When a Bolivian Indian travels to town to sell his produce, a half-caste who usually buys his goods visits the man's hut. He finds the man's wife alone and he is miffed when the husband is not there. After she explains that the town market will pay for the goods, the half-caste lusts after the wife and attacks her after she rejects his lecherous advances. The husband returns home to find his wife mortally wounded, and she reveals the identity of her killer with her dying breath. The bereaved husband bides his time, killing the man after he has become wealthy.

When a Bolivian Indian travels to town to sell his produce, a half-caste who usually buys his goods visits the man's hut. He finds the man's wife alone and he is miffed when the husband is not there. After she explains that the town market will pay for the goods, the half-caste lusts after the wife and attacks her after she rejects his lecherous advances. The husband returns home to find his wife mortally wounded, and she reveals the identity of her killer with her dying breath. The bereaved husband bides his time, killing the man after he has become wealthy.

《我们就是如此》改编自普利策奖获奖记者金杰·汤普森撰写的争议性调查文章，以富有想象力的方式再现了大屠杀发生前数日阿连德小镇居民的生活。本剧由詹姆斯·夏慕斯担任创剧人，并由墨西哥的莫妮卡·雷维利亚和费尔南达·梅尔乔共同担任编剧。《我们就是如此》从受害者的角度讲述了毒品战争的故事。在没有任何预警的情况下，美国缉毒局的行动失误在小镇上引发悲剧，受害者的生活从此被彻底改变。

沈宴、林茉和曲灏是青梅竹马，沈宴钟情林茉，而林茉与曲灏相爱并订婚。林茉父母因车祸离世后，沈宴发现曲家在林家父母死后获利巨大，经调查确认曲家设计害死林茉父母，便设法复仇，他毁掉曲家公司，将曲家驱至国外，想照顾林茉，却遭林茉误解，林茉远赴国外寻曲灏。 五年后，林茉回国被沈宴所救，沈宴将她留在身边，两人关系在爱恨中发展。此时曲灏回国复仇，一方面制造沈宴公司危机，一方面利用林茉获取机密。沈宴识破其伎俩并粉碎计划，曲灏绑架林茉，沈宴冒险相救。林茉得知真相，曲灏受到惩罚，最终沈宴与林茉走到一起。

Consisting solely of single individual words of (mainly) White Letters on a (mainly) Black screen with no sound. It is a featurette on the relationship of words and cinema. 　　There is no SOUND, so the only sound you "hear" are one's own as you silently "read" them to yourself. Despite the fact that it is just a series of words, the film itself develops a "personality" of sorts. Prodding, cajoling, baffling and ultimately, toying with the viewer. A one of a kind experience.

Consisting solely of single individual words of (mainly) White Letters on a (mainly) Black screen with no sound. It is a featurette on the relationship of words and cinema. 　　There is no SOUND, so the only sound you "hear" are one's own as you silently "read" them to yourself. Despite the fact that it is just a series of words, the film itself develops a "personality" of sorts. Prodding, cajoling, baffling and ultimately, toying with the viewer. A one of a kind experience.

故事发生在当下的马拉喀什。诺哈、蓝达,、苏凯娜和荷丽玛靠卖淫为生。她们是妓女，是用来满足欲望的物体。但是她们充满活力、有默契、自以为豪并且无拘无束。她们在生活中反对社会的暴力，这个社会一边利用她们，而一边又指责她们。

故事发生在当下的马拉喀什。诺哈、蓝达,、苏凯娜和荷丽玛靠卖淫为生。她们是妓女，是用来满足欲望的物体。但是她们充满活力、有默契、自以为豪并且无拘无束。她们在生活中反对社会的暴力，这个社会一边利用她们，而一边又指责她们。