Woman in a Landscape (Zena sa krajolikom) 　　(Ivica Matic, Yugoslavia , 1976) 　　68 m, subtitles 　　16 mm colour 　　http://www.bosnia.org.uk/outofbosnia/cinema.shtm 　　A self-taught naive painter attracts the attention of a local married woman. Their liaison upsets the balance of their community and puts them into conflict with their neighbours. A beautifully shot film with great feeling for painting and the surrounding landscape. 　　This pastoral drama celebrates the dedication and courage of a man wholly given over to painting and art. In the story, a forestry worker (Stole Arandelovic) is transferred to a small village in Bosnia, and is seen to be constantly busy with some form of artwork. He even asks for women to model nude for him. This odd activity at first leads the suspicious villagers to attempt to torment him by desecrating his canvases, but he endures this period, marries a local woman, and dies prematurely. In an uncanny fashion, the director Ivica Matic's life mirrors this, his only film, in that he died unexpectedly in his late twenties, only a few days after the last scene was shot in 1976. It was compiled and edited for release by a group of his friends in the late 1980s.

Woman in a Landscape (Zena sa krajolikom) 　　(Ivica Matic, Yugoslavia , 1976) 　　68 m, subtitles 　　16 mm colour 　　http://www.bosnia.org.uk/outofbosnia/cinema.shtm 　　A self-taught naive painter attracts the attention of a local married woman. Their liaison upsets the balance of their community and puts them into conflict with their neighbours. A beautifully shot film with great feeling for painting and the surrounding landscape. 　　This pastoral drama celebrates the dedication and courage of a man wholly given over to painting and art. In the story, a forestry worker (Stole Arandelovic) is transferred to a small village in Bosnia, and is seen to be constantly busy with some form of artwork. He even asks for women to model nude for him. This odd activity at first leads the suspicious villagers to attempt to torment him by desecrating his canvases, but he endures this period, marries a local woman, and dies prematurely. In an uncanny fashion, the director Ivica Matic's life mirrors this, his only film, in that he died unexpectedly in his late twenties, only a few days after the last scene was shot in 1976. It was compiled and edited for release by a group of his friends in the late 1980s.

在线观看：http://zhaoliangstudio.com/work/dispatch-in-green-lanscape?lang=zh-CN

在线观看：http://zhaoliangstudio.com/work/dispatch-in-green-lanscape?lang=zh-CN

Two escaped convicts are on the run in an unnamed Latin American country. But everywhere they go, they are followed and hounded by a menacing black helicopter.

Two escaped convicts are on the run in an unnamed Latin American country. But everywhere they go, they are followed and hounded by a menacing black helicopter.

著名导演Abolfazl Jalili讲述了一个在伊朗非法生活的年轻阿富汗难民的富有同情心的故事。14岁的Kaim来到阿富汗-伊朗边境的Delbaran边境点，在那里他在一家卡车司机经常光顾的咖啡店找到了工作。在这里，他感到宾至如归，尽管背景中可以听到战争的声音，暴力的土匪在路上徘徊。当我们看着Kaim日复一日地从一项任务跑到另一项任务时，我们很快意识到我们看到的是一个被欺骗的男孩。

抗战期间，连年烽烟，生灵涂炭。中华民族的热血青年们积极投身于抗日队伍中，奋勇杀敌保家卫国。同时也涌现了一群少年英雄，他们是少年游击队员何大勇、云霞、大兵、刘小兰、赵晓敏、婉芸等人。孩子们在民兵游击队马大队长，和马冬梅老师照顾下习文练武。何大勇等人利用年纪小容易被鬼子忽视的优势，何大勇靠着这过目不忘的本领，把情报记在脑子里将情报送了出去。马冬梅被小野抓住骗过小野，并拿走小野的手枪，气急败坏的小野要求汉奸富贵在三天之内找到自己的手枪，找不到就要血洗何家大院。富贵为小野寻枪，却遭到大勇等孩子们的顽皮捉弄。马队长和冬梅在教育孩子们的问题上，也产生了矛盾。马冬梅带领孩子们写"打倒日本帝国主义，中国共产党万岁"抗战爱国的大字报，并趁夜在村内张贴。冬梅却不幸被巡逻的鬼子兵抓获。冬梅被小野严刑拷打，仍视死如归。 以何大勇为首的少年游击队队员与小野为首的日本鬼子们斗智斗勇；并为八路军和游击队里应外合一举拿下小野据点，立下汗马功劳，逐渐成长为勇敢优秀的少年游击队。

A poignant yet understated film which focuses on the everyday hardships of an isolated Iranian community on the border with Afghanistan, Delbaran centres on the story of a 14-year Afghan refugee working in a truck stop in the 'town' which gives its name to the film. The film is unusual in having very little dialogue and offers nothing by way of explanation of the wider context of war and cross-border migration which forms the backdrop to the events that are portrayed. The characters in the film are all too aware of the conflict and the sounds of automatic weapons are always within earshot, but they are so much an accepted part of their lives that they feel no need to comment on them. And that is one of the strengths of the film that makes it so compelling a portrait of life in this remote community. At one level, very little seems to go on in the film which has the feel of a documentary without a voiceover. In fact, a lot happens off camera, as revealed by indirect images and sounds, but the main emphasis of the film is the extraordinary yet humdrum nature of life in a marginalized community. The film has a distinctive look and feel, with an emphasis on images, movement and sound, and, although one would be hard pressed to identify a conventional narrative structure or message, there are aspects that resonate in the mind long after watching it. A recurring image is of three or even four men riding a single motorbike back and forth along a dusty mountain road. An especially poignant moment in a film in which the hardships of life mean that the characters hardly ever show great emotion, is when the central character of the 14-year old boy, Kaim, is offered medical help for an ear infection: his smile lights up the screen at this small act of human kindness. Highly recommended.

抗战期间，连年烽烟，生灵涂炭。中华民族的热血青年们积极投身于抗日队伍中，奋勇杀敌保家卫国。同时也涌现了一群少年英雄，他们是少年游击队员何大勇、云霞、大兵、刘小兰、赵晓敏、婉芸等人。孩子们在民兵游击队马大队长，和马冬梅老师照顾下习文练武。何大勇等人利用年纪小容易被鬼子忽视的优势，何大勇靠着这过目不忘的本领，把情报记在脑子里将情报送了出去。马冬梅被小野抓住骗过小野，并拿走小野的手枪，气急败坏的小野要求汉奸富贵在三天之内找到自己的手枪，找不到就要血洗何家大院。富贵为小野寻枪，却遭到大勇等孩子们的顽皮捉弄。马队长和冬梅在教育孩子们的问题上，也产生了矛盾。马冬梅带领孩子们写"打倒日本帝国主义，中国共产党万岁"抗战爱国的大字报，并趁夜在村内张贴。冬梅却不幸被巡逻的鬼子兵抓获。冬梅被小野严刑拷打，仍视死如归。 以何大勇为首的少年游击队队员与小野为首的日本鬼子们斗智斗勇；并为八路军和游击队里应外合一举拿下小野据点，立下汗马功劳，逐渐成长为勇敢优秀的少年游击队。