt, just to save the woman from herself. She succeeds in tracking him, and convinces him to visit her aunt, while she herself is very much taken with his charm and stunningly handsome looks. The entire scenario shifts after Laura's original objective is reached.

阿根廷新浪潮电影大师托雷尼尔逊最好的作品之一，1961年嘎纳国际电影节费比西奖，60年代最重要的阿根廷新电影之一，喜欢Jean Cocteau或者Georges Franju的应该会同样喜欢这部影片吧。 　　Leopoldo Torre Nilsson was probably the best film director in Argentina. He was a man with a vision. He was the one that elevated the local cinema and put it on the map in the late 50s and early 60s. He almost always worked on screen plays based on his wife, Beatriz Guido's novels, as is the case here. 　　This gothic tale of hidden monsters and well kept secrets among the provincial bourgeoisie had more impact for me the first time I watched it. On second viewing what seemed so eerie before doesn't hold true any more. 　　The husband-and-wife team of Beatriz Guido and Leopoldo Torre-Nilsson once again write and direct, respectively, to create another drama about the lives of an upper middle-class segment of society. In this engaging story, a young woman, Laura (Elsa Daniel), comes back from boarding school to a home that has seen wealthy days but is now barely managing. She discovers that an aunt has locked herself up in the attic to spend the rest of her life mourning the loss of her one great love, a loss that occurred when the man jilted her on their wedding day. Laura decides to hunt the man down and bring him to meet her aunt, just to save the woman from herself. She succeeds in tracking him, and convinces him to visit her aunt, while she herself is very much taken with his charm and stunningly handsome looks. The entire scenario shifts after Laura's original objective is reached.

这是一个关于摇滚、爱情和友谊的故事。列宁格勒，80年代初的一个夏天：摇滚音乐在当地风靡一时。Viktor Tsoï是位年轻的音乐家，就像其他年轻人一样，他也被齐柏林飞船和大卫·鲍伊的音乐所吸引，并尝试在摇滚乐坛上闯出一片名堂。一天，他遇到了偶像Mike和他漂亮的妻子Natacha。这次邂逅使他的命运发生了巨大转变。他们三人将一同写就Viktor的传奇，使他名留青史。

这是一个关于摇滚、爱情和友谊的故事。列宁格勒，80年代初的一个夏天：摇滚音乐在当地风靡一时。Viktor Tsoï是位年轻的音乐家，就像其他年轻人一样，他也被齐柏林飞船和大卫·鲍伊的音乐所吸引，并尝试在摇滚乐坛上闯出一片名堂。一天，他遇到了偶像Mike和他漂亮的妻子Natacha。这次邂逅使他的命运发生了巨大转变。他们三人将一同写就Viktor的传奇，使他名留青史。

许半夏 （ 赵丽颖 饰）与童骁骑 （ 欧豪 饰）、陈宇宙 （ 黄澄澄 饰）三人白手起家，最初以收废钢铁为业务，后逐步接触钢铁行业，开始周旋于大型国企、外企、私营企业之间，在漫长的创业岁月中，结识了赵垒 （ 李光洁 饰）、伍建设 （ 刘威 饰）、裘毕正 （ 冯嘉怡 饰）、高跃进 （ 柯蓝 饰）等各色各样的商界人物，感受到了人情冷暖和商场纷争的残酷无情。许半夏凭借其独到的眼光和果敢的个性，在男人扎堆的钢铁行业里披荆斩棘，闯出了一片天地。期间，许半夏经历了良心与资本、道德与利益的矛盾与挣扎，既有痛苦、波折，也有甘甜、收获 。

这是一部时代群像闯剧，讲述了以许半夏为首的有志者怀抱雄心壮志在改革开放的大潮中，奔流涌动，积极探索，不断创新的故事，也展现了上世纪九十年代中小企业在时代浪潮中生存并寻求发展的现实。许半夏（赵丽颖 饰）与童骁骑（欧豪 饰）、陈宇宙（黄澄澄 饰）三人白手起家，最初以收废钢铁为业务，后逐步接触钢铁行业，开始周旋于大型国企、外企、私营企业之间，在漫长的创业岁月中，结识了赵垒（李光洁 饰）、伍建设（刘威 饰）、裘毕正（冯嘉怡 饰）、高跃进（柯蓝 饰）等各色各样的商界人物，感受到了人情冷暖和商场纷争的残酷无情。许半夏凭借其独到的眼光和果敢的个性，在男人扎堆的钢铁行业里披荆斩棘，闯出了一片天地。期间，许半夏经历了良心与资本、道德与利益的矛盾与挣扎，既有痛苦、波折，也有甘甜、收获。 　　该剧改编自阿耐的小说《不得往生》。

The chef was a quiet, reserved man, but deeply devoted to his ailing daughter. Desperate to pay for her medical treatment, he had begged for help from everyone he could—only to be turned away each time. One day, just as despair began to consume him, a customer suddenly collapsed in his restaurant, blood quickly pooling on the floor. The chef reached for his phone to call the police, but then his eyes caught sight of a black duffel bag lying beside the man. He opened it—and found it stuffed with cash. Torn between guilt and desperation, he hesitated. But in the end, he took the money and meticulously cleaned up the scene, disposing of the body. When he returned to the restaurant, his wife was waiting with unexpected news: someone had agreed to lend them the money. It had already been transferred to his bank account. The chef said nothing. The cruelty of fate had left him utterly speechless.

人近中年的妇女肖青因为企业倒闭而失业，但她没有向命运屈服，她选择了自己创业。经历了欺骗、疾病、陷害等各种困境，最后她终于创立了属于自己的海参品牌。

人近中年的妇女肖青因为企业倒闭而失业，但她没有向命运屈服，她选择了自己创业。经历了欺骗、疾病、陷害等各种困境，最后她终于创立了属于自己的海参品…