An anthology film featuring three stories of closeted men and how their sexual obsessions lead to violence.

A group of moths invades a costume shop through a badly plugged hole in a window and makes quick work of the contents. A male moth ignores his lady to chow down on a hat and she's soon seduced by a candle flame, which rapidly spreads. He notices her trapped in a spider web with the fire attacking and makes some attempts to save her, but pours benzene on the fire by mistake. The rest of the moths are summoned, and they fight the fire with water-filled bagpipes, an air drop with a water-filled funnel, etc., while our hero works to free his lady from the spider web.

An anthology film featuring three stories of closeted men and how their sexual obsessions lead to violence.

A group of moths invades a costume shop through a badly plugged hole in a window and makes quick work of the contents. A male moth ignores his lady to chow down on a hat and she's soon seduced by a candle flame, which rapidly spreads. He notices her trapped in a spider web with the fire attacking and makes some attempts to save her, but pours benzene on the fire by mistake. The rest of the moths are summoned, and they fight the fire with water-filled bagpipes, an air drop with a water-filled funnel, etc., while our hero works to free his lady from the spider web.

出身豪门的沈云飞，为了大学时的爱人，毅然放弃了家族继承权，和普通女孩孟云薇一起打拼，不仅帮助孟云薇成为职场女精英，甚至因为保护对方，落得一个腿瘸残疾的下场。然而婚后多年，他的付出不仅被对方遗忘，甚至因为腿瘸屡屡遭受孟云薇的嫌弃，其中，更有孟云薇男闺蜜陈瑞阳的多次陷害，沈云飞心灰意冷，选择假死离开，回家族继承产业，与等待他多年的青梅秦雨涵成婚。而当孟云薇得知一切后，追悔莫及，但已经没有办法挽回了。

纳森的一夜情被突如其来的意外打断——炮友发现他身上长了奇怪的东西。纳森惊恐的向酒精、网络和注射器求助，但一切无济于事，直到...“Bug Chaser”（追虫者）在同志圈里指那些主动和HIV阳性的人发生关系、以期感染艾滋的人。◎QAF

纳森的一夜情被突如其来的意外打断——炮友发现他身上长了奇怪的东西。纳森惊恐的向酒精、网络和注射器求助，但一切无济于事，直到...“Bug Chaser”（追虫者）在同志圈里指那些主动和HIV阳性的人发生关系、以期感染艾滋的人。◎QAF

女主姜可画曾是富家千金，高中时父亲离世，母亲受刺激变疯后变得不再相信感情，一心调查当年的真相，为此招惹上陆之战，和陆之战开始了一段不同寻常的爱情故事。

In the summer of 1963, while Stan Brakhage was filming his epic Dog Star Man and forging his own cosmology in the process, he was also obsessively collecting the scattered remnants of moth wings, dry sprigs, seeds, blades of grass, and other bits of organic matter. He kept them like charms, pressed reverently between pieces of 16-mm Mylar – the “clear” polyester strips used in film editing. But once the artist had used up all his stock, running out of film, he decided to work directly with these prima materia drawn from reality, “reanimating” this personal still life by setting his microscopic collages into motion against the light. At times like a transfiguration of the rite that is the cinematic viewing experience (with beings drawn to and dancing before the film projector “flame”), at others like a metaphor for the fragile (unmediated and humble) nature of artistic creation, and always like a game in which the eye “must know each object encountered in life through an adventure in perception,” in the words of Brakhage himself, this hand-crafted work – originally titled Dead Spring – confronts and conquers death with each frame, 24 times per second. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1308/15244

"What a moth might see from birth to death if black were white and white were black." -S.B.