Woman in a Landscape (Zena sa krajolikom) 　　(Ivica Matic, Yugoslavia , 1976) 　　68 m, subtitles 　　16 mm colour 　　http://www.bosnia.org.uk/outofbosnia/cinema.shtm 　　A self-taught naive painter attracts the attention of a local married woman. Their liaison upsets the balance of their community and puts them into conflict with their neighbours. A beautifully shot film with great feeling for painting and the surrounding landscape. 　　This pastoral drama celebrates the dedication and courage of a man wholly given over to painting and art. In the story, a forestry worker (Stole Arandelovic) is transferred to a small village in Bosnia, and is seen to be constantly busy with some form of artwork. He even asks for women to model nude for him. This odd activity at first leads the suspicious villagers to attempt to torment him by desecrating his canvases, but he endures this period, marries a local woman, and dies prematurely. In an uncanny fashion, the director Ivica Matic's life mirrors this, his only film, in that he died unexpectedly in his late twenties, only a few days after the last scene was shot in 1976. It was compiled and edited for release by a group of his friends in the late 1980s.

Two escaped convicts are on the run in an unnamed Latin American country. But everywhere they go, they are followed and hounded by a menacing black helicopter.

Two escaped convicts are on the run in an unnamed Latin American country. But everywhere they go, they are followed and hounded by a menacing black helicopter.

在线观看：http://zhaoliangstudio.com/work/dispatch-in-green-lanscape?lang=zh-CN

抗战期间，连年烽烟，生灵涂炭。中华民族的热血青年们积极投身于抗日队伍中，奋勇杀敌保家卫国。同时也涌现了一群少年英雄，他们是少年游击队员何大勇、云霞、大兵、刘小兰、赵晓敏、婉芸等人。孩子们在民兵游击队马大队长，和马冬梅老师照顾下习文练武。何大勇等人利用年纪小容易被鬼子忽视的优势，何大勇靠着这过目不忘的本领，把情报记在脑子里将情报送了出去。马冬梅被小野抓住骗过小野，并拿走小野的手枪，气急败坏的小野要求汉奸富贵在三天之内找到自己的手枪，找不到就要血洗何家大院。富贵为小野寻枪，却遭到大勇等孩子们的顽皮捉弄。马队长和冬梅在教育孩子们的问题上，也产生了矛盾。马冬梅带领孩子们写"打倒日本帝国主义，中国共产党万岁"抗战爱国的大字报，并趁夜在村内张贴。冬梅却不幸被巡逻的鬼子兵抓获。冬梅被小野严刑拷打，仍视死如归。 以何大勇为首的少年游击队队员与小野为首的日本鬼子们斗智斗勇；并为八路军和游击队里应外合一举拿下小野据点，立下汗马功劳，逐渐成长为勇敢优秀的少年游击队。

A poignant yet understated film which focuses on the everyday hardships of an isolated Iranian community on the border with Afghanistan, Delbaran centres on the story of a 14-year Afghan refugee working in a truck stop in the 'town' which gives its name to the film. The film is unusual in having very little dialogue and offers nothing by way of explanation of the wider context of war and cross-border migration which forms the backdrop to the events that are portrayed. The characters in the film are all too aware of the conflict and the sounds of automatic weapons are always within earshot, but they are so much an accepted part of their lives that they feel no need to comment on them. And that is one of the strengths of the film that makes it so compelling a portrait of life in this remote community. At one level, very little seems to go on in the film which has the feel of a documentary without a voiceover. In fact, a lot happens off camera, as revealed by indirect images and sounds, but the main emphasis of the film is the extraordinary yet humdrum nature of life in a marginalized community. The film has a distinctive look and feel, with an emphasis on images, movement and sound, and, although one would be hard pressed to identify a conventional narrative structure or message, there are aspects that resonate in the mind long after watching it. A recurring image is of three or even four men riding a single motorbike back and forth along a dusty mountain road. An especially poignant moment in a film in which the hardships of life mean that the characters hardly ever show great emotion, is when the central character of the 14-year old boy, Kaim, is offered medical help for an ear infection: his smile lights up the screen at this small act of human kindness. Highly recommended.

抗战期间，连年烽烟，生灵涂炭。中华民族的热血青年们积极投身于抗日队伍中，奋勇杀敌保家卫国。同时也涌现了一群少年英雄，他们是少年游击队员何大勇、云霞、大兵、刘小兰、赵晓敏、婉芸等人。孩子们在民兵游击队马大队长，和马冬梅老师照顾下习文练武。何大勇等人利用年纪小容易被鬼子忽视的优势，何大勇靠着这过目不忘的本领，把情报记在脑子里将情报送了出去。马冬梅被小野抓住骗过小野，并拿走小野的手枪，气急败坏的小野要求汉奸富贵在三天之内找到自己的手枪，找不到就要血洗何家大院。富贵为小野寻枪，却遭到大勇等孩子们的顽皮捉弄。马队长和冬梅在教育孩子们的问题上，也产生了矛盾。马冬梅带领孩子们写"打倒日本帝国主义，中国共产党万岁"抗战爱国的大字报，并趁夜在村内张贴。冬梅却不幸被巡逻的鬼子兵抓获。冬梅被小野严刑拷打，仍视死如归。 以何大勇为首的少年游击队队员与小野为首的日本鬼子们斗智斗勇；并为八路军和游击队里应外合一举拿下小野据点，立下汗马功劳，逐渐成长为勇敢优秀的少年游击队。

抵抗的风景追溯了 97 岁的反法西斯战士索尼娅的记忆之旅，她是南斯拉夫最早的女游击队员之一，也是奥斯维辛抵抗运动的领导人之一。正如索尼娅所说，我们穿越了她现在存在的革命青年的风景——塞尔维亚的森林和山脉以及奥斯威辛的泥泞地带——以及她与丈夫和猫住在一起的贝尔格莱德小家。由于索尼娅是一个伟大的讲故事的人，能够在没有后见之明的情况下讲述过去的事件，她将我们直接带入了引发反法西斯抵抗的独特氛围和心态。我们看到她的故事穿越时间流向新一代的身体，证明思考和练习抵抗总是可能的。

讲述伪装老人是孤独死的破旧小区，听到犯人告解圣事的老神父，和中年女刑警合作而展开的追踪惊悚故事。

《尽头的风景》是亚历山德罗·努纳德里（Alessandro Lunardelli）的导演处女作，由意大利和智利联合拍摄，在意大利、西班牙和智利三国取景，是一部讲述兄弟亲情、身份认同和成长冒险的公路电影。主人公戴维和哥哥诺里斯一直生活在意大利北部小城，兄弟俩很早就接手了家族产业。戴维18岁，是一个没有公开出柜的同志；诺里斯30岁不到，只热爱足球，对弟弟的性取向一无所知。为观看所支持球队的比赛，诺里斯带戴维前往巴塞罗那，结果在那里戴维遇见了智利来的环保狂热分子安迪。两个年轻人一见钟情，当安迪向戴维提出一起回南美生活后，戴维没有经过多少心理挣扎就和安迪来到了圣地亚哥。一个全新的世界在戴维面前展开，可很多事并不像他想象的那样轻松。与此同时诺里斯也踏上了前往圣地亚哥的旅途，希望能够带弟弟回家...◎QAF