Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。

A stern, raw, one breath-timing journey, and the even darker conclusion. One picture, three women, so many sorrow - after all the unsolvable mystery. It's more than a film, more than an work of art, it's just like a poem without words, something incomprehensible, something personal called life. I saw this film 10 years ago, and I still remember it, because it's so powerful and awesome. That's why I really love the art movies, i'ts timeless, worthy and beautiful. The director was inspired by a photo, and he makes a whole world not with colors, but passion. Grab it,check it, and go over again and again......

A stern, raw, one breath-timing journey, and the even darker conclusion. One picture, three women, so many sorrow - after all the unsolvable mystery. It's more than a film, more than an work of art, it's just like a poem without words, something incomprehensible, something personal called life. I saw this film 10 years ago, and I still remember it, because it's so powerful and awesome. That's why I really love the art movies, i'ts timeless, worthy and beautiful. The director was inspired by a photo, and he makes a whole world not with colors, but passion. Grab it,check it, and go over again and again......

皮克斯发布“SparkShorts”计划动画短片合集预告。包括[毛线球布尔]、[粉碎与掠夺]、[小野猫与斗牛犬]、[漂浮](Float，暂译)、[循环](Loop，暂译)、[风](Wind，暂译)六部短片。 　　这部是一个亚裔的亲情故事，奶奶和一个小男孩的科幻故事，没有对白，非常的残酷。

自远而近，传来了风的呜咽。愁云乱滚的窗外，树叶无根无系，随风飘荡。一个消瘦的男人从画面的右方出现，他顶着狂风前进，可是过于强大的风力让他根本无法站立。他时而被吹得倒退回去，时而将身躯俯成极低的角度蹒跚。然而总在不经意间失去控制，狼狈非常地滚来滚去。仿佛跌入了一个错乱的时空黑洞，他沿着同一个方向滚出滚入。而就在此时，一个小女孩则灵巧地走入画面，她仿佛全然不会受到风的影响，很漫不经心地走到最左边，关上了门。那一刻狂风戛然而止……

《风》一片中，自然的力量摧毁了一个娇小的年轻的女人（吉斯饰），她被困于一间处于风沙侵袭之中的沙漠小屋。通过电影拍摄技术和吉斯的表演，风成功地被表现为宇宙中曾经对脆弱的人性实施暴虐的一切力量的象征。而当面对一个野蛮男人的袭击时，看似单纯而脆弱的吉斯显示了她个性中勇敢与反抗的一面。

《风》一片中，自然的力量摧毁了一个娇小的年轻的女人（吉斯饰），她被困于一间处于风沙侵袭之中的沙漠小屋。通过电影拍摄技术和吉斯的表演，风成功地被表现为宇宙中曾经对脆弱的人性实施暴虐的一切力量的象征。而当面对一个野蛮男人的袭击时，看似单纯而脆弱的吉斯显示了她个性中勇敢与反抗的一面。