The chef was a quiet, reserved man, but deeply devoted to his ailing daughter. Desperate to pay for her medical treatment, he had begged for help from everyone he could—only to be turned away each time. One day, just as despair began to consume him, a customer suddenly collapsed in his restaurant, blood quickly pooling on the floor. The chef reached for his phone to call the police, but then his eyes caught sight of a black duffel bag lying beside the man. He opened it—and found it stuffed with cash. Torn between guilt and desperation, he hesitated. But in the end, he took the money and meticulously cleaned up the scene, disposing of the body. When he returned to the restaurant, his wife was waiting with unexpected news: someone had agreed to lend them the money. It had already been transferred to his bank account. The chef said nothing. The cruelty of fate had left him utterly speechless.

1942年，河南连年灾荒，大批的老百姓不得不挑起担子，向西逃荒，十岁的郝玉兰跟着父亲郝仁义也融入这逃荒大军，来到了古城西安。为了谋生，十六岁的玉兰…

We don't have an overview translated in English. Help us expand our database by adding one.

女孩独自行走于深夜街巷，幽暗灯光与寂静环境下，潜藏的视线与脚步声悄然逼近。她内心的不安与恐惧如影随形，现实与幻象交织成梦魇。短片以水墨风格展现女性夜路中的心理挣扎，描绘一场关于警觉与自我保护的“夜行”。

实验纪录片《夜行》是一部由夜景照片、导演自己画的简笔素描，以及朝鲜时代文人诗作构成的风景电影，没有任何人物出现。导演SOHN Koo-yong之前从事照片摄像，后转向电影，但比起电影仍更偏向使用其他媒介。

实验纪录片《夜行》是一部由夜景照片、导演自己画的简笔素描，以及朝鲜时代文人诗作构成的风景电影，没有任何人物出现。导演SOHN Koo-yong之前从事照片摄像，后转向电影，但比起电影仍更偏向使用其他媒介。